Not a Blog

Puppy Whines

April 27, 2015 at 2:36 pm
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Puppygate is the gift that keeps on giving.

Every time I think I have said all that needs to be said on the subject of the Hugo Awards, one of the Puppies does or says something else egregious, something I cannot let pass.

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I have tried to have a rational discussions of the issues here, addressing each of the claims put forward by the Sad Puppies and their supporters calmly, with arguments based on facts, history, common sense. Although I continue to disagree strongly with Larry Correia and Brad Torgersen on… well, on just about everything they say… I’ve managed to have a civilized and civil dialogue with both.

But beyond the borders of my own Live Journal, the dialogue has been anything but civil. And it grows more toxic and hateful with every exchange, it seems… especially from the Puppies.

Yes, it’s my old friend “the Tone Argument” again.

When we began this exchange, I pointed out that was going to call the Puppies “Puppies” because that was what they had named themselves. I asked for the same consideration, asked that they stop with the “Social Justice Warrior” stuff, because that was NOT what my side calls ourselves, and some of us find it offensive. Instead of respecting that request, the Puppies doubled down. ALmost every post from them is SJW this, SJW that. For some, the original term was not enough, so now they are talking about “Social Justice Whores” and other twists on the term. And Brad Torgersen himself, seemingly not content with SJW and SMOF, has gone out of his way to come up with CHORF, a new epithet that he is using at every opportunity.

This is not the way to argue, not the way to exchange ideas, not the way to have a dialogue. Someone who takes pride in coming up with new mocking epithets and insults to hurl at his opponents is telling the world that he has no interest in debate, that he would rather just spit and hiss and jeer. And then there’s the curious Puppy trick of mocking themselves, with an air of outrage, implying that the hated “SJWs” have called them these names… which is bullshit. Brad’s latest blog post, proudly trumpeting that he is a “hateful hater who hates,” is just the latest example of this. Before that, we’ve had the Puppies calling themselves Wrongfans having Wrongfun, or the Evil League of Evil, and similar stuff.

It all boggles the mind. And of course it leads to surreal arguments that ‘their side’ is justified in calling our side “Social Justice Whores” and the like because our side has called their side “Wrongfans” and “Haters” — when, of course, we haven’t. You are calling YOURSELVES that… with sarcasm, sure, but still, you are the guys coining all these new and exciting insults, for both my side and your own.

Let me ask, once again, for civility. When the argument is about political issues, I will call your side “conservatives” and “right wingers,” and I’d ask you to call us “liberals” or “progressives” or even “left wingers,” not SJ-Whatevers. When we are focused more on worldcon or the Hugos, I will continue to call you “Sad Puppies,” and I will take care to differentiate you from the Rabid Puppies… except in cases where you’re acting in alliance and agree, where I will just say “Puppies.” And you can call my side “fandom” or “worldcon fandom” or “trufans.” The two sides use “fan” to mean very different things, as I have pointed out repeatedly, which causes some of the confusion. Here’s a new thought: if you insist on calling yourselves “fans,” then call us “fen,” the ancient, hoary, fannish plural of fan. Fans and fen, there we go, two terms for two sides, no insults. Is that so bloody hard?

Also… can we please stop it with the moronic World War II metaphors? Larry Correia is not Churchill, Brad Torgersen is not FDR, and no one is Hitler. We are not fighting the Battle of the Bulge. No matter how the Hugo vote goes, no one is going to a death camp to be gassed.
This is not a fight for freedom, on which the fate of western civilization depends. We are talking about a literary award here. Bottom line, we are arguing about whether the mantle of past Hugo winners like Robert A. Heinlein, Ursula K. Le Guin, Alfred Bester, and Robert Silverberg should be passing to Anne Leckie, John Scalzi, and Jo Walton, or rather to Brad Torgersen, John Wright, and Kevin J. Anderson. This is an argument about what makes a good story, about prose style and characterization and theme and originality. We do not need to make it a blood feud. Have a little sense of proportion, Puppies.

And really, stop it with all the vitriol. Or the rest of the world may actually start to take you seriously when you named yourselves ‘hateful haters who hate.’

Stranger Than Strange

April 26, 2015 at 4:36 pm
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Every time I think my life could not possibly get any weirder, it does:

http://www.poprageous.com/products/grrm-leggings

I can think a dozen things to say about those leggings, all of which would get me into deep, deep trouble, so I had better just scratch my head and say, “No, really? This must be a joke.”

I don’t think I get any money off these. But who the hell knows at this point?

