City of the Angels

November 21, 2017 at 5:36 pm

I have a love/ hate relationship with Los Angeles.

I spent a lot of time there back in the 80s and 90s, when I was on TWILIGHT ZONE and BEAUTY AND THE BEAST, and in the years that followed, when I was in development hell. A good decade, all told. At least three of those years were spent on the 405, I seem to recall… but in any case, I have lots of good memories of LA, and some bad memories as well. I made lots of friends out there. And even now, my work requires me to visit the City of Angels (which seems less angelic every day, if you’re reading the news) several times a year.

Those visits are usually mixed bags. I do business, which is necessary. Sometimes I come home with awards, which is great. I check in on old friends, always a pleasure (though all of us get older every year). From time to time I make new friends, always a joy. But I hate driving in LA even more than I did in the 90s, if that is possible, and the weather is usually beastly. So bloody hot and humid I don’t know how anyone can stand it. Then, of course, there are the meetings. Some are fun, some are not. Even the best meetings, it seems, seldom lead to anything real.

Last week, however, I had a great visit to LA. The weather, for once, was gorgeous. Not too hot, not too humid, beautiful blue skies, stunning sunsets.

When I wasn’t gazing out over the city from the balcony of my room at the Four Seasons, I was having meetings. HBO meetings, for the most part… exciting stuff, and they all went well… and meetings with some major film studios as well, about possible adaptions of some of my other work. All very exciting. Cross your fingers, cross your toes, I might have thrilling news down the line.

I also got to check in with some of those old friends I mentioned. One of the highlights was the dinner I shared with some of the folks I worked with on BEAUTY AND THE BEAST.

The whole gang could not be there, but we did gather (from left to right) Linda Campanelli (writer), Jay Acovone (Joe Maxwell), Ron Koslow (creator, showrunner), yours truly (writer/ producer), Ron Perlman (Vincent), and David Schwartz (producer). It was a grand gathering. We told some stories and shared some laughs, and of course we all lifted a glass to the memory of Roy Dotrice, our Father… who made it to 94, and still died way too young.

It was an honor to work on BEAUTY AND THE BEAST, and I’m proud of the work we did there.

((Comments permitted, if you STAY ON TOPIC))

Current Mood: calm calm

Tags: hbo, television and film, travels

NIGHTFLYERS at the JCC

October 23, 2017 at 3:53 pm

The SyFy channel will start filming their new NIGHTFLYERS series late this year or early next, I am informed. The series is based on my novella “Nightflyers,” first published in 1980.

“Nightflyers” was one of my Thousand Worlds stories, part of the future history that formed the background for most of the science fiction I wrote and published in the 1980s. The earliest version of it was a 23,000 word novella originally published in ANALOG, with a gorgeous cover by Paul Lehr.

That version of the story was a finalist for the Hugo Award at Denvention II (that’s me and Parris at Denvention in the pic). It lost our to a Dorsai story by Gordy Dickson, but as always it was great to be nominated… and it did get me back in the Hugo Losers Club, after I’d disgraced myself my winning two the year before. 😉

The story had a lot of fans, though. One of them was editor Jim Frenkel, who was doing a new series called ‘Binary Stars,’ a sort of revived Ace Double concept with two ‘short novels’ sharing a single book. He wanted to use “Nightflyers,” but needed it to be longer. I was thrilled to oblige, since I’d always felt the original needed a bit more room to breeze. I happily expanded the novella to 30,000 words, and in that form it was paired with Vernor Vinge’s “True Names” in a Binary Star, and later reprinted as the lead story in one of my collections from Bluejay Books.

((I kinda hate that cover. For various seasons, which I will explain at the JCC)).

I don’t know where screenwriter/ producer Robert Jaffe first encountered the story… in ANALOG, or via my collection… but somehow he did, and reached out to be in 1984 to option, and then purchase, film and television rights. The movie was filmed in 1986 and released in 1987.

NIGHFTLYERS… the movie… was not a huge hit. But it’s a film that I have very warm feelings toward. NIGHTFLYERS may not have saved my life, but in a very real sense it saved my career, and everything I have written since exists in no small part because of that 1987 film.

