
Current Mood:
angry
Just heard on the news that John Prine has died from the coronavirus.
Damn. Damn. Damn. I loved his music. He was discovered by Kris Kristofferson, another of my long time favorites. Great songwriters, the both of them.
What a miserable day. What a miserable month. What a miserable year.
Take care of yourselves, friends. This virus is no joke.
Meanwhile, enjoy one of my favorites from Prine.
Current Mood:
morose
The world is changing so quickly around us these days that it is hard to keep up.
New Mexico has requested that all non-essential businesses close, to help fight the spread of the coronavirus. Accordingly, we are going to go ahead and shutter our bookstore, Beastly Books, on Montezuma Street in Santa Fe. As with the adjoining theatre, the Jean Cocteau Cinema, the store will remain closed until April 15, at which point we will re-evaluate and act accordingly.

I am going to continue to pay the Beastly Books staff during the closure, just as we’re going with the JCC. I urge all small business owners… and all large business owners, for that matter… to do the same. The economic consequences of the virus are going to be severe enough without throwing people out of work and cutting off their paychecks.
Although the brick-and-mortar side of Beastly Books will be closed, we will continue to sell books via mail order. You can choose from among our large stock of autographed books in all genres at https://jeancocteaucinema.com/product-category/signed-books/
JCC and Beastly Books will be back as soon as it’s safe, better than ever.
Thanks for your patience and understanding. And do keep safe, friends, wherever you are.
Current Mood:
sad
Strange days are upon us. As ancient as I am, I cannot recall ever having lived through anything like the past few weeks.
We’re taking steps here in New Mexico, like everywhere else.
Meow Wolf is closed. A wise precaution, given the huge size of the crowds that customarily gather daily to see the House of Eternal Return. MW draws people from all over the country, indeed all over the world, and it is very much a hands-on exhibit where visitors are encouraged to touch everything and go everywhere. Shutting it down promptly was a good move.
As of today, I am also closing the Jean Cocteau Cinema. The JCC only has a seating capacity of 130, and we achieve that no more than three or four times a year; attendance at the theatre and the bar is usually well below the state-mandated cap of 50. Even so, why take chances? I prefer to err on the side of caution, so we’re shutting down the theatre until April 15, at which time we will take stock and re-evaluate. Honestly, I have no idea where things will stand in Santa Fe, New Mexico, the US, or the world in a month’s time. Things have been changing so fast. But our intent is to keep the theatre closed until the relevant authorities tell us that it is safe to reopen.
I am also shutting down my non-profit, the Stagecoach Foundation, for the duration. Stagecoach customarily holds classes and workshops in various aspects of film and television production, for kids aspiring to have careers in the entertainment industry, but we won’t be having any while the coronavirus is still raging.
Despite the shutdowns, we will continue to pay our employees at Stagecoach and the Jean Cocteau, for the foreseeable future.
We are keeping our bookstore, Beastly Books, open for the time being. The bookstore never has more than a handful of customers at any one time, except for author events — and we’re cancelling or postponing all of the signings and readings we had scheduled. We have stocked the store with disinfectants and sanitizers, and we will be carefully monitoring the situation going forward. If it seems best to shut the bookstore too, we will do that.
Meanwhile, however, our mail order service will also remain open. With quarantines, lockdowns, and social isolation on the menu everywhere, and all the usual entertainment venues closing their doors, reading is the best way to pass the empty hours. If you need a few books to get you through the next month or so and distract you from all that is going on in the world, we have some great reads on offer, and ALL our books are autographed. Have a browse at https://jeancocteaucinema.com/product-category/signed-books/
For those of you who may be concerned for me personally… yes, I am aware that I am very much in the most vulnerable population, given my age and physical condition. But I feel fine at the moment, and we are taking all sensible precautions. I am off by myself in a remote isolated location, attended by one of my staff, and I’m not going in to town or seeing anyone. Truth be told, I am spending more time in Westeros than in the real world, writing every day. Things are pretty grim in the Seven Kingdoms… but maybe not as grim as they may become here.
Some days, watching the news, I cannot help feeling as if we are all now living in a science fiction novel. But not, alas, the sort of science fiction novel that I dreamed of living in when I was a kid, the one with the cities on the Moon, colonies on Mars, household robots programmed with the Three Laws, and flying cars. I never liked the pandemic stories half so well…
Let us hope we all come through this safe and sound. Stay well, my friends. Better to be safe than sorry.

