Not a Blog

The NIGHTFLYER Flies Again

November 27, 2017 at 4:54 pm
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I spent some time in LA the week before Thanksgiving, as mentioned below in my “City of Angels” post. Meetings, meetings, and more meetings… along with some get-togethers with old friends.

There’s a lot of cool things in the works, most of which I can’t tell you about. (Yet).

I can say a few words about one of the highlights of the trip, however. I finally had the chance to sit down and break bread with the guys who are bringing NIGHTFLYERS to television for the SyFy channel: writer/ creator Jeff Buhler, who scripted the pilot (below, left), and showrunner Daniel Cerone, who will helm the series (below, right).

This was the first time I’d met (or spoken with) either Jeff or Daniel, but we had a great meeting, and I was impressed by their enthusiasm and their plans for the series. Cerone’s extensive list of previous credits includes THE BLACKLIST, THE MENTALIST, and DEXTER. Buhler’s previous writing credits include ELOISE, PET SEMATARY, and THE MIDNIGHT MEAT TRAIN. He’s also been an actor and director. I read a draft of his pilot back in May, when I first heard of the NIGHTFLYERS television project. While it departs considerably from my novella in certain details, the essence of the story remains the same — and I thought the teleplay was quite strong on its own terms, and a good launching point for a series.

The original version of “Nightflyers” was published in 1980 (when I looked more like the guy in the picture above), as a 23,000 word novella in ANALOG. Set in my ‘Thousand Worlds’ (aka ‘manrealm’) universe, it was one of the SF/ horror hybrids that I was writing in the late 70s and early 80s, the best known of which was my novelette “Sandkings” from the year before. “Sandkings” had won both the Hugo and Nebula awards, and “Nightflyers” was also well received, winning the LOCUS Award as best novella and a place on the Hugo ballot (losing the rocket to a Dorsai novella by Gordy Dickson). The novella also won the Seiun Award in Japan. (FWIW, the inspiration for both of those stories was a statement I read somewhere by a critic, to the effect that SF and horror was opposites, and fundamentally incompatible. As a lifelong fan of both, that assertion struck me as nonsense, so I set out to prove it wrong by blending the two genres together. Worked out pretty well for me).

A few years later, I expanded “Nightflyers” to 30,000 words for inclusion in a volume of Dell’s BINARY STAR series, where it was paired with Vernon Vinge’s “True Names.” The longer version has been my preferred text ever since, and it was that version that was included in the Bluejay collection NIGHTFLYERS AND OTHER STORIES, and later in my RRetrospective DREAMSONGS. In 1984, screen and television rights to “Nightflyers” were purchased by Vista, and a low budget feature film was released in 1987, scripted by Robert Jaffe and starring Michael Praed and Catherine Mary Stewart.

Sometime in the last year or so, SyFy acquired the television rights via that old movie deal, unbeknownest to me; the first I’d heard of their development was last spring. Honestly, at first I was baffled as to how they hoped to get a series out of my story, since at the end of the novella (and the film) pretty much everyone is dead (it was a horror story, after all). But in May, UCP got me a copy of Jeff Buhler’s script, and I saw how he’d dealt with that. It was a good read, and yes, I came away with a better idea of where they’d find a few seasons.

I was delighted to have the chance to sit down and talk with Jeff and Daniel, and learn more of their plans. NIGHTFLYERS was only a pilot script in May, but subsequently it has been picked up for a full ten-episode season order, with a substantial budget, one that should allow them to create a show that looks as good as modern audiences expect. They showed me drawings of some of the set designs, some very cool sets. They even showed me the NIGHTFLYER herself:

NIGHTFLYERS will be shot in the Republic of Ireland, I’m told, on sound stages in Limerick… which will give them access to the same great pool of Irish and British actors that GAME OF THRONES has tapped in Belfast (and considering how many characters we’ve killed, a lot of them should be available). ((If by some miracles I actually complete enough of my other projects to create some free time, I’ve love to go over there and kill two birds with one flight by visiting both the GOT and NIGHTFLYERS sets… but that remains a long shot, given my current word load)). If all goes according to schedule, the series should debut this summer, in late July. It will be broadcast on SyFy in the USA, and on Netflix around the world.

Presently Cerone and Buhler and their team are deep in the throes of pre-production and casting… and I have some news on the casting front as well, a casting that has pleased me more than I can possibly say, which I will save for another post.