Tomorrow night we’ll be screening at the Jean Cocteau Cinema, with Robert Jaffe flying in from Los Angeles to talk about the making the film with me.

Come join us.

Current Mood: pleased pleased

Tags: television and film, writing

The Swords Are Drawn

July 22, 2017 at 4:29 pm

For all you fans of sword ‘n sorcery, and/ or my own ‘fake histories,’ the new anthology from Gardner Dozois, THE BOOK OF SWORDS, has been scheduled for release on October 10, and is now available for pre-order from Amazon https://www.amazon.com/Book-Swords-Gardner-Dozois/dp/0399593764 and many other online booksellers. I imagine your favorite local bookseller is taking orders too.

This is NOT one I co-edited with Gargy (people keep getting that wrong), so I haven’t read any of the other stories yet, but it looks to have a helluva lineup, with originals by Lavie Tidhar, Daniel Abraham, Scott Lynch, C.J. Cherryh, Robin Hobb, Ken Liu, Cecelia Holland, Walter Jon Williams, and many more. And of course it also includes “Sons of the Dragon,” a chronicle of the reigns of Aegon the Conquerer’s two sons, Aenys I Targaryen and Maegor the Cruel, for those who cannot get enough of my entirely fake histories of Westeros. That one has never been published before in any form, though I did read it at a couple of cons.

Speaking of fake history… regulars here may recall our plan to assemble an entire book of my fake histories of the Targaryen kings, a volume we called (in jest) the GRRMarillion or (more seriously) FIRE AND BLOOD. We have so much material that it’s been decided to publish the book in two volumes. The first of those will cover the history of Westeros from Aegon’s Conquest up to and through the regency of the boy king Aegon III (the Dragonbane). That one is largely written, and will include (for the first time) a complete detailed history of the Targaryen civil war, the Dance of the Dragons. My stories in DANGEROUS WOMEN (“The Princess and the Queen”) and ROGUES (“The Rogue Prince”) were abridged versions of the same histories.

No publication date has been set yet, but it’s likely that we will get the first volume of FIRE AND BLOOD out in late 2018 or early 2019. The second volume, which will carry the history from Aegon III up to Robert’s Rebellion, is largely unwritten, so that one will be a few more years in coming.

And, yes, I know you all want to know about THE WINDS OF WINTER too. I’ve seen some truly weird reports about WOW on the internet of late, by ‘journalists’ who make their stories up out of whole cloth. I don’t know which story is more absurd, the one that says the book is finished and I’ve been sitting on it for some nefarious reason, or the one that says I have no pages. Both ‘reports’ are equally false and equally moronic. I am still working on it, I am still months away (how many? good question), I still have good days and bad days, and that’s all I care to say. Whether WINDS or the first volume of FIRE AND BLOOD will be the first to hit the bookstores is hard to say at this juncture, but I do think you will have a Westeros book from me in 2018… and who knows, maybe two. A boy can dream…

Meanwhile, you’ll have Gardner’s anthology to fill the time. Keep your swords sharp!

Current Mood: quixotic

Tags: anthologies, fake history, game of thrones, hbo, television and film

SyFy Greenlights NIGHTFLYERS Pilot

June 24, 2017 at 7:05 pm

Here’s some cool news for the fans of my Thousand Worlds stories… y’know, the science fiction that I wrote way back when, long before I thought of GAME OF THRONES.

The SyFy Channel has just greenlit the pilot for a proposed NIGHTFLYERS series, based on my 1980 Hugo-losing novella, one of my SF/ horror hybrids.

Details can be found here (and in lots of other places on the web):

http://www.hollywoodreporter.com/live-feed/george-rr-martins-nightflyers-picked-up-pilot-at-syfy-1016296

Since I’m exclusive to HBO, I can’t be part of the NIGHTFLYERS development, but I wish them well. The novella was a favorite of mine (especially the longer version that I did for BINARY STARS), and I think the show could have a lot of potential… especially if you like a little horror in your SF.

