The Academy of Television Arts & Sciences announced this year’s nominations for the Emmy Awards this morning, and HBO’s GAME OF THRONES led the way with a whopping TWENTY-FOUR nominations. More than <i>any other show this year</i>, in <i>any other category</i>, be it drama, comedy, reality, talk, movie, miniseries, variety, documentary, what have you. <br/><br/><img src=”http://georgerrmartin.com/notablog/wp-content/uploads/import/260405_800.jpg” alt=”” title=””><br/><br/>Congratulations are in order for David Benioff and D.B. Weiss, our showrunners, all our writers and directors and producers, our amazing cast and our incredible crew, and of course the good folks at Home Box Office, who made all this possible.<br/><br/>Here are this year’s nominations for GOT:<br/><br/><span style=”font-size: 1.4em”>Outstanding Drama Series</span><br/><br/><span style=”font-size: 1.4em”>Outstanding Supporting Actor</span><br/>Peter Dinklage !“ Tyrion Lannister<br/><br/><span style=”font-size: 1.4em”>Outstanding Supporting Actress</span><br/>Lena Headey !“ Cersei Lannister<br/>Emilia Clarke !“ Daenerys Targaryen<br/><br/><span style=”font-size: 1.4em”>Outstanding Guest Actress</span><br/>Diana Rigg !“ Lady Olenna Tyrell, the Queen of Thorns<br/><br/><span style=”font-size: 1.4em”>Outstanding Writing For A Drama Series</span><br/>David Benioff and D.B. Weiss !“ Mother’s Mercy<br/><br/><span style=”font-size: 1.4em”>Outstanding Directing For A Drama Series </span><br/>David Nutter !“ “Mother’s Mercy”<br/>Jeremy Podeswa !“ “Unbowed, Unbent, Unbroken”<br/><br/>Outstanding Production Design For A Narrative Contemporary Or Fantasy<br/>Program (One Hour Or More) <br/>”High Sparrow”<br/>”Unbowed, Unbent, Unbroken” <br/>”Hardhome” <br/>Deborah Riley, Production Designer<br/>Paul Ghirardani, Art Director<br/>Rob Cameron, Set Decorator<br/><br/><span style=”font-size: 1.4em”>Outstanding Casting For A Drama Series</span><br/>Nina Gold, CSA, Casting Director<br/>Robert Sterne, Casting Director<br/>Carla Stronge, Casting Director<br/><br/><span style=”font-size: 1.4em”>Outstanding Cinematography For A Single-Camera Series</span> <br/>”Hardhome” (Fabian Wagner, BSC, Director of Photography_<br/>”Sons Of The Harpy” (Anette Haellmigk, Director of Photography)<br/>”The Dance Of Dragons” (Rob McLachlan, ASC, CSC, Director of Photography)<br/>”Unbowed, Unbent, Unbroken” (Greg Middleton, CSC, Director of Photography)<br/><br/><span style=”font-size: 1.4em”>Outstanding Costumes For A Period/Fantasy Series, Limited Series Or Movie</span><br/>”The Dance Of Dragons”<br/>Michele Clapton, Costume Designer<br/><br/><span style=”font-size: 1.4em”>Outstanding Single-Camera Picture Editing For A Drama Series</span><br/>”Hardhome” (Tim Porter, Editor)<br/>”The Dance Of Dragons” (Katie Weiland, Editor)<br/><br/><span style=”font-size: 1.4em”>Outstanding Hairstyling For A Single-Camera Series</span><br/>”Mother’s Mercy”<br/>Kevin Alexander, Department Head Hairstylist<br/>Candice Banks, Department Head Hairstylist<br/>Rosalia Culora, Hairstylist<br/>Gary Machin, Hairstylist<br/>Laura Pollock, Hairstylist<br/>Nicola Mount, Hairstylist<br/><br/><span style=”font-size: 1.4em”>Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)</span><br/>”Mother’s Mercy” <br/>Jane Walker, Department Head Makeup Artist<br/>Nicola Matthews, Makeup Artist<br/><br/><span style=”font-size: 1.4em”>Outstanding Prosthetic Makeup For A Series, Limited Series, Movie Or A Special</span><br/>”Hardhome”<br/>Jane Walker, Department Head Makeup Artist<br/>Barrie Gower, Special Makeup Effects Department Head<br/>Sarah Gower, Special Makeup Effects Assistant<br/>Department Head<br/><br/><span style=”font-size: 1.4em”>Outstanding Sound Editing For A Series</span><br/>”Hardhome” <br/>Tim Kimmel, Supervising Sound Editor<br/>Paula Fairfield, Sound Designer<br/>Bradley C. Katona, Sound Effects Editor<br/>Peter Bercovitch, Supervising Dialogue Editor<br/>David Klotz, Music Editor<br/>Jeffrey Wilhoit, Foley Artist<br/>Dylan T. Wilhoit, Foley Artist<br/><br/><span style=”font-size: 