Not a Blog

Beastly Books Reopens

June 10, 2020 at 8:34 am
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New Mexico has begun to reopen — cautiously, step by step — from its lockdown, and that includes at least one of my own enterprises.

Beastly Books, my bookshop on Montezuma Street, opened its doors again on June 2, for coffee, hot chocolate, and — of course — signed books.   We are not doing any author events at present, except the virtual kind, and we are taking every precaution, with masks, sanitizers, limits on the numbers of people allowed in the shop at one time, and so forth.   We shall see how it goes.   All of us hope the worst is over.

Of course, our mail order department remains open as well, as it has throughout the pandemic.   Check out our offerings at https://jeancocteaucinema.com/beastlybooks/     ALL our books are autographed, and we have some great titles on offer.

The Jean Cocteau Cinema, next door to Beastly Books, remains closed for the moment, but is showing new films every week via streaming video.  You can sign up for that via the JCC newsletter.   I am not sure when the theatre will reopen.  That depends in large part of the progress of the fight against coronavirus… but we are also looking at doing some major renovations to the old gal, down the line.

 

Current Mood: hopeful hopeful

Words For Our Times

June 9, 2020 at 11:35 am
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Current Mood: angry angry

Bloggity Bloggity

May 25, 2020 at 8:00 am
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History buffs, baseball fans, and Wild Carders alike will enjoy the newest post on the Wild Cards blog, John Jos. Miller’s “Annotated Long Night at the Palmer House,” touching on all the references, hidden and fictional, in his acclaimed LOW CHICAGO interstitial.

The Annotated “A Long Night At The Palmer House”

When he is not writing Wild Cards stories or watching the New York Mets, John is a huge fan of… ah… strange cinema.   Of late he has been doing some fun blog posts for our friends over at BLACK GATE, talking about some of his odder favorites.  Check it out at:

https://www.blackgate.com/2020/05/12/son-of-19-movies-the-good-the-bad-and-the-weird-edition/#more-427597

 

Current Mood: amused amused

The Jean Cocteau Channel

May 23, 2020 at 8:19 am
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My theatre in Santa Fe, the Jean Cocteau Cinema, has been closed up as part of the coronavirus lockdown in New Mexico.

But I’ve kept my staff on, and they’ve been busy working virtually… on our JCC YouTube channel (among other things).

Check it out at https://www.youtube.com/channel/UCwZDqU56IzUFXmzpMF4jRRg  — and give us your thumbs if you enjoy what you see.

Among other offerings, the site includes video of most of the other events we’ve done in the past year or, featuring a wide range of terrific writers, including Lee Child, John Scalzi, Erica Jong, Alan Brennert, Marlon James, John Nichols, and more.  You will also find recipes for some of our award-winning cocktails, music and magic, children’s book reviews, and our art show openings.   Lots of fun stuff.

And more to come.   We hope to keep adding content to the JCC… including new book events… once we reopen.

Current Mood: satisfied satisfied

All Aboard for Lamy

May 19, 2020 at 2:36 pm
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We lived in an apartment when I was a kid, in the federal housing projects on First Street in Bayonne, New Jersey.   We did not have much money, and we did not have much room.   One Christmas, I decided I wanted a set of Lionel electric trains.   Santa brought them to me, good guy that he was.  It was years later that I learned that they were hand-me-down trains that had originally belonged to my cousin Richie.  He was a few years older than me, and had outgrown toys.  By then he was more interested in girls.   His train set was pretty basic, to tell the truth.  A circle of track, a transformer, a locomotive, a couple of cars, and a caboose.   None of the really cool cars that Lionel was making in the 50s.   I had friends who lived in houses whose train sets occupied their entire basements, with a whole town, a mountain, tunnels, bridges, all kinds of cool cars that did stuff.   My train went in a circle around the Christmas tree, and when the tree came down, it was time to put away the train set for another year.   Eventually my trains vanished unaccountably, and I later learned they had been handed down again, to another cousin, one who was a few years younger than me.

Perhaps these experiences during my formative childhood years gave me a deep-buried case of Train Lust.

Or maybe it was my middle initials.   I remember when I first started going to SF cons, there were a lot of guys named George around.   George Zebrowski was “George,” Gardner Dozois informed me.   George Alec Effinger was “Piglet.”  So I would have to be “Railroad.”   Jack Dann still calls me that, half a century later.