If it looks as good as THE EXPANSE, by my pal Jimmy Corey…

(That pic up above is me and Parris at Denvention II, by the way, the night that “Nightflyers” lost the Hugo to Gordy Dickson).

Tags: science fiction, television and film

Some Odds, Some Ends

June 23, 2017 at 1:55 pm

Had a great visit with Walter Jon Williams and his Toolbox students up in Angel Fire. It’s a lovely drive from Santa Fe, and it was nice to meet (however briefly) the fledgling writers. How many of them will actually go on to make it, well, one can never be sure of that, but I shared what wisdom I could from my years in the field, and showed them a few of my scars as well. They have some good teachers in Nancy Kress and Walter Jon. As I mentioned to the class, I workshopped with WJW for years, and he was right almost 75% of the time. 🙂

Back at the homestead, we’re facing a certain amount of disruption. Santa Fe is a lovely town and one of its charms is its pueblo style architecture… but be warned, those damned flat roofs will LEAK, don’t let anyone tell you any different. My office roof has been leaking off and on for years, and has been patched and repaired at least a dozen times since I’ve been here… to the point that my contractor finally threw up his hands and said he couldn’t keep putting patches on the patches on the patches. I need a whole new roof. And since that process requires me to vacate the premises, I figured this is the perfect opportunity to do some of the renovations I’ve been planning (and putting off) for the better part of the decade. So, bottom line, I’m moving to new workspace, while the old workspace gets a new roof and some cool additions. But I should be settled in at the new place within a week or so.

Also have the big trip coming up. I cut way way way back to my travel this year, to give myself more time to work. Back in April/May I did Stokercon on the Queen Mary and the benefit for Clarion, but come August I’ll be off again, first to NYC for a wedding and the usual round of publisher and agent meetings, then off to Finland for worldcon, then on to Russia for a con in St. Petersberg. I have been to Finland twice before, but this will be my first time in Russia… though I know I have a lot of Russian fans from the emails I receive. It will be nice to meet them. Two trips for all of 2017 is the least amount of travel I’ve done in twenty years.

LOTS of things going on with television and film. Season 7 of GAME OF THRONES will be here on July 16 (and we’re doing a season 6 marathon at the JCC), the five successor shows are moving forward at various rates of speed, and we’re talking with UCP about not one, not two, but three possible Wild Cards series. And there are a couple other TV projects that I can’t tell you about… how much of this will come to pass, nobody knows. Ah, the joys of development…

Oh, and football will be starting soon. Don’t ask me to explain what the Jets are doing. I don’t understand it either. I foresee a very painful season for fans of Gang Green. But hey, what’s different about that?

Tags: television and film, the writing life, wild cards, workshops

Merry Xmas to All, and to All a Good Max

May 22, 2017 at 7:13 pm

Our week-long M-M-Maxathon concluded on Satuday night at the Jean Cocteau with a staged table reading of “Xmas,” my thirty-year-old unproduced (until now) MAX HEADROOM script. And I have to say, we went out on a high note. We had a sold-out theatre, and the audience seemed to enjoy every moment of the performance, laughing and applauding at all the right places.

After thirty years, I was not at all sure how well my old script would hold up… especially with an audience of Max Headroom fanatics, many of whom had just sat through an entire week of Max, watching every one of the produced episodes. MAX HEADROOM was a really smart show, with some fine writing… tough acts to follow. But most of the viewers seemed to think “Xmas” was just as good as what had gone before, which gratified me no end.

One of the things that brought me back to books in the mid 90s, after ten years in television and film, was the sour taste that unproduced scripts left in my mouth… and in my soul. I was making good money during those years in “development hell,” but I came to realize that a paycheck was not enough. I hated spending months or years writing and rewriting a script, creating a world, a story, and characters I inevitably came to love, only to have some network or studio decide to pass. I wanted my stories told, and I wanted my teleplays and screenplays performed. Scripts are not meant to be read; to come alive, they need to be staged, acted out…

“Xmas,” written in 1987, was actually the first time in my short television career that I tasted the disappointment that so many screenwriters come to know so well. I had been writing for television for less than two years, after all, and up to “Xmas,” I’d had a charmed career. My only previous gig had been on TWILIGHT ZONE, where I wrote five scripts, every one of which was greenlit, produced, and telecast (though, okay, “The Road Less Travelled” got butchered on the way). “Mister Meat” had been a stumble, but I never went to script on that one. With “Xmas,” I went all the way, and the script had been delivered and slated, scheduled… only to have the show cancelled abruptly.