1.4em”>Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour)</span><br/>”Hardhome” <br/>Ronan Hill, C.A.S., Production Mixer<br/>Richard Dyer, Production Mixer<br/>Onnalee Blank, C.A.S., Re-Recording Mixer<br/>Mathew Waters, Re-Recording Mixer<br/><br/><br/><span style=”font-size: 1.4em”>Outstanding Special Visual Effects</span><br/>”The Dance Of Dragons”<br/>Steve Kullback, Visual Effects Producer<br/>Joe Bauer, Visual Effects Supervisor<br/>Adam Chazen, Visual Effects Associate Producer<br/>Jabbar Raisani, Visual Effects Plate Supervisor<br/>Eric Carney, Visual Effects Previs Lead<br/>Stuart Brisdon, Special Effects Supervisor<br/>Derek Spears, Lead CG Supervisor<br/>James Kinnings, Lead Animator<br/>Matthew Rouleau, CG Supervisor<br/><br/><span style=”font-size: 1.4em”>Outstanding Stunt Coordination For A Drama Series, Limited Series Or Movie</span><br/>Rowley Irlam, Stunt Coordinator<br/><br/>It’s an incredible list, I applaud everyone on it… and all of those who didn’t make it either. GAME OF THRONES is what it is because of the untiring efforts of the best cast and crew in television today. Many were recognized by the Academy today for their work… but others, equally dedicated and talented, were not. But the show would not the hit it is without their talent and dedication. <br/><br/>The 24 nominations garnered by GAME OF THRONES is not only the highest number of any show this year, but among the highest ever received by a single series for a single season in the entire history of television. (For numbers geeks, the record remains 27, garnered by <i><b><i><b>NYPD BLUE</b></i></b></i> in 1994).<br/><br/>Today is a day for celebrations and congratulations, for popping champagne corks and raising toasts and exchanging thanks… but before we do too many cartwheels, it would be wise to remember that GAME OF THRONES also led the Emmy nominations last year, with 19 nods, only to get skunked on the night of the televised awards. The same as the year before, and the year before that. Like many fantasy shows before us, GOT is often honored for our special effects, costumes, makeup, stuntwork, set design, and cinematography (this year, please note, we have four of five finalists for cinematography), but seldom for writing, directing, or acting. Peter Dinklage’s Emmy as Best Supporting Actor for season one remains the ONLY award the show has ever won in those categories, in fact. <br/><br/>Will that change this year? One can hope, I suppose.<br/><br/>But no matter what happens on Emmy Night, let me say once again that it truly is an honor to be nominated, especially given the competition. This truly is The Golden Age of Television, especially for drama. GAME OF THRONES faces the usual formidable competition for the “Big One,” the award for Best Dramatic Series… but as distinguished a list as that is, there are so many incredible shows that did NOT make the cut that it boggles the mind. It’s great to see BETTER CALL SAUL and ORANGE IS THE NEW BLACK on this list, but where is MASTERS OF SEX? THE KNICK? HALT AND CATCH FIRE? How about THE VIKINGS? I really thought JUSTIFIED might make it, for its final season. And OUTLANDER, how in the world did they overlook OUTLANDER, with its music and its costumes and its cinematography and the incredible performances of its three leads (especially Tobias Menzies in his double role)? Why is Nick Offermann not on the ballot for PARKS AND RECREATION? How could BIG BANG THEORY possibly fall off? Truly, the Academy (of which I am a member) moves in mysterious ways.<br/><br/>Even where GOT itself is concerned… I am thrilled to see both Emilia Clarke and Lena Headey among the nominees, but I wanted Maisie Williams and Sophie Turner and Natalie Dormer as well… it’s great that two of our episodes got nominated for directing, but how did they overlook “Hardhome?”… and will Iain Glen and Conleth Hill and John Bradley West ever get any recognition, and… <br/><br/>Okay, okay, I know, I am being greedy, and every producer on every other show on television is probably saying the same things about his own cast just now. Let me just savor the moment. <br/><br/>GOT did good.