Current Mood:
stressed
I was deeply saddened this week to read of the death of Mike Resnick, one of the true giants of contemporary science fiction. Mike has been battling serious illness for some time, so the news did not come as a complete surprise… but it came too soon, too soon, and our field and our community will be the poorer for his absence.
I don’t recall when I first met Mike, but it was a long, long time ago, back in the 1970s when both of us were still living in Chicago. I was a young writer and he was a somewhat older, somewhat more established writer. There were a lot of young writers in the Chicago area in those days, along with three more seasoned pros, Gene Wolfe, Algis Budrys, and Mike. What impressed me at the time… and still impresses me, all these years later… was how willing all three of them were to offer their advice, encouragements, and help to aspiring neo-pros like me. Each of them in his own way epitomized what this genre and this community were all about back then. Paying forward, in Heinlein’s phrase.
And no one paid it forward more than Mike Resnick.

He was fine writer, and a prolific one, as all his Hugo and Nebula nods will testify. After they started giving out those little rocket pins for Hugo nominations, Resnick would wear them on his shirt like medals: pointed up for a story that won, down for a story that lost. That always charmed me. Mike won the Hugo five times; once for novella, once for novelette, thrice for short story (like me, he never won the big one, Best Novel). He lost a lot more (we had that in common as well). He took that in stride, with a shrug and a smile, in the true spirit of a Hugo Loser.
He never won for Best Editor either, and as best I recall he was nominated only once, under unfortunate circumstances. That was a pity. He deserved more recognition for his editing. He edited something like forty anthologies, I believe, and he always made a point to fill them with a lot of young aspiring writers, new names and no-names making their first or second or fifth professional sale. I can’t say how many careers he helped launch, but it was a lot. In modern times, only Gardner Dozois was more assiduous in searching out new talent. Mike called his discoveries his “writer babies” and they called him their “writer daddy,” and many a time I would see him in the lobby of a con hotel, with a dozen of his literary children sitting around his feet as he shared his wisdom with them… along with a funny story and ribald anecdote or two.
His last great act as an editor was the founding of GALAXY’S EDGE, a new SF magazine that he launched… in an act of madness that was all Mike… at the time when the old magazines were struggling to survive. GALAXY’S EDGE always featured a lot of new writers too, and Mike paid them decent rates… a feat he accomplished by twisting the arms of old coots like me to give him reprints for pennies, to free up more money for the newcomers. (Lots of us old coots were glad to do it. Like Mike, we believe in paying forward). I hope and trust that GALAXY’S EDGE will keep going strong, as a lasting testament to his legacy.
These days, all too often, I meet writers who come to conventions only to promote themselves and their books. They do their panels, and you bump into them at the SFWA Suite, but nowhere else. Not Mike. Mike Resnick was fannish to the bone. You’d find him at publisher’s parties and the SFWA suite, sure, but he’d also pop up at bid parties, in the bar, in the con suite. He made more than one Hugo Loser party, both before and after the days I was running it. You’d see him in the dealer’s room, at the art show, at the masquerade… his Chun the Unavoidable costume, from Jack Vance’s DYING EARTH, was a classic. When he appeared on panels, he was funny, sharp, irascible, irreverent, always entertaining… and he would do entire panels without once plugging his own new book, a trick more program participants should learn. The place you’d find him most often at worldcon was the CFG suite, the redoubt of the Cincinnati Fan Group. He was the professional’s professional, sure, but Mike was also the fan’s fan. For some writers conventions are for selling, selling, selling… for Mike, they were more about giving, giving, giving. And having fun. That too. Mike always seemed to be smiling or laughing. He loved science fiction, fantasy, fandom, writing, reading, cons… and he shared his passion with everyone around him.
Science fiction has lost a fine writer, a unique voice, a magnificent mentor… and a profoundly good and decent man.
Current Mood:
melancholy
Memorial Day started as a day of remembrance, originally for soldiers slain in the Civil War. In more recent decades it has come to mark the beginning a summer, a holiday celebrated in thousands of back yards across the nation with hot dogs and potato salads. In the science fiction community, it has also become a traditional date for conventions, taking advantage of the three-day weekends. There are a dozen or more Memorial Day cons around these days… but some of them go way back.