Fanageddon

April 24, 2015 at 5:11 pm
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The membership numbers for Sasquan continue to climb higher and higher. In the past, worldcons in major metropolitan areas like LA, Chicago, Boston, and London have boasted the largest membership numbers, while those in smaller and more out-of-the way locales have been smaller. Spokane is about as small and out-of-the-way as worldcon sites are like to get, and therefore might reasonably have been expected to be one of the smaller worldcons in the past decade.

But this is no ordinary year. Thanks to Puppygate and the Hugo War, Sasquan’s membership numbers are way higher than anyone could have expected. The little con in Spokane even has an outside chance of eclipsing the record membership totals set last year by London.

FILE 770 has the numbers: http://file770.com/?p=22097

What’s even more unusual — though perfectly understandable in context — is that this huge upswell is for SUPPORTING memberships, not attending. In other words, these are people who want to vote on the Hugo Awards, but have no actual interest in attending the worldcon.

But who are they? Are these new members Sad Puppy fans, signing up to vote the Torgersen/ Correia slate to victory? Are these the Rabids, the lockstep legions of Vox Day? Or is this fandom, gathering to defend the integrity of the Hugos? Pronouncements abound, but no one really knows, and no one is likely to know until the envelopes are opened. This will be the most dramatic Hugo night in worldcon history. But not in a good way.

Myself, I think it’s All of the Above. Fans on both sides — or all three sides, if you want to draw a line between the Sad Puppies and the Rabids — are laying down their money to cast their vote. I also think the votes may be way closer than some of the people on “my side” think. I am sensing way too much complacency from fandom. The Puppies dominated the nominations by mustering 200-300 votes for their slate, out of 2000; the fans seem to be counting on the “other” 1800, the voters who scattered their own nominating ballots, to outvote the Pups. And yes, 1800 beats 200 every time… but that does NOT account for all these new members.

However this goes down, we will see more Hugo ballots cast than ever before. If any of this matters to you — yes, YOU, reading this right now — you can and should cast one of them. It will cost you $40, and you have until July 1 to sign up. Go to:

https://sasquan.swoc.us/sasquan/reg.php

Looking at those membership numbers, especially the number of Supporting Members as opposed to Attending, makes me wonder — are any of the Puppies actually planning on coming to Sasquan? If their slate should prevail and win a bunch of rockets, who is going to be there to accept them? We know Brad Torgersen cannot attend, since he is being deployed. I believe that Larry Correia had also stated that he won’t be going. So… who will?

Remembering Roger

April 23, 2015 at 1:11 am
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Roger’s son Trent, a fine writer in his own right, is organizing the event for us, and other members of Roger’s family are also expected to attend, along with lots of us from the New Mexico science fiction community and Albuquerque fandom. I will be there, as will Jane Lindskold, Melinda Snodgrass, Walter Jon Williams, John Jos. Miller, and many many more. We have lots of folks coming in from out of town as well. Neil Gaiman is trying to make it, if his schedule allows. Joe Haldeman is flying in. So is Michael Cassutt. And many folks who cannot come to New Mexico in person will be Skyping in to join us, or sending video greetings and readings. Joe Lansdale, Steven Brust, Howard Waldrop, and others will be heard from.

We won’t be showing DAMNATION ALLEY, no… but we may screen the trailer, just for hoots and giggles. We will have other films and videos, though. A slide show, maybe… so if you have some good pictures of Roger, send jpegs to me or Trent. Artwork too. Most of the evening will be taken up with readings from Roger’s work: his poems, his stories, favorite passages from his books. We expect there will be tears; we hope there will be laughter too. And Roger’s own voice will be heard: he recorded the Amber audiobooks himself, and we hope to play some of that.

The evening’s final offering will be a play. If you’re read my memorial, above, you’ll know that one of the last things Roger ever completed was a short musical play called GODSON. He read it aloud in my living room a few weeks before he died, but to my knowledge it has never been staged or performed. Until now.

GODSON will have its long LONG awaited premiere on the stage of the Jean Cocteau on May 31. Its the story of what happens when Death adopts a child, and it’s pure Roger. We are in rehearsal now. Advance tickets for the evening will be on sale shortly; watch this space for announcements. All box office proceeds will be split with the Zelazny family and the actors and director who are bringing us GODSON. The Cocteau has only 130 seats, so if you want to be part of this, do not hesitate when tickets are made available. This is a one-time only event. (Though we would consider further performances of GODSON if the play is well received and there seems to be sufficient demand. Roger would like that, I am sure).

If you knew Roger, or even if you only knew his work, and you would like to help or be a part of this, please get in touch with Trent Z at trentzelazny@juno.com

We want to make this an evening worthy of one of greatest science fiction writers who ever lived.

