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Behold, The Mighty Editor

March 25, 2016 at 11:07 am
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I have my editor’s hat on today. (It looks just like my writer’s hat, only in a different color). ((No, not really, I am being facetitious. Damn, you guys, don’t take everything I say so literally)).

For the past three weeks, the forty-odd (some very odd) members of the Wild Cards consortium have been submitting story proposals and pitches for the three new WC books from Tor, LOW CHICAGO and MISSISSIPPI ROLL and TEXAS HOLD ‘EM. Last night at midnight was the deadline for pitches.

As usual, we have more proposals than we need. Only eight writers per book. So today is Decision Day, wherein I decide who gets to be in which book, who is out, who gets to double-dip. It is never easy. So many talented writers, so many great characters, so many fun ideas.

But that’s why I get the Big Bucks as editor (that was another joke, yessir, for sure, this is a labor of looooooove).

John Sebastian said it best:

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Nomination Time

March 7, 2016 at 3:58 pm
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Hugo nominations are now open… but they will close at the end of the month. I finally received my PIN number from MidAmericon II, so I am busy filling out my ballot. If you’re eligible to nominate, you should do the same. No good reason to put it off till the last day, even if you have not finished your reading. Fill in the things you know you want to nominate now, today, this minute. You can come back and add more, or delete, or replace, or change later on. As many times as you want. The nominations won’t count until the ballot is closed.

As to what to nominate… your call entirely, of course.

I have been sharing my own thoughts and recommendations here in a series of blog posts, all of which you can find downstream by going back to “older posts.” Been doing that category by category, wherever I had something to say. (Which does not include every category).

Today I wanted to say a few words about the three short fiction categories. Short Story, Novelette. Novella. Three of the oldest and most storied categories, with a distinguished lineage dating back to the days when the magazines were the heart of the field, and short fiction was still the place where the rising stars of SF and fantasy broke in and made their names, competing with the giants of previous generations for these prizes. That’s less true now than it used to be… but there’s still some validity to it, and the three short fiction categories remain, to my mind, among the most important and prestigious Hugos. (I should say right here that I cannot pretend to be objective about these categories, since I am a past winner of rockets in all three of them. It is only the Big One, the novel, that has eluded me).

Last year, however, these three categories were among those most impacted by Puppygate. The slates dominated all three, sweeping the board and shutting out all other work. In the novelette category, a disqualification allowed one non-Puppy nominee to squeeze onto the ballot, and that story ultimately won. In novella and short story, fans unhappy with the choices presented them voted No Award. Understandably, IMNSHO… still, it was not a happy ending. There was some wonderful and powerful work published in these categories in 2014, and it was a shame that none of it could be recognized. (I was proud and pleased to present Alfie Awards to Ursula Vernon for “Jackalope Wives” in short story, and to Patrick Rothfuss for “The Slow Regard of Silent Things” in novella… but we all know that an Alfie is not a Hugo, and in an ordinary year both Vernon and Rothfuss would surely have been contending for a rocket).

That’s last year, however. No amount of rehashing can change what happened. The important thing is to see that it does not happen again. And to that end, it behooves all of us to nominate the short stories, novelettes, and novellas that we enjoyed most last year… to share our thoughts with our friends… to shout our recommendations from the rooftops. Let’s make sure this year’s shortlists truly represent the best of what was published in 2015.

As to my own recommendations…

Ah, there I hit a problem. I am not making any recommendations in these categories. Problem is, I have a conflict of interest. As a writer I did not publish any original short fiction in 2015, true. As an editor, however… well, Gardner Dozois and I co-edited an anthology called OLD VENUS that came out last year, and in my (admittedly less than objective) view, that book contained several stories that are worthy of Hugo nominations, and one that is so bloody brilliant that I think it stands right up there with any story that ever won the Hugo.

I really can’t tell you which one it is, however. Or the names of the other stories in the book that I think worthy of consideration. Look, Gardner and I liked all the stories we included in OLD VENUS. If we hadn’t, we would not have purchased them (and we do reject stories for every one of our anthologies). But we’d be lying if we said we liked all of them equally. There are stories Gardner liked more than I did; there are stories I liked more than Gardner did; there are stories both of us loved, loved, loved. As editors, however, it would be unethical for us to say which were which in public. Just as parents need to maintain devoutly that they love all their children equally and have no favorites, it behooves the ethical editor to take a similar stance toward the stories they purchase and publish.

