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Chesley Nominations

June 10, 2016 at 7:16 pm
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ASFA has announced this year’s nominations for the Chesley Awards.

I was very pleased to see that Magali Villenueve was nominated for her extraordinary and beautiful work on this year’s Ice & Fire calendar.

My congratulations to Magali. She faces some formidable competition, but we’ll be rooting for her. She’s a very talented young artist, and I hope we’ll be seeing a lot more of her work in the years and decades to come.

Also, I see that Richard Anderson is up for best hardcover cover for his cover for my friend Vic Milan’s novel DINOSAUR LORDS. Well deserved. It’s a stunning cover.

FILE 770 has the whole list here:

http://file770.com/?p=29364

((I do wish that the Hugo Awards would get rid of the ‘Best Professional Artist’ category, and go with a Best Cover award instead, like the Chesleys. Reward the work, not the person)).

All the King’s Horses…

May 16, 2016 at 3:03 pm
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Last year at Sasquan the worldcon business meeting passed two proposals to change the voting procedures for the Hugo Awards, to deal with the problems posed by slating. WSFS rules require that a change be passed by two successive worldcons before it takes effect, however, so both 4/6 and EPH will be up again for vote at MidAmericon II in August.

The 4/6 proposal is pretty straightforward. At present there are five finalists in each category, and each voter gets to nominate five choices for those five slots. 4/6 would increase the number of finalists to six, and simultaneously decrease the number of nominations allowed each voter to four. The theory being that a slate voting lockstep might take four slots, but not the whole category.

EPH, which stands for E Pluribus Hugo, is considerably more complicated, and I will not attempt to describe it here. It was designed by mathematicians and voting theorists, and will supposedly prevent a small disciplined minority from taking all the slots on the ballot. There’s been plenty of discussion and debate about EPH all over the internet.

Most recently, the designers of EPH have done a test run to see what impact the system would have had on the latest ballot. The results, and a spirited discussion of same, can be found over on Mike Glyer’s FILE 770, here: http://file770.com/?p=28946#comments

((For those of an academic and mathematical bent, the hard crunchy bits are here: https://www.schneier.com/academic/paperfiles/Proportional_Voting_System.pdf

From where I sit, the EPH results are not very encouraging.

Over the past few months, I’ve read countless variations of the statement that goes, “well, this is the last year we will have a problem, come summer we’ll pass EPH and all will be fine.” I had my doubts about that every time I heard it, and this new report just confirms them. We may indeed pass EPH, and it may help… a little… but all will not be fine.

We may pass 4/6 too, and that could also help… slightly… but it’s easily thwarted, if you have hundreds of followers who will do exactly as you tell them, and the Rabids seem to have just that.

If EPH and 4/6, or both, are passed at MidAmericon II, and work more-or-less as advertised, the slates will no longer be able to completely dominate entire categories by taking all five slots. The reforms should ensure that there are at least one or two legitimate nominees in every category. Which is better, certainly, than what has happened to Best Related Work the past two ballots, say. But it is still far from ideal. Future ballots will instead look more like last year’s Best Novelette, Best Professional Artist, and Best Fan Writer shortlists, or this year’s Best Fan Artist, all of which featured one legit choice and four slate candidates. Maybe we’d see some improvement in some categories, and have two finalists to choose between.

Better than what we have now? Sure. But comparable to being able to choose among five strong candidates to decide which one was the very best of the year? Not even close.

I can hear the proponents of EPH and 4/6 saying their reforms were never meant to be a cure all. Yes, I know that, I never believed otherwise, and I applaud your efforts to help. I just wish these reforms helped more. Neither EPH nor 4/6 is going to prevent us from having VD on the Best Editor shortlist from now until the heat death of the universe.

