Not a Blog

Me and Captain Jack

August 12, 2012 at 3:55 pm
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For all you TORCHWOOD and DR. WHO fans, here’s my comicon interview with John Barrowman:

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It was great fun. Enjoy.

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Ghost Rider Blues

February 17, 2012 at 1:02 pm
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So, maybe you’re thinking of going to the movies this weekend, and catching the new GHOST RIDER flick. Hey, why not? Choppers, demons, plenty of action and eye-popping special effects, and Nicholas Cage with his head on fire, this movie has it all.

What it doesn’t have, alas, is a dime for the writer who created the character.

Gary Friedrich is reportedly penniless, sick, and about to lose his house… and he’s just lost the lawsuit he filed, hoping to get back rights to the character, or at least some portion of the millions that Marvel is making off him. In fact, just to salt the wounds, the court ruled he owes Marvel $17,000 for selling unlicensed prints of the Ghost Rider. Here’s the scoop:

http://blastr.com/2012/02/judge-rules-penniless-gho.php

So… see the movie, or don’t see the movie, that’s up to you. But whether you do or you don’t, why not donate an amount equal to the cost of admission to the writer without whom there would BE no Ghost Rider:

http://www.steveniles.com/gary.html

FWIW, long long ago in a kingdom by the sea, I started as a comics fan… indeed, as a Marvel fanboy, with letters published in FANTASTIC FOUR, AVENGERS, and other Marvel titles. I never much cared for the Ghost Rider in the modern incarnation (motorcycle, head on fire, and all that… the Dread Dormammu from Dr. Strange was always my favorite ‘hey, his head’s on fire’ character), preferring the older western hero who went by the same name). And while I had and have lots of friends in the comics industry, I don’t believe I have met Gary Friedrich.

None of which lessens my sympathy for him. In the summer of 1971, fresh out of Northwestern with a master’s degree in journalism, an Alley Award for my fanzine writing, and my first two short story sales under my belt, I applied for a job as a writer at Marvel Comics. I got as far as a meeting with Roy Thomas at Marvel’s offices in New York, but they did not hire me. If they had, who knows what characters I might have created? If they had, who knows what movies might have been made about those characters forty years later?

So when I read about Gary Friedrich, and others like him, I cannot help but think, “there, but for the grace of the Dread Dormammu, goes me.”

There are lots of talented writers in the world. Not all of them have been as lucky as I have. But with great power comes great responsibility.

Send the guy some bucks, true believers.

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Me and Wonder Man

September 29, 2011 at 3:52 pm
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I’ve done a lot of interviews this past year, but this was the only one that touched on the profound (and hitherto unexplored) influence that Wonder Man and the Avengers have had on my work:

http://www.maximumfun.org/sound-young-america/george-r-r-martin-author-song-ice-and-fire-series-interview-sound-young-america

It was great fun being interviewed by John Hodgman (he’s a PC). Even if he does think my Not A Blog is medieval. I also got to talk with him a little more at HBO’s big post Emmy bash.

((And yes, I am looking forward next year’s AVENGERS movie. Even though I think it’s an outrage that they left out Ant-Man and the Wasp).

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GAME OF THRONES Comes to Comics

September 29, 2011 at 2:48 pm
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For all you funny book collectors out there… the first issue of GAME OF THRONES, from Dynamite and Random House, is now on sale in your favorite local comic book shop, bookstore, or spinner rack.

(Or at least it WAS on sale. I’m sorry, too much on my plate, I am way behind in posting here. GOT #1 went on sale last week, I gather, and is already sold out in many places. Dynamite has gone back to press for a second printing, but those copies will not have made it to the retailers yet ).

The first issue is available with two variant covers, one by Alex Ross and one by Mike S. Miller.

ROSS cover

MILLER cover

You pays your money and you takes your choice. Or you can just buy both, if you’re that kind of collector.

Inside, the artwork is by Tommy Patterson, the script and adaptation by Daniel Abraham. The original story, of course, is by me.

