Writing, Reading, Writing

June 23, 2020 at 9:38 am

I have to confess, after half a year of pandemic, quarantine, and social distancing, I am showing signs of cabin fever… half of which is quite literal in my case. Yes, I am in an actual cabin in the mountains. No, I have no fever. Yay! For the present at least, I am healthy… for an out-of-shape guy of 71, at least … and doing all I can to stay that way.

If nothing else, the enforced isolation has helped me write. I am spending long hours every day on THE WINDS OF WINTER, and making steady progress. I finished a new chapter yesterday, another one three days ago, another one the previous week. But no, this does not mean that the book will be finished tomorrow or published next week. It’s going to be a huge book, and I still have a long way to go. Please do not give any credence to any of the click-bait websites that like to parse every word of my posts as if they were papal encyclicals to divine hidden meanings.

I was heartbroken when CoNZealand was forced to go virtual due to the pandemic and I had to cancel my plans (exciting plans) for a long trip down to Wellington with Parris and my minions… but there is definitely a silver lining in that cloud. The last thing I need right now is a long interruption that might cost me all the momentum I have built up. I can always visit Wellington next year, when I hope that both Covid-19 and THE WINDS OF WINTER will be done.

I still plan to host the Hugo Awards and fulfill all the rest of my toastmasterly duties for worldcon, and have started pre-recording some bits for the ceremony (a wise precaution, since I am hopeless with Zoom and Skype and like things), but that is a lot less time-consuming and distracting than flying to the other end of the world. In between tapings, I return to Westeros. Of late I have been visiting with Cersei, Asha, Tyrion, Ser Barristan, and Areo Hotah. I will be dropping back into Braavos next week. I have bad days, which get me down, and good days, which lift me up, but all in all I am pleased with the way things are doing.

I do wish they would go faster, of course. Way way back in 1999, when I was deep in the writing of A STORM OF SWORDS, I was averaging about 150 pages of manuscript a month. I fear I shall never recapture that pace again. Looking back, I am not sure how I did it then. A fever indeed.

Anyway… when I am not writing, or thinking about writing, I am watching television and reading. Publishers send me huge piles of books, so my “to be read” pile is always growing, no many how many books I consume. Of course, I also buy books as well. Cannot help it, I am a book junkie. The new Stephen King collection IF IT BLEEDS was one recent favorite. I love these novella collections that King comes out with from time to time between his novels. This one features a new Holly Gibney story, and it is always great to see that character again… but there’s also a story called “Rat” about a writer trying to finish a novel in an isolated cabin which… ah… resonated with me rather strongly for some reason. One bit, where the writer gets derailed trying to figure out how many rocking chairs a sheriff could fit on his porch, was a dead-on depiction of the kind of stuff I go through all the time. Steve’s protagonist gets some help when a dead rat turns up to be his muse. So far, no rats at my cabin. Sid did catch a couple of mice last year, but she made pets of them. And Timmy and TomTom were no help whatsoever with WINDS. (Please don’t send me long emails about the dangers of mice, we know all that stuff).

Another recent book that really knocked me out was THE GLASS HOTEL, the latest by Emily St. John Mandel. A few years back, she wrote a (ahem) post-pandemic SF novel called STATION ELEVEN which I loved at the time and now devoutly hope is not going to prove prophetic. It was my favorite novel of that year, and I thought it deserved to win the Hugo and the Nebula. Which it didn’t, alas. But I had Emily at my theatre for an author event, which was great, and snapped up her three earlier novels. I really liked those too. Now comes her latest, THE GLASS HOTEL. No, this one is not science fiction or fantasy. In fact, I would be hard pressed to say what it is except a damn fine novel. It is about a hotel in a remote location, the people who work there, the people who stay there, it is about a Ponzi scheme, and art, and music, and a dysfunctional family, and… oh, well, I don’t know what it is about, but I do know that once I started reading, I could not stop. When people describe a book as a “page turner,” usually they are talking about novels that have a lot of plot, which Mandel definitely does not, yet somehow she keeps me turning pages regardless. And she writes just beautifully. Her prose is not overblown or excessively ornate, as is the case with too many writers who are known as “stylists,” but… it is just lovely, haunting and evocative and immersive… I guess you can say I am a big Emily St. John Mandel fanboy. I look forward to whatever she writes next.