((Comments allowed, but only on NIGHTFLYERS. Stay on topic)).

Current Mood: excited excited

Roots

November 8, 2017 at 1:32 pm
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I am not the man you think I am.

I am not the man I thought I was.

Day before last, I spent the afternoon with Dr. Henry Louis Gates Jr, taping a segment for his television series, FINDING YOUR ROOTS.

I thought I had a pretty good idea of my roots, but Dr. Gates and his crack team of DNA researchers had some revelations in store for me… and one huge shock.

I could tell you more, but then I’d have to kill you.

You’ll just need to wait until my episode is broadcast, next season. Watch this space. I will let you know when the segment is scheduled.

Current Mood: surprised surprised

And Then There Were Five…

September 20, 2017 at 11:39 am
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… GAME OF THRONES successor shows, that is.

Truth be told, we’ve had five scripts in various stages of development for months. Which I believe I mentioned…

But now at last all the deals are signed, and it can be told. BRYAN COGMAN has come on board to pen the fifth of the successor shows. James Hibberd broke the news on ENTERTAINMENT WEEKLY.

http://ew.com/tv/2017/09/20/game-thrones-bryan-cogman-5th-prequel/

Bryan Cogman should need no introduction for any GAME OF THRONES fan. He’s been part of the show since the beginning… since before the beginning, actually, since he was first hired as assistant to David Benioff and D.B Weiss way before the series got on the air, before even the pilot had been filmed. From those humble beginnings, he advanced to staff writer, to story editor, to co-producer and producer and supervising producer. Less formally, he has also been GOT’s “Keeper of the Lore,” the guy who knew the canon better than anyone (except me, though sometimes I am not even sure of that). He’s written more episodes of GAME OF THRONES than anyone but Dan & David… including some of our very best ones. If D&D have been the kings of Westeros for these past seven seasons, Bryan Cogman has surely been the Prince of Dragonstone.

I’d love to tell you more about the series Bryan will be working on… but we haven’t done that for the other four successor shows, so we shouldn’t for this one either. All in good time.

I can say that, like the other pilots, it will be a prequel rather than sequel, a successor rather than a spinoff. Bryan’s series will be an adaptation, and one that will thrill most fans of the books, I think, set during a very exciting period of Westerosi history. And I’ll be working with him every step of the way; we’re going to be co-creating the show.

Meanwhile, Jane Goldman, Brian Helgeland, Max Borenstein, and Carly Wray are all at work on the other four successor shows. I’ve been working with them as well (some more closely than others), and I’m excited by some of the ideas they’re coming up with. HBO should have a wealth of material to choose from. (And that’s not even counting the four weird-ass series concepts I’ve come up on my own, just for the hell of it. There are eight million stories in the naked city, and maybe ten times as many in Westeros and the lands beyond the narrow seas).

You should not expect to see all five shows, though, at least not immediately.. much as I might love the idea, HBO is not about to become the GAME OF THRONES network… but we could possibly see two or even three make it to the pilot stage, with one series emerging on air in 2019 or 2020… and the others maybe later, if they come out as well as we all hope. Then again, maybe… but I should not speculate, you folks get WAY too excited. Truth is, no one knows. Least of all me.

For now, suffice it to say that Bryan Cogman has signed on, and we’re thrilled.

Current Mood: bouncy bouncy

Emmy Winners

September 20, 2017 at 10:17 am
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Congratulations to all the winners of this year’s Emmy Awards. And especially to my friends at HBO, which once again led all other networks in number of nominations and number of victories.

It was a great show this year, I thought. Yes, even without GAME OF THRONES. Stephen Colbert made a terrific host. I especially enjoyed his opening number.

A strong lineup of nominees this year gave us some great winners… though, as always, that also means some equally deserving finalists wound up as losers. WESTWORLD especially was robbed, as was STRANGER THINGS. But it IS an honor just to be nominated, and the time will come for both of those shows, as it finally did for GAME OF THRONES. The big winners this year were Hulu’s HANDMAID’S TALE (adapted from the novel by Margaret Atwood) and HBO’s BIG LITTLE LIES (adapted from the novel by Liane Moriarity). ((Notice the common denominator there? BOOKS! Do a faithful adapatation of a great book, and you can’t go wrong)). I was also pleased to see BLACK MIRROR get some love, especially for its brilliant “San Junipero” episode.