Max Is Coming

April 22, 2015 at 6:33 pm
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I’m VERY excited to announce that Mad Max is coming to the Jean Cocteau Cinema.

Remakes are often problematic, but this one looks as though it could be something special. And I say that as a fan of the original Mel Gibson trilogy. The first MAD MAX was just okay, I will admit, but BEYOND THUNDERDOME was damned good, and I rank the middle film, THE ROAD WARRIOR, as the best post-holocaust film, and one of the best SF adventures, ever made.

The reboot looks as though it is drawing more on THE ROAD WARRIOR than the other two. But hey, take a look for yourself:

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(Ignore that last frame about 3D. The Cocteau does not have 3D. See it in gorgeous 2D!!!)

We’re going to try and make FURY ROAD’s run at the Cocteau a real event. We are making arrangements to bring in Max’s V8 Interceptor to park in front of the theatre, and we hope to have the Gyro Captain, the Humungus (Ayatollah of Rocknrollah), and Max himself on hand. (No, not the actual actors, sorry). (Not sure whether the Gyro Captain actually appears in FURY ROAD, but he’s my favorite characters from ROAD WARRIOR, so he’ll be here anyway).

FURY ROAD will open at the Cocteau on the night of Thursday, May 14. Advance tickets are available for purchase right now at the Cocteau website. And as a special bonus for all you Warriors of the Wasteland, anyone who purchases an advance ticket to FURY ROAD, any showing, before May 10 will also get a FREE SMALL POPCORN. Real butter and special toppings, no charge.

“Remember lingerie?”

Black Gate Withdraws

April 19, 2015 at 4:43 pm
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We have had another withdrawal from the Hugo ballot. BLACK GATE has withdrawn from the BEST FANZINE category. You can read their reasons why here: http://www.blackgate.com/

It is uncertain whether this withdrawal will be honored, since it comes too late. Sasquan’s Hugo administrators announced that the ballot was “locked” a couple of days ago, after two other nominees had withdrawn, and two other finalists had been declared ineligble. Those four were all replaced on the ballot by the “next one down,” but if the ballot is indeed locked, it would appear that this will not happen in Best Fanzine.

I do wish to draw attention to Black Gate’s statement that this decision was his own, and was not the result of any threats or internet “bullying.” Marko Kloos and Annie Bellet said more or less the same thing in their own withdrawal statements, but nonetheless certain parties continue to repeat the charge that their fictional boogeymen, the “SWJs,” bullied those worthies off the ballot. Since Kloos and Bellet have explicitly denied that, these cries of “bully, bully” can only be categorized as malicious lies. As for those who are writing Kloos and Bellet to tell them they will never read their books again… have you no shame? Truly? Have you no shame?

I feel very sorry for all of those caught up in this, especially those who were shanghaied onto a slate without their knowledge or consent. They have no good choices. What should have been a highlight of the career has been poisoned and ruined. For what it is worth, I will read their books. I have already ordered the Kloos book from Amazon, and I will be checking out the Annie Bellet short story when I can.

But I am going to be reading the other books and stories on the ballot too. I don’t promise to read all of them start to finish — I start a lot of books, but if they haven’t grabbed me in a chapter or two, I put them aside — but I will at least try them all.

BLACK GATE is advocating the nuclear option: vote NO AWARD in all categories. I understand his reasoning, but once more, I disagree. I will vote NO AWARD only in those categories where I find nothing in the category worthy of a Hugo. If I think a book or story or editor IS worthy of a Hugo, I’m going to vote to award one.

The Hugos can withstand a few NO AWARDs, in categories where all the nominees are crap. They can NOT withstand an entire evening without a single rocket being presented, where one envelope after another is ripped open and NO AWARD is announced, again and again and again.

And as flawed and damaged as this ballot is, there ARE things on it deserving of our field’s ultimate accolade. Starting with BEST NOVEL, the Big One, where I know there is at least one Hugo-calibre book, and suspect there may be as many as three, or even four. Or BEST FAN WRITER, where Laura Mixon’s report on Requires Hate cries out for recognition. There are some terrific movies in Dramatic Presentation, Long Form. We missed PREDESTINATION, which deserved a nod, but we did get INTERSTELLAR, which I rank up there with 2001: A SPACE ODYSSEY. There are editors on the ballot deserving of recognition (no, not him, obviously), there’s an artist (maybe more than one, but one for sure), there’s a bunch of fine fan artists…

Which is why I say again: NO to the Nuclear Option.

CORRECTION: It appears that I misread the BLACK GATE withdrawal statement. They are not actually advocating the Nuclear Option. Please read the statement for a correct explanation of how they suggest the use of No Award. We are still in disagreement, I think, but not as complete a disagreement I had thought earlier.