There are other things going on in my life as well. I bought a railroad… well, I bought a third of a railroad. See the post below. Hollywood has slowed to a crawl thanks to the pandemic, but THE HOUSE OF THE DRAGON is still flying along wonderfully, thanks to Ryan Condal and his writers, and the tireless Ti Mikkel. With my producer hat on, I am still involved in trying to bring Nnedi Okorafor’s brilliant WHO FEARS DEATH to the small screen, and relaunch the WILD CARDS tv project. We have feature films in development adapted from my stories “Sandkings” and “The Ice Dragon” and “The Lost Lands,” television shows in development based on works by Roger Zelazny and Tony Hillerman, there are the secret shorts we’re doing that… well, no, if I spilled that, it wouldn’t be secret.

But up here on the mountain, all of that that seems very distant, and much of it has stuttered to a halt in any case, until Covid goes away.

Mostly, it’s just me in Westeros, with occasional side trips to other places in the pages of a great book.

Now you will have to excuse me. Arya is calling. I think she means to kill someone.

Current Mood: contemplative

Tags: a song of ice and fire, everyday life, reading, the winds of winter, writing

The Dragons Take Wing

October 30, 2019 at 2:33 pm

The dragons are coming… back.

Last night in Hollywood at the WarnerMedia Day, HBO made it official. We have a green light for a GAME OF THRONES successor show… not just a pilot, but a full season order for ten episodes. HOUSE OF THE DRAGON is the title of the new show, and needless to say it will be centered on House Targaryen, set a couple of centuries before the events of A SONG OF ICE & FIRE and based upon Archmaester Gyldayn’s imaginary history FIRE & BLOOD.

The new series will be helmed by a couple of great showrunners: RYAN CONDAL and MIGUEL SAPOCHNIK.

Miguel’s name will be well known to every GAME OF THRONES fan. One of the hottest directors in television today, he directed five episodes for GOT, and won an Emmy and a DGA Award for his work on “Battle of the Bastards.” Sapochnik will be directing the pilot… well, maybe it is more precise to call it “the first episode”… of HOUSE OF THE DRAGON, and doubtless a number of other episodes as well. There’s no one better.

Ryan Condal is new to Westeros, but not to me. I first met Ryan when he came to New Mexico to shoot a pilot for a fantasy western that was not picked up. I visited his set and we became friendly. Later Ryan created and served as showrunner for the SF series COLONY, and we had the honor of doing a premiere screening for the show at the Jean Cocteau. He’s a terrific writer… and a fan of my books since well before we met. He tells me that he discovered the series just after A STORM OF SWORDS was published, and “I’ve loved the books for 19 years.” (He is also a huge fan of my Dunk & Egg stories. In fact, that was the show he wanted to do initially, but I’m not prepared to bring Dunk & Egg to television until I’ve written quite a few more stories). Working with Ryan on the development of HOUSE OF THE DRAGON has been a dream.

The news is all over the internet by now, of course, so I won’t rehash the basics here. But you can find good, informed accounts on a number of websites. Check here:

https://www.hollywoodreporter.com/live-feed/game-thrones-prequel-house-dragon-gets-hbo-series-order-1250974

https://ew.com/tv/2019/10/30/house-of-the-dragon-thrones/

HOUSE OF THE DRAGON has been in development for several years (though the title has changed a couple of times during that process). It was actually the first concept I pitched to HBO when we started talking about a successor show, way back in the summer of 2016. If you’d like to know a bit more of what the show will be about… well, I can’t actually spill those beans, but you might want to pick up a copy of two anthologies I did with Gardner Dozois, DANGEROUS WOMEN and ROGUES, and then move on to Archmaester Gyldayn’s history, FIRE & BLOOD.

(For the autograph collectors among you, signed copies of all these books are available via mail order from the bookshop at my Jean Cocteau Cinema, https://jeancocteaucinema.com/shop/ )

Ryan Condal has already done a considerable amount of writing on HOUSE OF THE DRAGON, but a lot of work remains ahead of us. There’s a writer’s room to be assembled, episodes to be broken down and scripted, a cast and crew to be assembled, budgets and production details to be worked out. As yet, we don’t even know where we will be shooting… though I expect we will revisit at least some of the countries David & Dan used for GAME OF THRONES (Ireland, Iceland, Scotland, Croatia, Morocco, Malta, and Spain). I expect to be involved in all of this to some extent… and, who knows, if things work out, I may even be able to script a few episodes, as I did for the first four seasons of GAME OF THRONES.