It’s been said that a writer’s characters are his children. If so, then unproduced scripts are a screenwriter’s stillborn children, and I have far too many of them (for my taste, at least — those who have worked longer in film and TV have many more). To have the oldest of those, “Xmas,” brought to life at long last… to hear the lines spoken, to hear the audience laugh… well, it meant a lot to me.

My thanks go out to our wonderful cast of local actors, especially Elias Gallegos, who played the starring role of Edison Carter. And to Lenore Gallegos, who did such a splendid job of putting this all together and directing. And especially to Michael Cassutt, who made this all happen, to “Max Headroom’s Daddy,” Steve Roberts… and to the one and only Matt Frewer, who graced our stage at the Jean Cocteau and brought M-M-Max to life one last time, hilariously.

Everyone had a good time on Saturday night, I think. But no one had a better time than me.

Merry Xmas.

Current Mood: cheerful

Tags: jean cocteau cinema, television and film

Home Again

May 13, 2017 at 2:08 pm

Got home from nigh on two weeks in California on Thursday night.

It was a great trip, but damn, I’m tired. No rest for the wicked, however. I don’t check email when I travel, so it does tend to pile up and up and up and up. So now I am digging as fast as I can, but there’s lots going on here as well. M-M-Max Headroom is in town all week.

Had a great time on the Queen Mary with the Horror Writers. If you’ve never visited the Queen, you should. Even tied up to a wharf, she puts modern cruise ships to shame. All that wood, all that art deco. The public rooms are just gorgeous. And the good folks at HWA let me present one of their Bram Stoker Awards. Which is not, incidentally, a bust of Bram, but rather a Creepy Little House. Not to be confused with the new World Fantasy Award, which is a Creepy Little Tree.

The last time I visited the Queen, the Spruce Goose was still housed in the giant dome next door. The Goose is long gone, alas, but the dome is still there, cavernous and empty. I kept gazing out at it and thinking, “hmmmm, just think what Meow Wolf could do with that.”

After Stokercon, it was on to San Diego. Raised a few sheckles for Clarion with my conversation with Kim Stanley Robinson, which I believe should be turning up on line sometime soon. Spoke to a couple of classes at UCSD as well. The real highlight of the visit, however, was my visit to a high school class which is studying… yes… my books. I was greeted by two pretty young ladies in Kingsguard cloaks, and presented with a lovely raven drawing and a sword with a map of Westeros on it. The kids were really sharp, too. They asked better questions than half of the journalists who interview me.

Then it was back to LA and meetings, meetings, meetings. Some exciting stuff is happening. A lot of it I can’t tell you about — yet — but the trades have already spilled a few of the beans so I suppose I can acknowledge that, yes, HBO is developing a successor show to GAME OF THRONES, and yes, SyFy may be doing a series based on my novella “Nightflyers.” More on all that later. There’s lots more too, but the beans remain unspilled on that, so mum’s the word… for now.

Oh, and I had a few spare hours in Beverly Hills, so I swung by the B&N at the Grove and signed all their stock of my books. So if you’re in the neighborhood and looking for an autographed copy, get there while their supply lasts (and if you’re too late, you can meet your signed book needs via mailorder from my own Jean Cocteau).

Sometimes it is nice to get away from the desk. But it’s nice to get home as well.

Tags: game of thrones, hbo, syfy, television and film, workshops

Stagecoach Rolls Out

March 16, 2017 at 3:31 pm

Now it can be told.

On Tuesday everybody who is anybody in the Santa Fe film community gathered up the hill at the former headquarters of the Daylight Chemical Information Systems for the official rollout of the Stagecoach Foundation, dedicated to bring more film and television production to the City Different and the Land of Enchantment. We’re very excited.