So in the end all I can really say is that Gardner and I are both very proud of OLD VENUS, that we think there’s some stuff in it worthy of your consideration, and that we hope you will agree.

For that, of course, you need to read the book. I can make that a little easier, at least. As it happens we have about forty (40) hardcover copies of OLD VENUS, autographed by both Gardner and myself, in stock at the Jean Cocteau Cinema bookstore. We also have some copies of the companion volume OLD MARS, though that was published a year earlier, so nothing in it is eligible for a Hugo. From now until the end of the month, we will offer a 30% discount off cover price on both OLD VENUS and OLD MARS. http://www.jeancocteaucinema.com/film/jean-cocteau-cinema-bookstore/

(And as long as I’m discounting, we’ll also offer discounts on the hardcover WHEEL OF TIME COMPANION, signed by all its editors, and the trade paperback of THE MARTIAN, signed by Andy Weir. Weir is a leading candidate for the Campbell Award this year and THE MARTIAN is almost sure to be a nominee in Dramatic Presentation/ Long Form, while the WHEEL OF TIME book deserves a nomination in Best Related Work).

Returning once more to the Hugo Awards and the three short fiction categories… yes, of course, there was plenty of great stuff published last year outside of OLD VENUS. And there are plenty of recommendation lists available on the web where you can find lists of what other fans, pros, and critics thought outstanding.

The biggest and best of those is the LOCUS recommended reading list, which you can find here:
http://www.locusmag.com/News/2016/02/2015-locus-recommended-reading-list/

The Nebula Awards are often a precursor to the Hugos, as the Golden Globes are to the Oscars. You can find the Nebula nominees listed here:
https://www.sfwa.org/2016/02/2015-nebula-awards-nominees-announced/

The Sad Puppies do appear to be doing a recommended reading list rather than a slate this year. You can see what stories they most liked here:
http://sadpuppies4.org/sp4-recommendations-pages-and-faq/

There’s also a site called Rocket Stack Rank that has been collecting and collating recommendations from other sources, here:
http://www.rocketstackrank.com/p/2016-hugo.html

And those are just a few places that the awards are being discussed on the web. As far as I am concerned, the more discussion, the better. So please feel free to talk about your own favorite short stories, novelettes, and novellas in the comments section here… whether those are from OLD VENUS, from other anthologies, from magazines, wherever…

Read. Discuss. And nominate, nominate, nominate.

Keep Listening

February 26, 2016 at 5:59 am
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Chrysalis SELMA BLAIR
Ti Malice NICHOLAS GUY SMITH
Xbalanque NOEL BEARHEART
Hunapu OZZIE RODRIGUEZ
Troll RICHARD MOLL
Peregrine KATHLEEN TURNER
G.C. Jayewardene SANJIT DE SILVA
Cordelia Chaisson KASEY LANSDALE
Fortunato PRENTICE ONAYEMI
Lady Black DONNABELLA MORTEL
Mackie Messer P.J. OCHLAN
Molniya ADRIAN PAUL
Sara Morgenstern EMILY CARD RANKIN
Dr. Tachyon RAPHAEL SBARGE
Polyakov STEFAN RUDNICKI

It was quite a jigsaw puzzle, with recording taking place over the world, but we think the result will be worth it.

And we’re moving right on to DOWN & DIRTY, where a number of the cast members will be reprising their roles.

Wild Cards Pubdates

February 2, 2016 at 12:30 pm
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HIGH STAKES — the third and concluding volume in the current Wild Cards triad, and the twenty-third volume in the overall series — will be released by Tor in hardcover on AUGUST 23.

This one is another full-on mosaic novel, its storylines completely interwoven to make for a six-way collaborative novel. The participating writers, and their featured characters, are:

David Anthony Durham — Marcus (Infamous Black Tongue) Morgan
Stephen Leigh — Barbara (Babel) Baden
John Jos. Miller — The Midnight Angel
Melinda M. Snodgrass — Francis Xavier Black, NYPD
Caroline Spector — Michelle (the Amazing Bubbles) Pond
Ian Tregillis — Mollie (Tesseract) Steunenberg

Other favorites, old and new, will also appear: Hoodoo Mama, Carnifex, Lohengrin, the Recycler, Earth Witch, Jonathan Hive, Tinker, and many many more.