But… let me make this perfectly clear… I am not taking on any scripts until I have finished and delivered WINDS OF WINTER. Winter is still coming, and WINDS remains my priority, as much as I’d love to write an episodes of HOUSE.

As exciting as the series order is, I would be remiss if I did not also mention the bad news. HBO also announced that it has decided not to proceed with the other successor show we had in development, the one I kept calling THE LONG NIGHT (though it was, and remains, officially untitled), the pilot for which was shot in Northern Ireland last spring and summer. Set thousands of years before either GAME OF THRONES or HOUSE OF THE DRAGON, and centered on the Starks and the White Walkers, the untitled pilot was written by Jane Goldman, directed by S.J. Clarkson, and starred Naomi Watts, Miranda Richardson, and a splendid cast. It goes without saying that I was saddened to hear the show would not be going to series. Jane Goldman is a terrific screenwriter, and I enjoyed brainstorming with her. I do not know why HBO decided not to go to series on this one, but I do not think it had to do with HOUSE OF THE DRAGON. This was never an either/or situation. If television has room enough for multiple CSIs and CHICAGO shows… well, Westeros and Essos are a lot bigger, with thousands of years of history and enough tales and legends and characters for a dozen shows. Heartbreaking as it is to work for years on a pilot, to pour your blood and sweat and tears into it, and have it come to nought, it’s not at all uncommon. I’ve been there myself, more than once. I know Jane and her team are feeling the disappointment just now, and they have all my sympathy… with my thanks for all their hard work, and my good wishes for whatever they do next.

Current Mood: excited excited

Tags: a song of ice and fire, fire & blood, hbo, television

All Hail Our Artists

June 2, 2019 at 8:04 am

I am a lucky guy in a lot of ways… one of them being that I get to work with some of the greatest SF and fantasy artists in the world.

ASFA has just announced this year’s finalists for the Chesley Awards, and I’m thrilled to note that Wild Cards and A Song of Ice and Fire both have artists among this year’s finalists.

Michael Komarck has been doing spectacular Wild Cards covers for Tor for years now, with way too little recognition, so it’s great to see that his cover for LOW CHICAGO is a finalist for Best Cover Illustration, Hardcover. Marko Kloos’s Khan is the featured character.

The redoubtable John Picacio has no fewer than three nominations on this year’s Chesley ballot… all great, but of course my favorite is the illustration he did for “EverNight,” a Wild Cards story by Victor Milan on Tor.com. It’s been nominated for Best Interior Illustration.

John tells me he was especially pleased by this nomination. “I want to celebrate Vic, and I want people to remember him and his story.”

I speak for the whole Wild Cards Consortium when I say how lucky we are to have amazing talents like John Picacio and Michael Komarck bringing our characters to life.

Meanwhile, that other series of mine is also well represented on the Chesley ballot, with a nomination for John Jude Palencar’s 2019 Ice & Fire calendar as Best Product Illustration. You can see the cover here, but there’s a lot more stunning Ice & Fire art inside. JJP is one of the premiere artists in the field, and a joy to work with.

The entire list of this year’s Chesley nominees can he found here:

https://docs.google.com/document/d/17afhGHSQ1c22ogC_LNr2wdx0qxD3SefO_90Sl94keqs/edit#

Congratulations to all the nominees. I love fantasy art, and it’s nice to see some great work being recognized.

(Signed copies of LOW CHICAGO and the 2019 Palencar calendar are both available from the bookstore at the Jean Cocteau Cinema. Vic Milan’s “EverNight” can be found and read on Tor.com, along with lots of other great Wild Cards stories).

Current Mood: happy

Tags: a song of ice and fire, artwork, awards, calendar, wild cards

Thanks, New Zealand

May 21, 2019 at 8:20 pm

I was surprised last night when Air New Zealand went to the internet to invite me down for a visit… to help me finish my book.