Stagecoach will be a non-profit foundation. Our dream is to bring more jobs to the people of Santa Fe, and to help train the young people of the city for careers in the entertainment industry, through internships, mentoring, and education.

Once upon a time, before airplanes, before railroads, it was the stagecoachs that brought people to Santa Fe. Our hope is that Stagecoach will do the same.

And none of this would be possible without the generosity and visions of the late David Weininger, who passed away in November… but whose legacy will live on.

Tags: charity, santa fe, television and film

Hugo Thoughts: Dramatic Presentation

January 28, 2017 at 5:32 pm

That Finnish Worldcon has opened Hugo nominations for 2016, and all over the internet the usual suspects are stirring and sharing their thoughts and recommendations. Being very suspicious my own self, I thought I’d chirp in with my own notions, as I have in years past.

First, the basics (forgive me if you have read this before, which most of you have):

To nominate, you need to be a member of at least one of these three worldcons:
— MidAmericon II, last year’s Kansas City worldcon,
— the current year’s worldcon, in Helsinki,
— the 2018 worldcon, ConJose II, in San Jose, California.

If you were a member of MAC II, you’re set. If not, you need to join one or the other of the forthcoming cons… and to secure nominating rights, you need to do that by January 31. Which means you have THREE MORE DAYS to join. Once you’ve signed up, though, you’ll have another six weeks or so to decide what you want to nominate. You do NOT have to attend to be able to nominate. Supporting Memberships are also available, at a much lower rate.

To join the Helsinki con, go to:
http://www.worldcon.fi/

To join for San Jose, the address is:
http://www.worldcon76.org/

Once you’ve signed up, you will be sent your own personalized link to the nominations page, which will allow you to nominate the books, stories, movies, television shows, artists, fans, and editors whose work most wowed you this past year.

The Hugo Awards were first given in 1953, and remain our field’s most prestigious, important, and meaningful awards. The list of Hugo winners is a Who’s Who in science fiction and fantasy, and you can have a voice in determining which names are added to that distinguished roster besides those of Alfred Bester, Robert A. Heinlein, Isaac Asimov, Roger Zelazny, Ursula K. Le Guin, Jack Vance, Connie Willis, Samuel R. Delany, N.K. Jemisin, James Tiptree Jr, Harlan Ellison, Robert Silverberg, Gardner Dozois, Lois McMaster Bujold, Orson Scott Card, Poul Anderson, Frank Herbert, Anne Leckie, Anne McCaffery, and so many many more.

Today I thought I’d ruminate a bit on the Dramatic Presentation Hugos. There are two of those: Long Form and Short Form. For all practical purposes, Long Form means “feature films” and Short Form means “television episodes,” though the rules actually allow all sorts of other things to be nominated (live theatre, radio plays, easter eggs, slide shows, albums, once even an acceptance speech from the previous year, which was kind of the height of stupidity). But the only real hard and fast criterion here is running time.

This year’s Long Form race is going to be dominated by two movies, I have no doubt. ROGUE ONE is a Star Wars film, and a pretty good one at that (the best since THE EMPIRE STRIKES BACK, imnsho); it has to be the odds on favorite going in. ARRIVAL, however, could give it some tough competition; a brilliant, powerful adaptation of a Ted Chiang story, relentlessly intelligent, well filmed, well acted (how Amy Adams did not get an Oscar nod I will never understand).

If we presume that ROGUE ONE and ARRIVAL are shoe-ins, though, the question remains as to what will occupy the other four slots on the final ballot. Certainly there were other genre movies released last year. DR. STRANGE, INDEPENDENCE DAY: RESURGENCE, PASSENGERS, A MONSTER CALLS, THE JUNGLE BOOK, GHOSTBUSTERS, X-MEN, STAR TREK, yadda yadda yadda. Myself, I liked some of these a lot, other less, and still others I have yet to see. Some may make my ballot.

There’s another option, however: television series. And it’s an option well worth considering.