And I also know that there are now other proposals out there, proposals that call for three-stage voting, for negative votes and blackballing, for juries. Some of these cures, I fear, might be even worse than the disease. We have plenty of juried awards; we don’t need another. Three-stage voting, with fifteen semi-finalists that get boiled down to five finalists and one winner? Maybe, but that considerably increases the workload of the Hugo administrators, whose job is hard enough already… and I fear it would actually ratchet up campaigning, as friends and fans of those on the List of Fifteen rallied around their favorites to get them on the List of Five. And a blackball round, voting things off the ballot? Is that really a can of worms we want to open, in this present climate? That would dial the ugliness up to eleven, I fear… or higher.

Sadly, I don’t think there is an answer here. No magic bullet is going to fix this. And I fear that the people saying, “pretty soon the assholes will get bored and go away,” are being hopelessly naive. The assholes are having far too much fun.

A year ago April, when Sasquan announced the ballot, I wrote the Hugo Awards had been broken, and might never be fixed. A lot has happened since that time, and from time to time I’ve allowed myself to think that there was a light at the end of the tunnel, that this too would pass. Now I am starting to fear that my first reaction was the correct one.

The Hugo Awards have always been an occasion for joy, for celebrating excellence and recognizing the best among us. That’s what we need to get back to. But I don’t see how.

Nebula Winners Announced

May 15, 2016 at 12:52 am
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The winners of the SFWA’s annual Nebula Awards for the best science fiction and fantasy of 2016 have been announced at the Nebula banquet in Chicago.

(No, I’m not there. Wish I was. Sounds like a good time was had by all).

LOCUS has the story, as always:

http://www.locusmag.com/News/2016/05/10777/

Congratulations to all the winners… and to the runners-up and losers as well. As with the Hugo Awards, it is a proud and noble thing to lose a Nebula. (Lost a bunch myself).

The Replacements

May 6, 2016 at 2:44 pm
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MidAmericon II has finally announced the replacements for the two Hugo nominees who withdrew from the ballot as originally announced.

Replacing BLACK GATE in Best Fanzine is LADY BUSINESS, which can be found here http://ladybusiness.dreamwidth.org/

Replacing “The Commuter” by Thomas Mays in Short Story is “Cat Pictures Please” by Naomi Kritzer, which was originally published in CLARKESWORLD http://clarkesworldmagazine.com/kritzer_01_15/

I am not familiar with either of the new nominees… but since they were not part of any slate, I think both of them are likely to be strong contenders. I look forward to checking them out.

(As I said in a previous post, sixth place has never been so important).

((Though I am curious as to whether these two new finalists were indeed sixth. It seemed to take MAC a rather long time to announce the replacements after the withdrawal, something that could presumably be accomplished in minutes just by looking at the list and seeing who was next up — unless, perhaps, there were other withdrawals along the way? We’ll find out come August)).

Short Story and Fanzine were two categories where the Rabid Puppies had swept the field, top to bottom. Accordingly, they were also two categories that I had earmarked as being in need of Alfies. But the withdrawals and replacements broke the Rabid stranglehold, leaving me with a decision to make — do I still present Alfies in those categories, or no?

I am going to need to ponder that for a while.

Awards, Awards

May 3, 2016 at 6:34 pm
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The Hugo Awards may be the best-known and most prestigious awards for science fiction and fantasy, but they’re not the only ones. With the controversies about this year’s ballot raging on every side, we risk losing sight of the some other awards.

Such as the Locus Awards. Locus just announced the shortlist for those, which you can find here:http://www.locusmag.com/News/2016/05/2016-locus-awards-finalists/

I’m delighted to see that OLD VENUS is one of the finalists in Best Anthology, and that one of the stories therein, Elizabeth Bear’s “The Heart’s Filthy Lesson,” is a nominee in Best Novelette. Congratulations, Elizabeth! Oh, and Gardner Dozois was nominated as Best Editor. Congratulations, Gargy. Congratulations, Venus. Congratulations, me!

(OLD VENUS and OLD MARS both done very well, both critically and commercially. That’s very gratifying. If I ever find some spare time, Gardner and I need to do some more of those. OLD URANUS, anyone?)