GAME OF THRONES, of course, was not eligible this year, having shifted from April to August. Which meant that, for the first time in seven years, I was not actually at the awards in LA. Instead Parris and I watched from home. It felt kind of strange not to be there, truth be told. Not bad, just strange. It was actually sort of relaxing. The Emmy weekend can be very exciting, but it is also exhausting, even the parties… the heat, the crowds, the noise. The red carpet seems to get longer (and hotter) every year. Maybe that’s an ordeal that should be left for the younger and more photogenic members of our television community.

Will I be back next year, or the year after, or the year after that? Time will tell. Emmy is a fickle goddess who bestows her kisses where she will. But either way, I’m good.

((Comments on the Emmys welcome. Off topic comments will be deleted)).

Current Mood: contemplative contemplative

Sunday Blues

September 18, 2017 at 10:31 am
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Football sucks. At least this season.

It is becoming clear that I am not going to get much joy from watching the NFL this year. The Jets lost again yesterday, 45-20, in humiliating fashion. They managed to hang with the Raiders for most of the first half, until muffing a punt in the last minute of the first half. It was all downhill from there. Oakland repeatedly ran the ball right up the gut of our D, through the zones where David Harris and Sheldon Richardson once patrolled. I think 0 – 16 is a real possibility.

I have more hope for the Giants, but judging by last week’s loss to the Cowboys, it may be a false hope. We will see what happens tonight against the Lions.

And I can’t even enjoy the pregame show any more, sad to say. For years… decades… I have been a devoted fan of ESPN’s NFL COUNTDOWN show on Sunday. But last season the show lost Tom Jackson, and with it much of its appeal. And this season they have retired Chris Berman as well. After two weeks, I’ve had enough. I say it’s spinach, and I say to hell with it.

Current Mood: grumpy grumpy

Who Fears Death Finds Its Scriptwriter

September 14, 2017 at 5:54 pm
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We’ve found our scriptwriter for WHO FEARS DEATH, the television series we’re developing for HBO based on the award-winning novel by Nnedi Okorafor.

His name is SELWYN SEYFU HINDS. He’s written television, film, comics, journalism, history. He’s a producer as well, and will be a co-executive producer on WHO FEARS DEATH, as well as writing the pilot. We’re very excited to have him aboard… and to finally be able to announce it, now that his deal has closed (these things take a while).

You can find out more about him on IMDB, or hear him speak (though not about WHO FEARS DEATH, not yet) here: http://www.blackisonline.com/2015/02/the-jam-ep-15-w-selwyn-seyfu-hinds/

It was not an easy selection. We considered dozens of terrific writers, finally winnowed it down to half a dozen strong finalists, and interviewed each of them at length. I was not able to be in LA for the interviews myself, thoughI took part by phone… but executive producers Michael Lombardo and Angela Mancuso, our development executives from HBO, and of course Nnedi Okorafor were all in the room for every interview. All of us loved what Selwyn had to say about WHO FEARS DEATH, and how he would like to bring it to the screen. It’s a powerful book, but not an easy adaptation by any means… but we think we’ve found the right writer for the assignment.

I was also pleased to see Michael Lombardo and Angela Mancuso finally credited in the news stories about Selwyn and WHO FEARS DEATH, since the last round of stories made it sound as if I was doing it all by myself. Even now, though, some of these stories are getting it backwards, talking about how I “added” Lombardo and Mancuso. Ah, no… rather, they (and Nnedi) added me. This was their project from the start, I’m the new guy in the boat. But I’m thrilled to be here, and I’m excited to be working with Michael, Angela, Nnedi, and now Selwyn. We all share the same goal: to make this extraordinary novel into an extraordinary television series.

((I will leave comments open, but only for discussion of WHO FEARS DEATH. All off topic comments will be deleted)).

Current Mood: excited excited

Just Sayin’

August 23, 2017 at 4:09 pm
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Oh, about those successor shows…

‘Nuff said.

Current Mood: mischievous mischievous

Wild Cards Goodness

July 19, 2017 at 10:12 pm
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Some cool new stuff out there for Wild Cards fans.

Over at Tor.com, the Wild Cards Reread continues with Katie Rask’s insightful look at the fourth volume of the original series, ACES ABROAD. Check it out and join the discussion at:

https://www.tor.com/2017/07/18/religion-revolution-and-80s-politics-wild-cards-iv-aces-abroad/

And there’s some new content on the Wild Cards website as well. A new blog post by Mary Anne Mohanraj about writing an intertwined story

http://www.wildcardsworld.com/how-do-you-tell-an-interlinked-story/

and some great art uploads of work by some of our favorite artists: John Picacio, Marc Simonetti, and Michael Komarck.