Once More, Into the Kennels

April 17, 2015 at 9:20 pm
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Brad Torgersen has added a post to his blog: “Sad Puppies: We Are Not Rabid Puppies.”

Larry Correia has also spoken up on MONSTER HUNTER NATION: “I Am Not Vox Day.”

I commend them both for making the distinction so loudly and clearly. And I accept what they say. The Sad Puppies are not Rabid Puppies. Larry Correia is not Vox Day. I regret anything I might have done or said that blurred the line, or created a false impression that all Puppies were the same. (Admittedly, having ‘Puppies’ in the name of both slates does foster confusion). I am glad you set that straight.

But now… sorry, sorry… I have a few more thoughts that have occured to me about Puppygate. Questions, really.

I think we are all pretty clear on where the Rabid Puppy slate came from: Vox Day made it up. He listed a lot of books and movies and editors and writers he liked, told his followers to vote for them, and they did. Pretty cut and dried. And that’s the last I will say about the Rabids.

I am a little more unclear on the process that created the Sad Puppy slate. Brad, if I recall correctly (and do correct me if I am wrong), you said that you solicited nominations and suggestions from the readers of your blog. Presumably Mr. Correia did the same on MONSTER HUNTER NATION. Maybe other blogs were involved. Sarah Hoyt? I don’t know. In any case, you asked for suggestions, and you received a lot of them. And from those, you produced the Sad Puppy slate.

My question, though… how did you go about the winnowing? Presumably more than five books/ stories/ editors were suggested for each category. Yet you did not throw them all onto a long Recommended Reading list, as happens, say, with LOCUS or NESFA. Presumably some of your fans and readers did not see their own favorites reflected on the final list. So how was the slate selected? Were the books and stories you listed those that got the most votes? In other words, was your process a sort of “primary election,” to select candidates for the general? Alternatively, did you pick and choose, putting on some suggestions, discarding others? Did you do that by yourself? Was it you and Larry Correia? You and Larry and some other people of like minds?

In your last blog post, your wrote:

“The objectives of Sad Puppies 3 have been simple and consistent:

● Use the democratic selection system of the Hugo awards.
● No !œquiet! logrolling. Make it transparent.
● Boost authors, editors, and works !” regardless of political persuasion.
● Bring recognition to people who’ve been long overlooked.
● Get some good promotion for new folks coming up in the field.
● Have fun!

I will take you at your word that these were the aims of the Sad Puppies, as opposed to those of the Rabid Puppies, which seem to be more simply, “Destroy the Hugos, outrage the liberals, and plunge all fandom into war.”

I’ll give you the fourth and fifth on your list. You did bring recognition to people who had long been overlooked (whether it was a good sort of recognition is another question, but you certainly got their names out there), and you did generate lots of promotion for some newer folks, most notably the Campbell nominees, and, well, the two young writers who have withdrawn.

I would quibble about your third stated aim. Yes, you did include some women and some minority writers and some writers with different political views on your Sad Puppy slate, but… oh, hell, look, I will grant you that one too, for the sake of argument. My interest is elsewhere.

And for aim number six — have fun — boy, howdy. Are we having fun yet? I’m not. Are you?

Moving on, though, I would like to focus on the first and second aims.

Number one, you wanted to use the democratic selection method of the Hugo Awards. And we’re all in favor of democracy, of course. Except… was your own selection procedure democractic? The stories and novels on your slate, were those the ones that were selected most often, the ones that got the most nominations? If you tell me they were, fine… then you had a primary. But if you tell me that you (or you and Mr. Correia, or you and he and some other Sad Puppies) made judgment calls of your own from amongst the books and stories put forward by your readers… why, that would not be democratic at all. That would be, well, a clique operating behind closed doors. Maybe even a one-man clique, if it was just you.

So tell me, if you would: how did you get from lots of suggestions down to four or five per category? What were your criteria, and who made the final choices??

Which brings me to your second stated aim. “No quiet logrolling. Make it transparent.”

The Hugo Awards have been transparent for decades. Not always, admittedly — final vote totals and nominations were not generally released in the 60s and 70s, and there were always rumors of funny stuff going on behind closed doors. I credit Charles Brown and LOCUS with breaking that down, by making a point of demanding the hard numbers year after year, until the concoms finally began to do so. This year, as for many years now, after all the rockets have been handed out, as the fans begin to leave the auditorium in Spokane, they will be handed sheets with a complete voting breakdown of every category. Sometimes the complete list of nominating totals are included as well; if not, those turn up slightly later. Nominations not just for the books and stories that made the ballot, but for all those that did not. Everyone will be able to see how much they won by, how much they lost by. Hard numbers. Transparency.