I cannot say I was not tempted. New Zealand is a beautiful place. As it happens, I have already visited there a number of times. I’ve been to Auckland and Wellington and Christchurch and Rotoroa… and Hobbiton, of course. I’ve gone whale watching (we never saw a whale, but there were hundreds of dusky dolphins), checked out the Te Papa, the Weta Workshop, the aquarium in Auckland, and a cool automobile museum somewhere near Wellington. From Rotoroa I took a helicopter out to White Island, with its boiling mud pools and lovely lake of sulfuric acid. (With Hobbiton and Mordor on the same island, you really ought to change your name to Middle Earth). I’ve been to a few hangis too, and my minions have a video of me attempting to do a haka that they periodically use to blackmail me.

In short, I love New Zealand. You don’t need to convince me.

And as it happens, I already have plans to return. In the summer of 2020, Wellington is hosting the World Science Fiction Convention, the oldest and most important con in the SF/ fantasy calendar, and they’ve asked me to serve as Toastmaster for the Hugo Awards. Writers, fans, and artists from all over the world will be headed down to check out all of your wonders. I hope lots of you Kiwis will join us.

www.conzealand.nz

Of course, I was especially moved by your offer to bring me to New Zealand “on us.” How wonderfully generous. As it happens, I do have enough money to make it to New Zealand on my own… but there are many American writers, fans, and artists who do not. If you’d care to fly, say, twenty or thirty or fifty of them to Wellington in place of me, I have no doubt they would instantly accept, and fall in love with Middle Earth.. er, New Zealand… just as I have. And you have such big planes, I’m sure you could squeeze them in.

As for finishing my book… I fear that New Zealand would distract me entirely too much. Best leave me here in Westeros for the nonce. But I tell you this — if I don’t have THE WINDS OF WINTER in hand when I arrive in New Zealand for worldcon, you have here my formal written permission to imprison me in a small cabin on White Island, overlooking that lake of sulfuric acid, until I’m done. Just so long as the acrid fumes do not screw up my old DOS word processor, I’ll be fine.

Current Mood: amused amused

Tags: a song of ice and fire, travel, worldcon, writing

Stuff and Nonsense

May 4, 2019 at 9:24 am

Just a few jots about various things going on these days, in my life and in the world at large.

Saw the new Avengers movie last night. ENDGAME is amazing. Kudos to the writers and director. I cannot believe they got all those characters into one film, and still managed to do them all justice. The final battle was epic, exciting, thrilling, full of twists and turns… and strangely beautiful. But the character scenes earlier in the film really made it for me. The opening with Hawkeye, the Ant-Man scenes, Tony Stark’s moments communing with his helm… so many more. There’s plenty of action here, but this is not just A Big Dumb Action movie, of which there are far too many these days. Stan Lee would have been proud. Could he ever have dreamed that all those characters he and Jack Kirby and Steve Ditko and the rest of the Marvel team created in the early 60s would one day come to dominate global culture? There’s an amazing story for you.

Oh… and yay for the rat. The unsung hero. They should make him an honorary Avenger.

On other fronts… my imaginary history book, FIRE & BLOOD, had a good long run on the NEW YORK TIMES Bestseller List, hanging on for more than three months in the top ten before finally sliding off. But hey, hey, hey, as of this week, I’m back! My Targaryen history has reappeared at #9 on the hardcover fiction list, up from #12. You can’t keep a good dragon down.

(You can get autographed copies of FIRE & BLOOD from the bookstore at my Jean Cocteau Cinema in Santa Fe. We also have signed copies of all my other books, as well as novels by many other writers… most recently, Alan Brennert and Marlon James).

The graphic novel of STARPORT, adapted and drawn by the talented Raya Golden from a television pilot I wrote in 1994, is also out, and doing nicely. Raya did a beautiful job, and there’s a chance that there will be more STARPORT graphic novels coming your way in the future. ((Based on my world and characters, but no, not written by me, I don’t have the time, so calm on down)). Who knows? Maybe even the TV series it was originally meant to be. And wouldn’t THAT be wonderfully exciting.

Oh, and speaking of television, don’t believe everything you read. Internet reports are notoriously unreliable. We have had five different GAME OF THRONES successor shows in development (I mislike the term “spinoffs”) at HBO, and three of them are still moving forward nicely. The one I am not supposed to call THE LONG NIGHT will be shooting later this year, and two other shows remain in the script stage, but are edging closer. What are they about? I cannot say. But maybe some of you should pick up a copy of FIRE & BLOOD and come up with your own theories.