((Meanwhile, development continues on the Wild Cards television series. I could tell you all about that as well, but then I’d have to kill you. Oh, yes, and the latest Wild Cards mosaic novel is nearing completion as well. Seven of ten stories in, and the last three expected soon)).

Current Mood: pleased pleased

Who Fears Death?

July 11, 2017 at 12:34 pm
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Not me, for sure. I don’t fear death a bit. But sometimes I fear the internet.

Yes, HBO is developing Nnedi Okorafor’s novel WHO FEARS DEATH as a series.

Yes, I am attached to the project, as an Executive Producer.

I am pleased and excited to confirm that much. I met Nnedi a few years ago, and I’m a great admirer of her work. She’s an exciting new talent in our field, with a unique voice. Even in this Golden Age of television drama, there’s nothing like WHO FEARS DEATH on the small screen at present, and if I can play a part, however small, in helping to bring this project to fruition, I’ll be thrilled.

As usual, however, the internet is blowing this story all out of proportion, at least in regards to my own participation.

I will be an Executive Producer on WHO FEARS DEATH but I will not be the Executive Produce, i.e. the showrunner. That’s an important distinction. Should we move forward, there will be a number of Executive Producers, and probably some Co-Executive Producers and Supervising Producers and Producers as well. This is television.

I will not be writing the pilot script or adapting Nnedi’s novel, and it’s doubtful that I will write any episodes should we go to series. Look, I probably won’t be writing episodes of ANY television shows until WINDS OF WINTER is done and delivered, and that goes for the five GAME OF THRONES successor shows as well. Other writers will be scripting those pilots, and the same is true for WHO FEARS DEATH. Last week we spent most of an afternoon interviewing some great young talents, in hopes of finding the right person to script the pilot. I was part of that process, and Nnedi was too. No deal yet, but we may have an announcement soon.

It should be stressed that this project is still in its early stages. There’s a long road ahead. Pilot script, pilot order, series order. But the hope of everyone involved is that, by the end, we can produce something truly special.

Current Mood: cheerful cheerful

Binging

July 8, 2017 at 11:46 am
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I’ve been working so much of late that I have fallen way behind in my reading (sob) and my filmgoing (the only movie I’ve managed to catch in the last month was WONDER WOMAN, and it wasn’t even playing at my own theatre), but there’s usually time for an hour or two of television at night.

FARGO and BETTER CALL SAUL both had excellent seasons, as usual, but ended way too soon. This year’s Emmy nominations will be announced next week, and I’d be surprised if both of those shows were not well represented.

After those two favorites wound up, however, Parris and I found ourselves wandering in the wilds of Netflix and Amazon and Hulu in search of more great drama… and stumbling on two other series that are, alas, unlikely to get much Emmy attention, though they both deserve some.

The second season of THE LAST KINGDOM, based on Bernard Cornwell’s Saxon series, was just as good as the first. The show could benefit from a bigger budget, honestly, but for all the Uhtred fans out there (and I count myself as one), this is a pretty faithful adaptation of the books, and the writing and acting are fine. I hope there will be a season three.

The other show we stumbled on was GOOD GIRLS REVOLT, which dramatizes the struggle of the women at NEWSWEEK… er, “NEWS OF THE WEEK”… fighting for the chance to be reporters instead of simply researchers in 1969. I thought it was excellent. The actresses in the leading roles were all terrific, and the male characters were pretty nuanced as well; the show portrayed the sexism of the times, and the indignities the women were forced to put up with, without falling into the trap of painting all the men as monsters and assholes. Good writing and good acting, and hey, I loved the music and the clothes as well (what can I say? I’m the guy who wrote THE ARMAGEDDON RAG). Aside from its feminist themes, which were front and center, GOOD GIRLS REVOLT also struck me as the best show about journalism since LOU GRANT. And I like shows about journalism. Wish there were more of them. It’s a pity GOOD GIRLS REVOLT won’t be back. It was just getting started, and then it was over. Guess I’ll just need to read the book.

Anyway, if you’re looking for something good to binge on until season 7 of GAME OF THRONES hits the tube, check out those two.

Current Mood: pleased pleased