See, the rules allow a television show to be nominated in two different ways. You can nominate an individual episode of a series in Short Form, so long as it is under ninety minutes, or you can nominate an entire season as a whole in Long Form. (You can actually do both if you really like a show, but the Hugo administrators will then make the showrunners chose which nomination to accept, so the same show cannot appear simultaneous in both categories). Most recently, it happened to GAME OF THRONES. At the Chicago worldcon, GAME OF THRONES season one won the rocket in Long Form, ahead of several feature films. (In subsequent years, however, GOT won in Short Form, for individual episodes).

In today’s television world, there are two different sorts of shows: episodic series, where every week tells a self-contained story with a beginning, middle, and an end, and serial shows, where the entire season is one story, one continuous dramatic arc, with no resolution until the final episode (if then). LAW & ORDER is its various incarnations is an example of the former, HBO’s recent brilliant courtroom drama THE NIGHT OF an instance of the latter. In the not-too-distant past, episodic shows used to dominate television drama, but in recent years that has definitely changed. These days we have a real mix, though to my mind the best shows are almost all serials. The longer format allows you to do so much more.

This is truly the Golden Age for science fiction and fantasy on television, with more interesting series than ever before… most of them serial dramas. WESTWORLD, for instance. Terrific show. But the entire season is one story. To me, it makes no sense to pick an episode at random and nominate it in Short Form, when every episode depended so much on what had come before and what was to follow. I will be nominating WESTWORLD season one in Long Form, and I urge other WESTWORLD fans to do the same. Then we have STRANGER THINGS, recent Golden Globe nominee, another cool new genre show… I loved the series, but looking back, did I love one episode? No, I loved the whole story, so I’d nominate STRANGER THINGS, season one. Ditto for PENNY DREADFUL, the final season, which wrapped up in fine style last year. You could also make a case for MR. ROBOT, if you consider that sf.

And, of course, there’s GAME OF THRONES. Our sixth season won an unprecedented number of Emmys, setting an all-time record. And there are individual episodes that won Emmy acclaim: David Benioff and D.B. Weiss won for writing for “Battle of the Bastards,” Miguel Sapochnik took the directing Emmy for the same episode, and “The Door” also earned a directing nomination for Jack Bender. But it was the season as a whole that won for Best Drama, and for me, at least, it makes the most sense to nominate GAME OF THRONES, season six, in Long Form.

When I look at the other movies eligible this year, aside from the Big Two, I see some good work, for sure… but nothing that stands head and shoulders above shows like WESTWORLD, STRANGER THINGS, PENNY DREADFUL, and GOT. I think the time has come for serial television drama to have more of a presence in the Long Form category.

And what about Short Form, you ask?

There are still plenty of episodic shows left, more than enough to fill that category. GRIMM and ORPHAN BLACK and FLASH have all been nominated in recent years, and their fans will likely have favorite episodes again this year. And then there are the anthology shows, the most outstanding of which is BLACK MIRROR. As with TWILIGHT ZONE and OUTER LIMITS in days of yore, every episode of BLACK MIRROR is self-contained, and many of them are brilliant. (Dark as hell, disturbing, but masterfully done). Your favorite BLACK MIRROR episodes should definitely be nominated here; so far, the show has been criminally overlooked in the Hugos. Of course, there’s DR. WHO as well. I don’t know which episodes will be nominated this year, but there will surely be one. Or two. Or three. Or four. For GOT fans who reject my Long Form argument, or prefer to nominate in both categories, “The Door” and “Battle of the Bastards” are the likely contenders.

And then there is the interesting case of THE EXPANSE. You could make a good argument for nominating the entire first season of THE EXPANSE in Long Form, as with WESTWORLD or GAME OF THRONES or STRANGER THINGS, since it is one continuous story. However, the airing dates of THE EXPANSE season one straddled the calendar year, so half of the episodes came out in 2015. Not sure what that does to the show’s eligibilty. (Two of those early episodes did garner considerable support last year, and would likely have made the ballot if not for the Puppies). In light of that complication, I think EXPANSE fans (like me) should probably nominate their favorite episode in Short Form. My pick would be the season finale, “Leviathan Wakes.” Originally broadcast on February 2, 2016, it is clearly eligible, whereas the earlier episodes are not.