The Locus Awards winners will be announced in Seattle, June 24 to 26.

Well before that, we will learn the winner of this year’s Nebula Awards. The Nebula Banquet is going to be in Chicago next weekend, May 14. My friend John Hodgman will be the master of ceremonies. You can still get a ticket, I think. Check it out: http://www.sfwa.org/nebula-awards/2016-nebula-conference/

Oh, and I’ve also been informed that the Spanish language edition of THE WORLD OF ICE & FIRE, the massive “fake history” book I did with Elio Garcia and Linda Antonnson, has been nominated for the Ignotus Award, one of the biggest SF/ awards prizes in Spain.

The full list of nominees is here: http://www.aefcft.com/nominaciones-a-los-premios-ignotus-2016/

Win or lose, as always, it is an honor just to be nominated.

Congrats…

April 20, 2016 at 3:29 pm
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[… to Garth Nix, who took home an Aurealis Award for his story in OLD VENUS, “By Frogsled and Lizardback to Outcast Venusian Lepers.” The Aurealis was established in 1995 to recognize the achievements of Australian writers of science fiction, fantasy, and horror.

For a full list of all of thus year’s award winners, go here: https://aurealisawards.org/

If you’d like to read Garth’s award-winning story, copies of OLD VENUS and its companion volume OLD MARS are still available from the Jean Cocteau bookshop, signed by both authors. http://www.jeancocteaubooks.com/

Good work, Garth… Gardner and I are pleased and proud to have published your story.

Countdown to Liftoff

March 21, 2016 at 7:45 pm
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Only ten more days remain until the close of nominations for the 2016 Hugo Awards, to be presented in Kansas City at MidAmericon II.

Are you a member of MidAmericon? Were you a member of Sasquan, last year’s worldcon in Spokane? Are you a member of the 2017 worldcon, to be held in Helsinki, Finland? If so, you’re eligible to nominate the books and stories and artists you loved best in 2015.

So, please… NOMINATE!

You can do it here: http://midamericon2.org/the-hugo-awards/hugo-nominations/

No fan of good will, no one who truly loves SF and fantasy and worldcon and fandom, wants a repeat of what happened to the Hugo Awards last year. I am not going to rehash that sorry mess; there’s no point to it, everything that needed to be said has been said, and a lot more besides. I would rather look to the future. Let’s restore the silver rocket to its former glory (and, by doing so, make a second round of Alfie Awards unnecessary) as a true measure of the year’s best work in imaginative literature.

I made my objections to the Puppy slates clear last year. This time around, the Sad Puppies at least changed from a slate to a recommendation list, to which I have no objections. I’ve looked at their list. There’s some great work on it. There’s some bad work on it, writers and books that I don’t think belong anywhere near a Hugo. And there’s a lot of books and stories that I haven’t gotten around to reading yet. The same could be said for most any list, however. There’s stuff on the Nebula shortlist I don’t like as well, and a lot of books on the LOCUS list that I have not read yet. (I will get to some of them. Too many books, too little time). Sad Puppies 4 played fair, in my estimation, and for that I commend them.

((The Rabid Puppies produced another slate. They have entirely different aims. And no, we will not discuss them here)).

And how about my own recommendations?

I’ve made a few. I did not issue them all at once, in a single list, but rather category by category over the past five months. I did not get to every category, and even with those I did, my recommendations are by no means exhaustive.

My intent, whenever I make a recommendation, is NOT to say, “Vote for this,” but rather, “Here’s something I really liked, take a look it it, you may find it deserving as well.”

Some of the other recommended reading lists are just lists of titles and names. Fine and good, I suppose, but I prefer to do a little more: to talk about the categories, the books, the authors, the artists and editors, and where I can to discuss WHY I think they deserve a nomination.