Whatever the reason, yeah, it’s true.   I bought a new train set.   Well, me and a couple of friends and partners, Bill Banowsky of Violet Crown Cinema, and Catherine Oppenheimer of the New Mexico School for the Arts.   All three of us are involved in Santa Fe’s resurgent Railyard neighborhood, at the heart of which is the old, defunct Santa Fe Southern Railroad, which hasn’t run regularly for years.   The SFSR only ran eighteen miles, from just behind my theatre the Jean Cocteau down to the old historic depot in Lamy, New Mexico.   But it was a great fun ride once upon a time, and Bill and Catherine and I think it could be a great fun ride again.

The JOURNAL NORTH has all the details, here:

https://www.abqjournal.com/1456291/working-on-the-railroad-ex-trio-plans-to-revive-train-service-between-santa-fe-and-lamy.html

It is going to take a lot of work, more than a few bucks, and a fair amount of time to get the railroad running again.   There are tracks and trestles to inspect and repair, old historic coaches to restore to their former splendor, a dead locomotive to bring back to life.   And the coronavirus has slowed the process way down.   But sooner or later, we do hope to have the old Lamy Line chuffing and puffing once again, and we have all sorts of fun ideas for the future, live music and murder mysteries and train robberies and escape rooms and… well, we shall see.

And best of all, we won’t need to pull up the tracks when Christmas is over.

Current Mood: excited excited

The Folio Society does it again!!

May 15, 2020 at 1:12 pm
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Check out the splendid collector’s editions of A Song of Ice and Fire from @foliosociety, they are truly masterpieces of the bookmakers art. The second edition A Clash of Kings has just been released – here’s a look at some of the book’s stunning artwork by Jonathan Burton.

www.foliosociety.com/asongoficeandfire

 

Here’s some more great attention these collectors editions are getting:

 

How The Folio Society designs its gorgeous collector’s editions of Game of Thrones

https://www.theverge.com/2020/4/22/21228705/folio-society-game-of-thrones-design-clash-of-kings-interview-george-r-r-martin

 

George R.R. Martin’s A Clash of Kings Gets a Gorgeous (and Bloody) Collector’s Edition

https://io9.gizmodo.com/george-r-r-martins-a-clash-of-kings-gets-a-gorgeous-a-1842999785?utm_campaign=io9&utm_content=1587570902&utm_medium=SocialMarketing&utm_source=twitter

 

Game of Thrones: Folio Society Unveils Epic New Edition & Exclusive Artwork for A Clash of Kings

https://www.syfy.com/syfywire/the-folio-society-game-of-thrones-a-clash-of-kings-illustrated-edition

 

THIS MESSAGE HAS BEEN BROUGHT TO YOU BY THE MINIONS OF FEVRE RIVER

 

Current Mood: happy happy

Khan Has Come (Again)

May 6, 2020 at 1:42 pm
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Marko Kloos’s new Wild Cards story, “Berlin Is Never Berlin,” went up this morning on Tor.com.

Khan is back, and kicking ass.   Check it out.   It’s FREE.   Be sure to leave a comment.

Berlin Is Never Berlin

If you missed Khan’s first appearance, hunt up a copy of LOW CHICAGO.   He’s our cover guy.   Autographed copies are available from Beastly Books via mailorder.   https://jeancocteaucinema.com/product-category/signed-books/

I hope all of you reading this are safe and snug and socially distant.

Current Mood: pleased pleased

Brad and H’ard

May 2, 2020 at 1:08 pm
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Hey, Wild Carders.  There’s a cool new interview up on the Wild Cards website, wherein Brad Denton, one of the newest members of the consortium, talks with Howard Waldrop, one of the originals… author of the very first Wild Cards story, “Thirty Minutes Over Broadway.”

If you’ve ever wondered how Jetboy’s last adventure came to be, who actually wrote his final words, or how H’ard pissed off Roger Zelazny, the world’s nicest man, this is the interview for you.

Of course, it is all done on the telephone, so everyone can stay safely socially distant, donchaknow.

Check it out at:

Fifty Minutes Over Manchaca (now Menchaca) Road!

Current Mood: amused amused

Wild Cards, Wild Cards, and Wild Cards

April 29, 2020 at 1:47 pm
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Something old, something new, and something else new are in the offing for all you Wild Cards fans out there.