In other comic-related news, Comic Book Resources has published an interview with Daniel at:

http://www.comicbookresources.com/?page=article&id=34496

There’s also a preview available on Newsarama at:

http://www.newsarama.com/php/multimedia/album.php?aid=44285

My hat is off to Daniel, Tommy, Alex, Mike, and the rest of the good folks at Dynamite and Random House, who have brought Westeros and its denizens to the world of comics.

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Comicon Special

July 10, 2011 at 11:21 am
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I’m heading off to the airport in about an hour…

Before I go, though, an advance peek at the cover for the FEVRE DREAM graphic novel, which will be released at the San Diego Comicon in a couple of weeks.

And we have a special offer from Avatar: if anyone pre-orders a copy of the FEVRE DREAM hardcover from them, at the normal cover price, they will be guaranteed a ticket to my signing at the Avatar booth (#2701) on Thursday at 10:00 am. Daniel Abraham, who scripted the adaptation, will be there signing with me. The ticket will allow each holder to get this item plus three of their own signed. (But again, JUST SIGNATURES, no personalizations).

To preorder and get your ticket, go to:

http://www.comcav.com/cart/index.php?main_page=product_info&cPath=179_250&products_id=12036

See you in San Diego, true believers. Keep your steam up.

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Signing in Albuquerque

June 3, 2011 at 9:51 pm
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Just a reminder for the New Mexicans out there (and any Arizonans, Coloradons, and Texans who don’t mind driving a few hours ) — I’ll be at Hastings Books in Albuquerque tomorrow afternoon, signing copies of my new DOORWAYS graphic novel from IDW and whatever other works of mine the store happens to have on hand.

The signing starts at 1:00 pm at

HASTINGS BOOKS
6051 WINTER HAVEN ROAD, NW
ALBUQUERQUE
(505) 898-9227
(505) 898-5019

See you there!

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DOORWAYS Coming in November

July 24, 2010 at 2:06 pm
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I am thrilled (really) to reveal that today at the San Diego Comicon IDW Comics announced their plans to publish a miniseries and graphic novel of DOORWAYS, the television pilot that I created, wrote, and produced for ABC from 1991 to 1993.

The first issue will be published in November.

Starring:
— Tom, an emergency room doc at a Los Angeles hospital,
— Cat, a half-feral fugitive from an alternate timeline.
— Thane, the manhound, part human, part animal, part cybernetic, stalking Cat from world to world at the behest of his alien masters.

This first DOORWAYS series will be based on the revised version of my script, not (not not NOT, please note) on the TV show as shot. In other words, the characters as they appear in the comic will not look anything like the actors who portrayed them in 1993, in the version (the bloated two-hour version) of DOORWAYS that was released on video way back when. (This is purely for legal reasons and should not taken as a reflection on the actors, all of whom were terrific, especially Anne Le Guernec, the young French actress who played Cat).

A graphic novel is only as good as its artwork, of course. The art for DOORWAYS will be provided by the amazing Italian artist Stefano Martino (well, born in Italy, but he’s lived in France and is presently in Spain). Fans will know him for his outstanding work on IDW’s DOCTOR WHO comic. I selected Stefano personally from among a dozen candidates, and I love what I have seen of his stuff so far.

Stefano is working directly from my original teleplay, so we have not needed to bring aboard a scriptor as on some of my other recent comic projects. This time around, the writer is me. And doing this as a graphic novel rather than a television show means that we are not straight-jacketed by studio budgets or the state of SFX in 1993… so, for instance, our manhounds no longer need to be guys in rubber suits, and we should be able to have much more fun with the aliens and their technology.

DOORWAYS is the great “might have been” of my career in Hollywood. It was the closest I ever came to getting my own show on the air. Two years of my life went into it, and unsurprisingly, I came to love the characters and their world. Worlds, in this case. When DOORWAYS slammed shut on me, and I had to say goodbye to Tom and Cat and all those stories that would now remain forever untold, it felt as though a part of me had died. But now IDW has opened that door again and I can’t tell you how pleased that makes me.