Purely as a viewer, no connection whatsoever, I am enjoying the hell out of the new HBO drama GENTLEMAN JACK. Only two episodes in, but it’s very well done. And of course, VEEP is as funny as ever… much funnier than real politics.

Out in the real world, I was pleased that Joe Biden finally announced his candidacy for president. There are a lot of good Democrats running, maybe too many, and I’d probably vote for any one of them over the present blot upon the Oval Office. The main things I want in a nominee, however, are twofold: (1) someone who can beat Trump, and (2) someone who would actually be a good/ great president. Biden qualifies on both counts. Also, the speech he gave announcing his run was kickass… and so, so true. I wish him well.

Lots lots more going on, but I have pages to write. ’nuff said.

Current Mood: busy busy

Tags: a song of ice and fire, jean cocteau cinema bookstore, movies, politics, song of ice and fire

Hugo Recommendations – Best Professional Artist

February 18, 2019 at 1:19 pm

Nominating for the Hugo Award for Best Professional Artist is always especially difficult. There are so many terrific talents working in science fiction and fantasy just now, it is next to impossible to settle on just four or five as being worthy of a nod. Nonetheless, that’s the way it works, so…

Once again, I’ve had the honor of working with some astounding artists during the past year. Let me bring a few of them to your attention.

MICHAEL KOMARCK, who has been the cover artist for most of the Wild Cards books since Tor revived the series, once again excelled this year, with knockout covers for both LOW CHICAGO and TEXAS HOLD ‘EM. Take a look:

Komarck is a meticulous craftsman who always takes great care to get the characters right. I can’t imagine anyone capturing Bubbles or Khan any better than he did on these covers. It is truly past time that Komarck got another Hugo nod.

We had so many Wild Cards titles released last year that Tor brought in other artists to spell Komarck. One of them was DAVID PALUMBO, who did the art for the reissue of ONE-EYED JACKS, featuring the Oddity. Palumbo was also the artist for Bantam Spectra’s illustrated edition of NIGHTFLYERS: the cover and the gorgeous interior plates were all his.

Of course, no discussion of Wild Cards artists would be complete without a mention of JOHN PICACIO, who illustrates all of the stand-alone Wild Cards stories that appear on Tor.com. Here are a couple of the pieces he produced last year, to illustrate Victor Milan’s “EverNight” and Max Gladstone’s “Fitting In.”

The biggest book I published during 2018 was not a Wild Cards mosaic, however: it was FIRE & BLOOD, the first volume of my imaginary history of the Targaryen kings of Westeros…. published on November 20 by Bantam in the US and HarperCollins Voyager in the UK in a stunning hardcover edition (still in the top ten on the NEW YORK TIMES bestseller list, some two months after publication, I am pleased to report). The edition was extensively and lavishly illustrated by DOUG WHEATLEY.

Last… but certainly not least… let me draw your attention to JOHN JUDE PALENCAR, whose powerful (and disturbing) paintings for the 2019 SONG OF ICE AND FIRE calendar make it one of the strongest and most unforgettable in what I like to think has been a very distinguished series. (Though the calendar covers 2019, it was first released at Comicon in July 2018, so the artwork therein is eligible for this year’s awards). JJP’s take on Westeros and its denizens is like none other, and I have already arranged to buy several of his originals for my own walls.

(If you are one of the many who no longer uses wall calendars, but loves great art, you can get signed copies (signed by me, not the artist, alas) of the JJP calendar from the bookshop at my Jean Cocteau Cinema).

So there you are: Michael Komarck, David Palumbo, John Picacio, Doug Wheatley, John Jude Palencar. Keep them in mind when making your Hugo nominations. I know I will.

Current Mood: artistic

Tags: a song of ice and fire, artwork, awards, bantam spectra, calendar, hugo awards

Hugo Eligibility – Fire & Blood

February 2, 2019 at 8:09 pm

I had a big new Westeros book published last year (official publication date November 20, 2018) — FIRE & BLOOD, covering the history of the Targaryen kings from Aegon’s Conquest to the regency of Aegon III. It’s been doing rather well, thank you. Debuted at #1 on the New York Times bestseller list and is still in the top ten two months later. And just last week, we got a great review in KIRKUS, a notoriously tough journal.