My posts are still up. For those who want to read them, here are links:

Short Fiction:
http://grrm.livejournal.com/476905.html

Professional Editor, Long Form:
http://grrm.livejournal.com/474144.html
http://grrm.livejournal.com/472316.html
http://grrm.livejournal.com/471834.html
http://grrm.livejournal.com/470764.html

Professional Editor, Short Form:
http://grrm.livejournal.com/471135.html

Professional Artist:
http://grrm.livejournal.com/462350.html

Graphic Story:
http://grrm.livejournal.com/460106.html

Related Work:
http://grrm.livejournal.com/458605.html

Dramatic Presentation, Short Form:
http://grrm.livejournal.com/453648.html

Dramatic Presentation, Long Form:
http://grrm.livejournal.com/452587.html

Novel:
http://grrm.livejournal.com/457140.html

If any of you go back and read those — and I hope you will — read the comments too. There are plenty of other recommendations to be found there, recommendations from my readers and friends. I am only one (overworked) guy, I can’t get to everything, it’s great to hear from other precincts. Especially when they tell you why they liked whatever it is they liked…

I did mean to get to some of the other categories. Alas, I failed. I am just not knowledgeable enough to make recommendations in some areas.

I did overlook some good choices even in the categories I covered. Naomi Novik’s UPROOTED is her best work to date, a very strong fantasy (though I had problems with the ending) and probably worth a nomination in Novel. I forgot about EX MACHINA when talking about Long Form Drama, but it’s a gripping and well done film, worthy of consideration. I recommended OUTLANDER for Short Form Drama, but it should be noted that the first season was telecast in two eight-episode arcs, and only the second eight are eligible, as the first eight were broadcast in 2014. I think JONATHAN STRANGE AND MR. NORRELL should be nominated in Long Form as a whole, rather than in Short Form, by episode, but others disagree.

Anyway… quibbles and additions aside… read, watch, consider… and please…

NOMINATE!

Nebula Nominees

February 25, 2016 at 2:52 pm
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SFWA has announced the finalists for this year’s Nebula Awards.

You can find the full list on the SFWA website, here: https://www.sfwa.org/2016/02/2015-nebula-awards-nominees-announced/

Congratulations to all the nominees… and to our new Grand Master, C.J. Cherryh.

And a special shout-out to David D. Levine, who is one of my Wild Cards writers. David is a finalist in Short Story for “Damage,” from Tor.com.

But speaking of David… do watch Tor.com for his next story, a Wild Cards original entitled “Discards.” It will be up on Tor.com in March, with an amazing John Picacio “cover.”

“Discards” is set in Rio, and introduces David’s new Brazilian ace, The Recycler. I think you’ll like it.

What They Edited, the Third

February 20, 2016 at 7:55 pm
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Returning once more to the Hugo Awards…

In my original post about Best Editor (Long Form), I mentioned the names of a number of very gifted and hard-working editors deserving (IMNSHO, of course) of nomination. Some of the fans commenting on that post, both here and over on FILE 770, said they could not possibly vote for any of them — or for any editor, actually — without knowing what titles each of them had edited during the awards year.

So I asked them.

Some have replied. Downstream of this, you’ll find a list of the books edited last year by Anne Lesley Groell of Bantam Specta, Diana Pho of Tor, and Jane Johnson of HarperCollins Voyager. And today I have a response from an editor who was NOT mentioned in my original post, but should have been: JOE MONTI of Saga Press.

Saga, for those who do not follow the ins and outs of publishing closely, is the new science fiction imprint of Simon & Schuster/ Pocket Books. S&S, of course, is one of publishing’s Big Five, a major major house with a long and storied history, but they have not had much presence in our genre since David G. Hartwell’s prestigious Timescape imprint folded a few decades back. The return of S&S to SF was one of the big publishing stories of recent years, and a very good thing for our field. It says a lot for Joe Monti’s skills that he was the guy S&S chose to launch Saga and go head to head with Tor, Bantam Spectra, Del Rey, DAW, Baen, and the other long-established SF imprints.