April 28 was the official publication date for Tor’s trade paperback reissue of TEXAS HOLD ‘EM, the third book in our America Triad.   Hop on the bus with the Amazing Bubbles, Rubberband, Rustbelt, and the Jokertown Mob and travel down to San Antonio for a high school jazz competition like none you have ever seen before!   Copies will be on sale at your local bookstore (which is probably closed, alas), but also from your favorite online bookseller, be that Amazon, B&N, or Beastly Books.

That’s not all, though.   We also have a couple of brand new Wild Cards treats coming your way Real Soon Now.

This Friday, May 1, will see the release of the hardcover edition of THREE KINGS from Harper Collins Voyager in the UK.   This one is a sequel to KNAVES OVER QUEENS, and like that volume it is set almost entirely in the British Isles, featuring a cast of English and Irish aces, jokers, and knaves, including the Seamstress, the Green Man, Badh, Double Helix, and Enigma.

THREE KINGS is a mosaic novel.  For those not familiar with that term, or Wild Cards in general, that means there are no separate stories;  each contributor writes from the viewpoint of his or her own character or characters, but the storylines are completely interwoven to create one big on-going five- or six-way collaborative novel.   This time around the contributing writers were Melinda M. Snodgrass, Peadar O Guilin, Mary Anne Mohanraj, Caroline Spector, and Peter Newman.   They have quite a story to tell; I think you’ll enjoy it.   I sure did.

I have been editing these Wild Cards books since 1986.   I have edited a lot of traditional anthologies as well, some by myself (the John W. Campbell Award anthologies back in the 70s), some in partnership with the late great Gardner Dozois (ROGUES, DANGEROUS WOMEN, OLD MARS, OLD VENUS, WARRIORS, and the like).   All of them fun, all of them challenging… but for my money, editing a shared world anthology is the hardest sort of editing there is.   And a mosaic novel… a full mosaic, all the parts blended together into one whole… that’s a form unique to Wild Cards, I think (we did the first one back in 1988 with JOKERS WILD), and it is really really demanding.   That’s why I think it is important to point out here that THREE KINGS was edited by Melinda M. Snodgrass.  My name is larger on the cover, but Melinda did way more on this one than I did.   We had the correct credit on the title page — edited by Melinda, yours truly assistant editor — but the cover, well, the publisher wants this one shelved with all the others, which means under my name.   (This is an issue Gardner and I had to deal with as well, on our collaborative books).

Melinda has been part of Wild Cards since the very beginning (along with Walter Jon Williams, John Jos. Miller, the late Victor Milan, and a few others ), and around the time of the second triad she came on as assistant editor.  She has worked with me in that capacity on almost all of the books since.   On one of them, LOWBALL, she stepped up when other obligations were distracting me, and on that volume, the two of us are credited, correctly, as co-editors.   On the title page and cover both.   On the others, I’ve been the editor and Melinda the assistant editor.  Until THREE KINGS, where we reversed our roles.   I started the ball rolling on 3K, but then I stepped back and handed it off to Snod… and she did an amazing job with it, in my estimation.   The first time I even read the finished stories was when she sent me the assembled manuscript, and I was VERY pleased.   I think you will be as well.

In any case… there will be an American edition of THREE KINGS available from Tor, but probably not for a year or two.   Tor has a number of other Wild Cards books, both old and new, in their pipeline… like TEXAS HOLD ‘EM, above, and the forthcoming reprint of DEALER’S CHOICE.   For the time being, the only edition of THREE KINGS available for sale will be the British edition from Voyager.   Honestly, I am not sure if Americans  are allowed to purchase that… but in this age of the internet, I’d have to think it was possible.   You can read a preview and place an order here:  https://www.harpercollins.co.uk/9780008361518/three-kings-edited-by-george-r-r-martin-wild-cards/

THREE KINGS is the twenty-ninth volume in the Wild Cards series (by virtue of this British publication, it leapfrogs the forthcoming JOKER MOON, which was actually written and delivered earlier)… but no, you don’t need to read the first twenty-eight to understand and enjoy it.   It might help a little if you do read KNAVES OVER QUEENS, the previous British book, however.

And that’s two… but that’s not all.   A few days after THREE KINGS goes on sale, we will also be debuting  a brand new Wild Cards story on Tor.com.  “Berlin Is Never Berlin” is by Marko Kloos, and features  Khan, half-man half-tiger, kicking ass and taking names.  Khan was originally introduced in the pages of LOW CHICAGO, where he had trouble with Al Capone and Bugsy Moran.  In this tale he faces some more contemporary adversaries.   It’s a helluva trip.