(I find these endlessly fascinating myself. Every year, I find myself poring over the numbers at the Hugo Losers party, when I really should be drinking and flirting. What can I say? I can’t help myself).

I am sure I would be equally intrigued by your own “primary” numbers. You favor transparency. Would you be willing to show us your own “primary” results? How many people made suggestions? How many books were nominated? How many votes did each of them get? Were any passed over for the slate, and if so, why? Hard numbers, same as the Hugos. Just so, you know, fandom — and your own Puppies — can know for certain that no “quiet log-rolling” went on.

One last question. You say you want inclusion. You say you want democracy. And you have already announced Sad Puppies 4, aimed at the 2016 Hugo Awards at Big Mac II. I understand that Kate Paulk of MAD GENIUS CLUB will be running things next year. I presume the mechanism will be the same — a call for suggestions, which will then somehow be winnowed down to a slate. (If that’s wrong, do correct me, I want to have the facts).

So maybe my last question is for Kate Paulk rather than you or Mr. Correia. I don’t know. But it’s a simple question. When you open up Sad Puppies 4 for nominations…

Can I nominate?

I read a lot of books and stories. I have editors and fan writers and artists I think are shamefully overlooked, same as you. I am a fan too. Can I nominate my own favorites, and be assured that they will be given equal weight to Larry Correia’s nominations, and Brad’s, and John C. Wright’s, and all the other Puppies?

We want democracy. We want transparency. We don’t want log-rolling. General elections need to be honest, but primary elections should be honest too. And you guys do NOT believe in any sort of political litmus tests, I know, you’ve said as much a hundred times… so I know you will welcome my own suggestions for Sad Puppies 4, right? Oh, and PNH and TNH, and N.K. Jemisin, and Connie Willis, and David Gerrold, and John Scalzi, and all my friends in the Brotherhood Without Banners… we all love science fiction, we all love puppies…

Can we play too?

Looking for Some Colorists

April 17, 2015 at 1:16 pm
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I am looking for the colorists who worked on the HEDGE KNIGHT and SWORN SWORD graphic novels.

My understanding is that “Team Kandora” from “Transparency Digital” did the colors for the HEDGE KNIGHT, for the Dabel Brothers/ DB Pro, and that Rob Ruffolo did the colors for the SWORN SWORD, again for the Dabels.

Googling the names turns up references to all of the above, but no contact info.

So if any of you out there know Rob Ruffolo or anyone from Team Kandora, tell them to get in touch with me privately via email, or LJ messaging.

Thanks.

Hot Pursuit

April 16, 2015 at 7:00 pm
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We had another cool author event at the Jean Cocteau Cinema last night.

Bestselling novelist STUART WOODS came in to join us, to talk about his new thriller HOT PURSUIT.

Trent Zelazny conducted the interview, and we had a lively Q & A with our guest afterwards.

And of course we made Stuart sign a big stock of books before we let him leave, so autographed hardcover copies of HOT PURSUIT are available through the Jean Cocteau website… along with signed books by Junot Diaz, Lisa See, Joe Lansdale, James S.A. Corey, Dennis Lehane, Sam Sykes, Diana Gabaldon, aand yours truly.

Joining Sasquan

April 16, 2015 at 2:26 pm
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The Hugo Awards, the center of the controversy that has plunged all fandom into war, will be awarded this summer at Sasquan, the 2015 World Science Fiction in Spokane, Washington.

I have been going to Worldcons for a long time. My icon is a picture of me at Torcon II, the 1973 Worldcon in Toronto, where I lost the very first John W. Campbell Award for Best New Writer. Wasn’t I cute? It was my second Worldcon, following on Noreascon I in Boston in 1971. (I missed LA in 1972).

You can be a part of Worldcon too. Just go here:

https://sasquan.swoc.us/sasquan/reg.php

You can buy a Supporting Membership for $40, which will give you the right to vote on this year’s Hugo Awards. Whether you vote for the Sad Puppies, or for the Rabid Puppies, or against the Puppies, or vote NO AWARD on everything, or read the work and vote on what you like, or abstain, or elect some combination of all of those… that’s up to you. The important thing is that you vote, however you think best.

Even better, you can buy an ATTENDING membership, and actually come to the convention. Usually they are a lot of fun. That’s why I keep coming back. Don’t believe what you may have heard, we will not be parading about with the heads of puppies impaled on spears.

Come to the party. Everyone is welcome. Don’t believe anyone who tells you otherwise.