Those are my thoughts on the Drama categories in this year’s Hugo Awards. You’re welcome to share your own. (As ever, please stay ON TOPIC or your comments will be nuked).

No matter which shows and movies you chose to nominate… NOMINATE. Surely the events of 2016 have demonstrated the importance of voter turnout.

Tags: awards, hugo awards, television and film

Doom, Despair, Defeat

January 9, 2017 at 4:16 pm

So far, the new year is off to a terrific start. Not.

Yesterday mostly sucked.

All the playoff games sucked, actually. The four wild card teams all lost, the four home teams all won, and every game ended in a rout. Most of them were over long before the fourth quarter rolled around. Of course, for me personally the worst of them was the last, when the Green Bay Packers routed my Giants. That one was actually a game for the first three quarters. The Giants defense came out loaded for bear, and stuffed the Packers and their bad man for most of the first half… but the Giants offense could not seem to take advantage, which (sadly) has been true most of the season. The running game, which had shown signs of life last week against the Skins, lay down and died again, and the passing game was erratic at best, with both Odell Beckham Junior and Sterling Shepard both dropping sure touchdown passes. OBJ dropped a number of other passes as well. Not his finest hour. In fact, it may well have been the worst game I have ever seen him play. Eli was pretty sharp for the most part, but when the receivers keep dropping balls delivered right into their hands, that does not count for much.

The result was that a quarter and a half of total Giant dominance yielded only two field goals and a paltry 6-0 lead. I knew that would not hold up (you cannot stop a qb as talented as Rodgers forever), and of course it didn’t. The Packers took the lead for good late in the second quarter with a solid drive that made it 7-6, and then tacked on another touchdown with an insane hail mary pass just as time was running out, to take a 14-6 lead into the half.

The Giants defense did have one more great stop left in them, turning back the Packers on a 3rd and 1 and then a 4th and 1 at midfield, then taking the ball and scoring their only TD of the game on a beautiful long pass from Eli to Tavaris King, who actually caught the ball and made it 14-13. That was the high water mark, however. After that, Rodgers could not be stopped. Big Blue’s D was plainly winded by then, and the offense gave them no help at all with a series of 3-and-outs and punts. Bad punts, too. For whatever reason, the Packer punter had a much better day, so much so that the Giants seemed to lose twenty yards of field position with every exchange. In the second half, Eli was repeatedly starting from inside his ten, Rodgers from midfield.

So: season over, Big Blue is done, the Packers go on. Here’s hoping they crush the Cowboys. And yes, it’s true, Aaron Rodgers is a baaaaaaaaaddddd man.

All in all, a pretty good season for the Giants. But I never really believed this was their year. The defense started slow but ended as one of the best in the league, but the offense never came alive. Next year, maybe, Big Blue can make another run, but first we need to (1) improve the offensive line, and (2) get ourselves a running game. A great young tight end would help as well. Will Tye is okay, but Mark Bavaro he’s not. He’s not even Jeremy Shockey.

All the teams I cared about having been eliminated, I am now rooting for Whoever Plays the Cowboys and Whoever Plays the Patriots. And if we wind up with a Cowboy/ Patriot SuperBowl, I will be rooting for A Giant Asteroid Strikes Houston.

Of course, the weekend was not all about football. Last night we also had the Golden Globes. Where Lena Headey lost, and GAME OF THRONES lost, and WESTWORLD and its two amazing actresses lost as well. Pfui. That was disappointing, but not unexpected. The Hollywood Foreign Press Association surprised me this year by nominating three genre shows — GOT, WESTWORLD, and STRANGER THINGS — for Best Drama, but in the end they reverted to form and passed over all of them in favor of the safe choice, the ‘prestige’ historical drama THE CROWN. (Which I did enjoy, mind you, even though I went away thinking that while it may have been good to be the king in the Middle Ages, it really sucked to be the queen in the 1950s). So: no Globes for us.

The highlight of the Globes — and the day — was Meryl Streep’s speech.

Tags: awards, nfl, television and film

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