It was at one of those conventions that I first met Gardner Dozois: Disclave 1971, in Washington D.C. Gargy (unbeknownest to me at the time) was the assistant editor at GALAXY who had found my story “The Hero” in the slush pile and passed it along to Ejler Jakobsson with a recommendation to buy. That became my first professional sale. A few months later, when I walked into Disclave, the first con I ever attended, Gardner was the first person I met. He was working the registration desk. “Hey,” he said. “I know you. I fished you out of the slush pile.”

He went on to become one of my oldest and dearest friends. We never lived in the same city, oddly, not even the same time zone… but we hung out together at worldcon every year, and sometimes at other cons as well, we workshopped together, taught together, talked together on the phone and by letter (those papery things we exchanged before email), won awards together, lost awards together, founded the Hugo Losers Party together (Kansas City, 1976), edited books together… and laughed together, that above all. Gardner was a brilliant writer (albeit very very slow — yes, even slower than I am) and one of the greatest editors our genre has ever produced, but he was also a very funny man, a joy to spend time with.
He died a year ago, on May 27th. To my shock — we had spoken on the phone only three days before, and he was the same old Gardner, full of jokes and plans for what he’d do when he got out of the hospital — and dismay. A year has come and gone, and I still find it hard to accept that I will never see him again, still have days when I think, “I should give Gargy a call, it’s been a while,” before I remember. I fear, given the date of his death, that Memorial Day weekend is always going to be a day of sadness for me from now on. (FWIW, Gardner was also a veteran, having served in the army during the Vietnam era, though in Germany rather than Nam).
Some of you may never have known Gargy, except as a byline on ASIMOV’S and BEST OF THE YEAR and our crossgenre titles, WARRIORS and ROGUES and DANGEROUS WOMEN. Here, to give you a taste of the man, is a YouTube of the panel I did with Gardner and Howard Waldrop a few years ago at Capclave, the D.C. area con that succeeded Disclave after the… ahem… unfortunate incident. There’s no subject for this panel, no big issue to discuss, just three old friends telling stories and having fun.
I love that someone taped it.
https://www.youtube.com/watch?v=nvdsmhQYTyc
That’s a great memory for me. But there are so many more. And maybe the best times were back in the 70s, when we were both “Young Turks” (yes, people really called us that) and Rising Stars, just starting out, sleeping on floors and sharing rooms and rides at cons, scrounging meals off editors, with none of us having a pot to piss in.
Those were the days, my friend. We thought they’d never end.
Miss you, Gargy.
Current Mood:
sad
Death is part of life, I know. But lately it seems to me that there has been far too much of it in SF and fantasy.
Vonda McIntyre passed away last week. I’ve known Vonda for a long time; we were the same age, part of the same “generation” of writers, breaking in during the early 70s. Though I can’t claim to have known her well, I admired her writing and always enjoyed her company when I found myself in Seattle. She was a kind and generous person, and at the Spokane worldcon, where she was guest of honor, she showed herself to be especially humane and tolerant during the ugliness of the Puppy War. Her novel DREAMSNAKE was a Hugo and Nebula winner, and she won another Nebula at the Santa Fe Nebula banquet that I ran. I was pleased to read that she finished a new novel just days before she died.
And just now I received word that Gene Wolfe has died as well. I haven’t seen Gene for a few years, sadly, but I knew him well when I lived in Chicago in the 70s. When my friends Alex & Phyllis Eisenstein and I founded the Windy City Writer’s Workshop, we assembled a good group of young aspiring writers… and two giants, Gene Wolfe and Algis Budrys. Gene and Ayjay became mentors of a sort to the whole group of us, attending every monthly workshop and giving us more good advice about the art, craft, and business of writing than I can possibly recall. I learned so much from Gene, and his praise… not always easily earned… meant so much to me. He was a magnificent writer as well, one of the best our genre has ever produced. It is a disgrace that he never won a Hugo (though he was nominated a number of times). He was, however, a SFWA Grand Master and a worldcon Guest of Honor, the two greatest honors our field can bestow. His work will be read as long as SF endures, I believe.
We have lost two of the good ones. SF is poorer for their passing, but their work remains. Read their books.
Current Mood:
sad