The question of its Hugo eligibility is… well, trickier than usual.

FIRE & BLOOD is eligible, certainly. But what category does it belong in?

There’s Best Novel, the “Big One” A DANCE WITH DRAGONS, A FEAST FOR CROWS, and A STORM OF SWORDS were all nominated for the Best Novel Hugo in years past (they all lost, to be sure, but never mind). In all of the promotional interviews I did leading up to the book’s release, however, I took pains to stress that FIRE & BLOOD was not a novel but rather a work of imaginary history (I used to say “fake history,” but some of my readers objected). I did not want anyone buying the book under the misapprehension that it was the latest volume in A SONG OF ICE & FIRE. After saying over and over again “this is not a novel,” it would be rather disingenuous of me to accept a Hugo (should it win, which I must admit is rather unlikely) or even a nomination in the Best Novel category.

Alas, there is no Hugo category for “Best Imaginary History.”

It has been pointed out to me that the publication of FIRE & BLOOD makes me eligible for nomination in the new (relatively) Best Series category. Well, yes, I suppose. It depends on one’s definition of what constitutes a series. Worldcon’s definition is considerably broader than my own, for what it’s worth. Many SF writers have set their stories against a common background or “future history,” a term originated by Heinlein and popularized by Campbell. My own Thousand Worlds stories fit that template, but I don’t consider them a series. They share a background, but that’s all; except for the Tuf stories, there are no recurring characters, and the tales are set hundreds of years and hundreds of light years apart. (The Haviland Tuf stories, a subset of my Thousand Worlds, ARE a series, as I define the term). At the other extreme, you have what I’ll call “mega-novels,” stories spread across many books because of length. Tolkien’s LORD OF THE RINGS was not a series, as I see it, but one long novel published in three volumes.

Those are my definitions, however. Not worldcon’s. The Hugo rules are much looser, and would seem to include future histories, mega-novels, and true series all in the same Best Series category.

For what it’s worth, I do not consider A SONG OF ICE AND FIRE to be a series. It’s one story. A huge complicated story, admittedly, one that will take seven volumes to tell (once I finish the last two). And in any case, FIRE & BLOOD is not strictly speaking a part of A SONG OF ICE AND FIRE. It’s imaginary history set hundreds of years before any of the characters in SONG were born. Yes, I suppose if you bundle FIRE & BLOOD, the five ASOI&F novels, and the three Dunk & Eggs novellas (collected as A KNIGHT OF THE SEVEN KINGDOMS) together, you have a series of sorts. I wouldn’t even know what to call it. The Westeros series? The Seven Kingdoms series? Not GAME OF THRONES or ICE & FIRE, certainly. So…

I don’t know.

So… if not Best Novel, and not Best Series, where would FIRE & BLOOD fit on the Hugo ballot? If anywhere?

My suggestion: Best Related Work.

That seems to be the best description of what the book actually is. It’s an imaginary history, related to five published ICE & FIRE novels, but not a novel and not a part of that story. A WORLD OF ICE & FIRE, the concordance we published several years ago, was its closest precursor. That volume got some nominations in Best Related Work, though it did not come close to making the final five. But there’s a precedent of sorts, so…

If you read and enjoyed FIRE & BLOOD and would like to nominate it for a Hugo, I would urge you to consider Related Work rather than Novel or Series. (If you haven’t read it yet, hey, you can still get autographed copies from the bookshop at the Jean Cocteau Cinema).

And while I am the subject of the Best Related Work Hugo, let me make a recommendation that has nothing whatsoever to do with my own work (though my name is mentioned once, fwiw): ASTOUNDING, by Alec Nevala-Lee, an amazing and engrossing history of John W. Campbell Jr and his authors, Isaac Asimov, L. Ron Hubbard, and Robert A. Heinlein. Insightful, entertaining, and compulsively readable, it brings Campbell and his era back to life. I thought I knew a lot about Astounding, Campbell, and his authors, but Nevala-Lee goes way way deeper than any previous history I’ve read, and his book is full of stuff I never knew. Of course, I’d love to have my own book nominated (I value the Hugo more than any other award), but I suspect that ASTOUNDING will win the rocket in the end. It certainly deserves to.

Current Mood: confused

Tags: a song of ice and fire, awards, bantam spectra, hugo awards, worldcon

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