Be warned: this one is not for the faint of heart. This is our horror book, and things get pretty horrible. Mayhem and madness and murder, oh my. Don’t say I didn’t warn you.

Oh, and on other Wild Cards fronts — on March 30, a new original WC story will be available on Tor.com. “Discards,” by David D. Levine, is the origin story of his Brazilian ace, the Recycler… who will be appearing again in HIGH STAKES. But meet him first on Tor.com.

Last Year (Writing, Editing, Producing)

January 1, 2016 at 7:13 pm
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I do other things besides A SONG OF ICE AND FIRE.

Nothing new about that. Since the very start of my career, in the early 1970s, I’ve always tried to keep several balls in the air. Sometimes one will plunk you in the head, to be sure, but it keeps life from getting dull.

My editing wound down a little in 2015. As much as I would like to do some more anthologies like ROGUES and OLD VENUS with Gardner Dozois, they were taking more of my time than I was comfortable with, given my other commitments. So Gardner is going on ahead solo with several exciting new anthology projects, but our team titles will need to wait. Apologies to all of you who were waiting for OLD URANUS.

Wild Cards is another matter. Wild Cards is in my blood, and I plan to continue with those books as long as someone will keep buying them. (And I desperately want to write more Wild Cards stories of my own, instead of just editing, but I don’t have time for that either). We delivered HIGH STAKES last year — the copyedited manuscript is on my desk as I type, waiting to be reviewed — and have signed with Tor for three more originals. Meanwhile, the reissues continue, and foreign publishers are picking up the series all over the world. We also have three Wild Cards graphic novels in the pipeline. Originals, not adaptations. The scripts are in — one from Carrie Vaughn, one from Melinda M. Snodgrass, one from the team of Kevin Andrew Murphy and John Jos. Miller — and the artists are hard at work on the pencils. They should be something.

Meanwhile, on the Hollywood front, I have three shows in various stages of development under the aegis of my overall deal with HBO. There’s CAPTAIN COSMOS for HBO (scripted by Michael Cassutt), there’s SKIN TRADE for Cinemax (to be scripted by Kalinda Vasquez), and there’s a third project in the very early stages that I am not allowed to talk about yet. There’s also WILD CARDS, but that’s at a different studio and I am not involved with it, except to license rights, sign the check, and distribute funds to my writers. Oh, and on the movie side, we seem to be moving toward production on IN THE LOST LANDS, an adaptation of three of my old stories.

Last year I also formed Kill Van Kull Productions, to develop and produce a series of low budget short films (twenty to thirty minutes long) of some classic SF short stories. Can’t say any more than that just now, but I will keep you posted as plans proceed.

I also turned down several interesting and potentially lucrative projects, on both the publishing and television/ film sides. Some of it was stuff I would love to do, but there’s just not enough time. I like to juggle, but you do need to keep the number of balls down.

So… plenty on my plate. Keep your fingers crossed, though, especially for the television and film projects. In Hollywood, nothing is ever real till shooting starts, and sometimes not even then. Remember William Goldman’s wisdom: nobody knows anything.

Last Year (Jean Cocteau)

January 1, 2016 at 4:47 pm
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I had a whole page about the Jean Cocteau on my Lost Post. A look back at an amazing year. All the author events, the magic shows, the concerts and comedy acts, the burlesque shows, the special events, the film festivals, the retrospectives, the television premieres, the marathons… and of course the movies.

With picture. Lots and lots of pictures.

Sorry, but I don’t have the patience to re-create it all again.

Suffice it to say that we had a great time at the Jean Cocteau Cinema in 2015, and we’re hoping that 2016 will be even more exciting under our new general manager, David Sidebottom.

We are certainly off to a good start. HATEFUL 8 opened with a sellout. Yay!

Oh, though I won’t rehash the entire year, I do want to mention some things we’re especially proud of. The Jean Cocteau dared to show THE INTERVIEW when all five of the country’s major chains caved in to threats from North Korea. Not only did we pack the house for weeks, we received a special unanimous commendation from the New Mexico state legislature for defending free speech.