And so far, I think, he’s done a hell of a job. But you can judge that for yourself. When I wrote Joe and asked what books he’d edited last year, he replied:

“As for this, I sat on it a bit as I wasn’t sure if I deserved to be mentioned, but I will play along… I edited and acquired a lot in my inaugural year for Saga Press! I really was scrambling to present a full list, along with my fellow editorial conspirator Navah Wolfe, to showcase the kind of books I hope to publish and a sense of my tastes.

“One author I snapped up in a pre-empt in my first days: The great Ken Liu. Some were through previous relationships I had as an agent, a friend, others were just serendipity like The Gospel of Loki and Lagoon, which I saw on publisher rights list and ran screaming after. They are, in loose order of publication:

The Darkside War by the enigmatic Zachary Brown
The Grace of Kings by Ken Liu
The Gospel of Loki by Joanne M. Harris
Cold Iron by Stina Leicht
Lagoon by Nnedi Okorafor
Loosed Upon the World: the Saga Anthology of Climate Fiction, edited by John Joseph Adams
The Red by Linda Nagata
The War Against the Assholes by Sam Munson
The Trials by Linda Nagata (The Red trilogy #2)
Silver on the Road by Laura Anne Gilman
Going Dark by Linda Nagata (The Red trilogy #3)

I also reissued a few excellent books that were previously at other publishers:
Chuck Wendig’s first three Miriam Black novels: Blackbirds, Mockingbird, and The Cormorant (Setting up for books 4, 5, & 6 starting in 2017)
Six-Gun Snow White by Catherynne M. Valente
The November Criminals by Sam Munson

And then I repackaged a few great books from the S&S lists for adult SFF readers:
The Harper Hall trilogy by Anne McCaffrey: Dragonsong, Dragonsinger and Dragondrums; all with new introductions by Tamora Pierce, Naomi Novik and Brandon Sanderson (respectfully)

The Sea of Trolls trilogy by Nancy Farmer: The Sea of Trolls, The Islands of the Blessed, The Land of Silver Apples

The Curse Workers trilogy by Holly Black: White Cat, Red Glove, Black Heart.

PHEW! I am really proud of that list, as they contain a few debuts and all of them reflect authors… stretching their… skills… I really feel lucky to be in my dream job after all this time. That’s why I got the Saga colophon tattoo!”

So there’s another name to consider when you are making those Hugo nominations.

We have a wealth of choices in Best Editor (Long Form) this year. Good editors, who would make worthy winners. Regardless of what the slates chose to do, my own hope is that one of them gets to claim a rocket in Kansas City, to thunderous applause.

What They Edited, Once More

February 13, 2016 at 4:33 pm
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So… as we discussed below, a lot of fans don’t know who to nominate for the Hugo in the two editorial categories because they don’t know who edited what last year. The problem is especially acute in Long Form.

Fair enough. So I went and asked the editors I’d recommended what books they’d edited. We all benefit by being well informed, no?

You’ll find the responses from Jane Johnson (Voyager) and Anne Groell (Bantam Spectra) in my post below. Today I received another answer, from DIANA PHO of Tor.

Diana worked on a LOT of titles last year, but most of them are not scheduled for release until this year or next. (And that includes HIGH STAKES, the latest volume in my Wild Cards series). The only novel on her list to be published in 2015 was LONG BLACK CURL, by Alex Bledsoe. She was also one of the editors at Tor.com, however, and in that capacity she was the editor on “The Two Weddings of Bronwyn Hyatt,” by Alex Bledsoe, from last May. Three other stories she acquired for Tor.com, from Margaret Killjoy, P. Djeli Clark, and Bledsue) will be out in 2016. Diana is also responsible for BEYOND VICTORIANA, a website dedicated to multicultural steampunk (‘this has been my side project for the past seven years,’ she tells me). You can find it here: www.beyondvictoriana.com

Should more editors respond, I will post their credits here as well.

Consider this a Fannish Service Announcement.