Skunked Again
0 and 5 last night.
What can you say? BREAKING BAD was a juggernaut. A great show with a great final season.
(But Peter Dinklage was robbed).
Personally I am now 0 and 6 in the Emmy derby.
This was the 66th annual Emmy Awards. 66 years, and no science fiction or fantasy series has ever been honored. Many have been nominated, yes. None have ever won.
Just sayin'
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Emmy Night
It's Emmy night!
(On a Monday in August… thanks, NBC, he muttered sourly).
Parris and I will be off to the Nokia Theatre in a few hours, battling the inevitable traffic jams, which will be much worse than usual because, well, it's a Monday in August.
GAME OF THRONES scored 19 Emmy nominations, more than any other program, and took home four awards last weekend in the technical categories. Tonight we are contending in five more categories: Neil Marshall for directing, David and Dan for scripting, Lena Headey for Best Supporting Actress, Peter Dinklage for Best Supporting Actor, and of course the show itself for Best Drama.
Whether we will win any remains to be seen. Pretty much everyone is saying that BREAKING BAD has this year locked up. Maybe they are right. But last week pretty much everyone was saying DOCTOR WHO had the Hugo locked up as well. Can GAME OF THRONES score another upset, and break through the Academy's long-standing aversion to fantasy and science fiction? We will know in a few hours.
That's why they play the games.
Anyway (all together now), "it is an honor just to be nominated," and the after parties are always fun.
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Sunday, Bloody Sunday
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Emmy Loves Us. Twice.
The Emmy Awards are starting off nicely for GAME OF THRONES this year, and fabulously for HBO.
In the Creative Arts Awards given on Sunday (sometimes called the 'technical Emmys'), GAME OF THRONES took two awards.
In Outstanding Special Visual Effects, GOT beat out DEFIANCE, FALLING SKIES, HEMLOCK GROVE, and BATTLESTAR GALACTICA: BLOOD & CHROME. Our Emmy winners were
For Outstanding Makeup For A Single-Camera Series (Non-Prosthetic), the series finished on top of BOARDWALK EMPIRE, THE BORGIAS, GLEE, MAD MEN, and ONCE UPON A TIME. They won for the episode "Kissed By Fire." The Emmys went to Paul Engelen (Department Head Makeup Artist), Melissa Lackersteen ( Key Makeup Artist), Daniel Lawson Johnston ( Makeup Artist), and Martina Byrne (Makeup Artist).
My heartfelt congratulations to our world-class SFX team and makeup artists. Well deserved.
It takes a lot of people to make a quality show, and the craftsmen and artists who do all the 'below the line' jobs contribute just as much as the 'above the line' talent like the directors, actors, and writers, though they seldom receive the recognition they deserve. So hats off to our terrific crew… not only Sunday's winners, but also all the other nominees from GAME OF THRONES, who lost out to other worthy shows. (You wuz robbed, as we used to say in Bayonne)
HBO as a whole did even better, completely dominating the awards with 20 wins, way more than any other network. CBS was a distant second with 15, and the totals plunged sharply after that.
For a full list of the winners and nominees:
http://www.hitfix.com/news/creative-arts-emmys-2013-complete-winners-list/1
http://www.eonline.com/news/459135/creative-arts-emmys-2013-complete-list-of-winners
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Breaking Bad
Amazing series. Amazing episode last night. Talk about a gut punch.
Walter White is a bigger monster than anyone in Westeros.
(I need to do something about that).
This is the final season of BREAKING BAD. I think GAME OF THRONES may have a shot at upsetting BB for this year's Emmy (only a shot, though, I think they are the clear favorite), which pits us against their previous season… but there's no way in hell that anyone is going to defeat BREAKING BAD next year, when their last season is the one in contention.
Admittedly, trying to handicap the Emmys is a mug's game. You never know. But for what it's worth, I think this year is our best chance of actually winning one. Given the splash the Red Wedding made, our profile is likely as high as it is ever going to be. We had a great season. If the Academy is ever going to give their ultimate accolade to a fantasy show (something that is by no means certain), it's going to be this year, I think.
But we'll see. BREAKING BAD, MAD MEN, DOWNTON ABBEY, HOMELAND, and HOUSE OF CARDS will have something to say about that as well. All good shows, I think. A couple are great shows. HOMELAND is the defending champ, MAD MEN's won four, and HOUSE OF CARDS has that whole "gamechanger" thing going for it. Should be an interesting race. We'll all know on September 22.
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