Oh, and several weeks later, we defied the local prudes by showing Lina Esco’s film FREE THE NIPPLE, though we had to fight to get our ads published. (We also freed some nipples in the theatre on opening night). Plus we were the only theatre in New Mexico to show INTERSTELLAR the way director Christopher Nolan wanted it shown, on 35mm film.

So I am proud of all that. And of the Cocteau in general. Come visit us if you’re ever in Santa Fe. Our popcorn is great too.

Oh, Speaking of Awards…

January 1, 2016 at 4:29 pm
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[… I have been promising my fans on Reddit to post a picture of the Stabby Award they so kindly bestowed on ROGUES, but somehow it kept slipping my mind.

But I finally got a half-decent pic, courtesy of my minion Raya.

So here ’tis.

The Stabby really is a striking award. And no doubt will prove very useful come the zombie apocalypse.

World Fantasy Shortlist Announced

July 9, 2015 at 10:46 am
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This year’s shortlist for the World Fantasy Awards has been announced, and I am proud and pleased to learn that ROGUES is a finalist for the Howard as Best Anthology.

The winners will be announced at this year’s World Fantasy Con in Saratoga Springs. Which I will not be able to attend, alas. I’d hoped to… the last WFC in Saratoga was great fun, and I loved the city, and the train ride up the Hudson from NYC… but the press of work, etc.

For the full ballot, go here: http://www.worldfantasy.org/awards/

(I would be surprised if ROGUES actually won. It’s up against some strong competition, including an anthology by my dear friend Ellen Datlow, and “Never get between Ellen Datlow and a World Fantasy Award” is right up their with “Never get in a land war in Asia” and “Never play poker with a man named Doc” where life’s truisms are concerned. It is, however, an honor just to be nominated).

And Speaking of Wild Cards…

July 7, 2015 at 12:46 pm
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… I am thrilled to report that we’ve completed and delivered the latest Wild Cards mosaic novel, HIGH STAKES. The day before I left for Chicago, I shipped off the massive (truly) manuscript to Diana Pho, our new editor at Tor.

HIGH STAKES is the third and concluding volume in the triad that began with FORT FREAK and continued with LOWBALL. Aces and jokers and Lovecraftian horrors, what more could you ask?

The contributing writers this time around are Melinda M. Snodgrass, John Jos. Miller, David Anthony Durham, Caroline Spector, Stephen Leigh, and Ian Tregillis. Featured viewpoint characters, respectively: Francis Xavier (Franny) Black, the Midnight Angel, Marcus (Infamous Black Tongue) Morgan, the Amazing Bubbles, Barbara (Babel) Baden, and Mollie (Tesseract) Steunenberg. You’ll also see plenty of Lohengrin, Carnifex, Hoodoo Mama, Baba Yaga, and all sorts of other characters, both new and old.

As usual, it was a bitch to edit. But I think you’ll like it.

Look for it next year, in the spring. More details when I have ’em.

And meanwhile… YES!… another monkey off my back!!!

Locus Award to ROGUES

July 2, 2015 at 10:09 am
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Would that I could be in two places at once. While I was off in Germany, Sweden, Finland, and the Aland Islands, I was winning an award in Seattle.

ROGUES, the latest in the series of massive cross-genre anthologies I’ve edited with Gardner Dozois, won the Locus Award for the Best Anthology of 2014. The award is voted annually by the readers and subcribers of LOCUS, the PUBLISHER WEEKLY of science fiction, and a “must read” publication for anyone seriously interested in our genre.

I’m thrilled to say that one of the stories in the book also took home a Locus plaque — Joe Abercrombie won Best Novelette for “Tough Times All Over.” ROGUES also had two runners-up on the list, a novella by Patrick Rothfuss and a novelette by Scott Lynch.

The full results can be found here: http://www.locusmag.com/News/2015/06/2015-locus-awards-winners/

The two LOCUS Awards are the latest additions to the anthology’s awards haul. Gillian Flynn’s story for ROGUES earlier won an Edgar, and the book itself was voted a Stabby Award by the members of the Reddit online community.

If you’d like to check out the book for yourself, autographed hardcovers are still available from the bookstore at the Jean Cocteau Cinema: http://www.jeancocteaubooks.com/