“Berlin Is Never Berlin” will be available on Tor.com on May 6… and best of all, it’s FREE.   So head on over and give it a read, and do leave a comment or two after you’re done.   (And while you are there, check out some of the other Wild Cards stories on Tor.com as well, original tales from Daniel Abraham, Cherie Priest, Carrie Vaughn, Stephen Leigh, Mark Lawrence, David D. Levine, and many more.  Those are free as well).

The cover art above is from Micah Epstein.

And that’s all the news that’s fit to print from Wild Cards… for now.  Enjoy the reads.

 

 

Current Mood: pleased pleased

Virtual Drafts and Computer Football

April 28, 2020 at 2:47 pm
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I had a few nice days watching the NFL Draft.   Both the Giants and Jets did quite well, I think.   Not many exciting skill players drafted for either team, admittedly, but they both picked up building blocks to fortify their offensive lines, which I think is key.  Games are won and lost in the trenches.  Of course, even though the talking heads have all been busy “grading” each team’s picks, no one will really know anything for a year or two.   The history of the draft is littered with sexy “can’t miss” college stars who totally flamed out in the NFL.  See Vernon Gholston, Blair Thomas, Eric Flowers.   The list is long.   So… proof, meet pudding, let’s wait and see.   But I am hopeful.

What was really fascinating this year was the format.  Instead of thousands of screaming fans gathered together in New York City or Chicago or (as planned this year) Las Vegas, and the draftees parading up on stage to get a hug from the commissioner and a jersey, the NFL went virtual.   But that was fascinating in its own way.   We got to see the homes of the coaches, players, and talking heads, from Kliff Kingsbury’s palatial digs to the commish in his basement man cave to the very modest apartments of some of the young men being drafted, we got to see their families, their pets, the pictures on their walls…

… and their bookcases.   For whatever reason, a lot of the commentators  sat in front of bookcases.   I could not help peering at the titles on their shelves, being a writer and all.   Alas, I failed to spot any copies of my own books on anyone’s shelves.  But Marshall Faulk seems to be a big fan of Harlan Coben, and on other shelves I spotted Edgar Allen Poe and Philip Roth.   A lot of football books too.   Many ex-players and coaches had ONLY football books visible behind them.   Which still trumped the guys who owned bookcases, but (seemingly) no books.   Just pictures, trophies, footballs.

I hear that next year, if COVID-19 is no longer a factor, the NFL may combine elements of this year’s draft with the traditional format.   That would be cool.  This was the most viewed draft in history.   Maybe because the country is desperate for SOMETHING sport-ish to watch.

I was impressed at how well the virtual draft worked.  Very few technical glitches… though the time lapses were noticeable from time to time, as commentators waited to make sure the previous speaker had finished.   This bodes well for the forthcoming virtual worldcon, I think… hope… pray.   It proved it can be done.   Of course, ESPN and the NFL channel have considerably more resources and expertise than fandom, but still…

It still remains to be seen whether we will actually have an NFL season this year.  Which puts me in mind of a story I wrote back in 1971, called “The Last Super Bowl.”   Eventually it saw print in GALLERY magazine, surrounded by naked Girls Next Door  (none of them actually lived next door to me, I should hasten to add).   Computer sports were still a dream back then (PONG would not appear in my local bar for several more years), but they were coming, so I donned my prognosticator’s hat and predicted that by the far future year of 2014 computerized football would have become so much more exciting than the real thing that actual football would go extinct.

Well, that didn’t happen.   Turns out we were wrong about the flying cars, the household robots, the cities on the moon, and a whole lot of other things as well.   Never mind about that, though.

Maybe this is the year that my predictions come true.   If the virus does not relent, and we have to cancel the 2020 NFL season… why not go with an ALL VIRTUAL season instead?  We know who is on each team, we know who they drafted, we can MADDENify the entire league and play out the schedule week-by-week on television, with SFX and animation.   MADDEN has the player stats.   The actual coaches can sit by their own computers and call the plays and the defenses.   The play-by-play announcer and the color guy can sit by their screens and do the commentary, just as if they were talking about a real game.  And we can all watch our favorite (virtual) teams.

Hey, the networks need something to televise, after all.   And all us hopeless football addicts need something to watch, besides reruns of SuperBowls past.   And maybe, if we go all computer, the Jets will finally get back to the SuperBowl.   I wrote “The Last Super Bowl” only two years after their last (and only) appearance, as it happens… and I put them in that bowl, against the Green Bay Packers.

 

Current Mood: mischievous mischievous