In the summer of 1991 when I pitched to pitched the concept for a new weekly science fiction series to the suits at ABC, network television had done plenty of space travel and time travel shows , but one of the great tropes of science fiction remained largely untouched — the parallel worlds story. “What if” stories, sideways-in-time tales, worlds where the South won the Civil War, where the Roman Empire never fell, where Pete Best was still drumming for the Beatles… we could do them all, in an action/ adventure framework with some romance and sexual tension and an on-going Fugitive overplot for garnishes.

And if IDW’s new DOORWAYS comic finds an audience, it’s my hope that we will do them all… starting with the first draft of my pilot script, which featured an entirely different alternate world from the shooting script, and then going on to the six never-produced back-up scripts… and then maybe, just maybe, creating brand new original tales (tales NOT written by me, so please don’t get your panties in a twist, ICE & FIRE remains first priority, any new DOORWAYS scripts will be penned by writers I hire and supervise, as with those five other back-up scripts from 1992-93, at least until the SONG is sung) that will take Tom and Cat to worlds we never would have dreamed of doing on a weekly television budget…

The DOORWAYS open in November. Reserve a copy at your favorite comic shop.

(Did someone mention SLIDERS? Slowly I turned… step by step, inch by inch, I… but no, really, don’t do that. That’s a sore spot. One might even say a festering boil.)

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Iron Guy

June 9, 2010 at 5:09 pm
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SPOILERS abound in what follows. Read at your own risk.

So I saw IRON MAN 2 last night. Well after the rest of the world, yes. What can I say? I’ve been kind of busy.

I enjoyed the film well enough. The first one was better, but this one kept me entertained from start to finish. Lots of iron action and stuff blowing up. I certainly didn’t feel any need to demand my money back or anything.

Which is not to say I don’t have some gripes, cavils, and observations. I mean, I know this iron guy, all the way back to the beginning. Which I say as an original member of the Merry Marvel Marching Society.

Iron Man is a guy in an armored suit. Cool. So in the first movie, he fights another guy in an armored suit. Well, okay. I mean, Iron Man in the comics fought a lot of guys in armored suits too. There was the Crimson Dynamo, there was Titanium Man, there was… well, you get the idea. And the movie kicked along well enough.

So here’s the second movie, and who does he fight? ANOTHER guy in an armored suit. Plus a bunch of drones. Yawn. The drones were about as effective as the drones from STAR WARS. They’re just there to get blown apart. No personality, no menace, no suspense.

And Whiplash in his armored suit ended up being much wimpier than Jeff Bridges in his armored suit from the first movie. And what was with those electric whips? Sure, they looked cool, and they seemed very dangerous at first when he was slicing Grand Prix cars apart with every stroke, shearing right through the steel. So how come he couldn’t shear right through Iron Man’s steel armor (and the limbs beneath) the same way? It’s not as if he never hit him.

All those issues of Iron Man to work from, and the scriptwriters couldn’t find a better villain? C’mon. I mean, okay, okay, the Mandarin is probably pretty much off limits these days, on political correctness/ yellow peril grounds, fine, let’s scratch him. But hey, why not Hawkeye? He began as an Iron Man villain. Teamed with the Black Widow, who was a Russian agent before she ever heard of SHIELD. I love looking at Scarlett Johansson as much as the next guy, but she was pretty much wasted here. Even her big action sequence, going down a hallway and kicking the crap out of a bunch of security guys, was much less effective than the virtually identical sequence in KICKASS, where Hit Girl goes down a hall and kills a few dozen Mafia goons.

I will say that Mickey Rourke did a nice job portraying Whiplash. And the secondary villain, the rival armiger Hammer, was a hoot. Though his role too seemed a bit of a reprise of Jeff Bridges from the first film. Just as the hostile senator seemed a retread of the hostile senator from the first X-Men film. C’mon, guys, there are hundreds and hundreds of Iron Man comics to mine, give us something new.

This thing of superdudes battling it out with supervillians with the exact same power is getting old, though. They did the same thing in the HULK film (the good one, not that awful Ang Lee thing), where the giant green gamma-ray-irradiated Hulk fights another giant green gamma-ray irradiated guy, the Abomination. It was okay, but really… would have been much more interesting if they’d mixed it up, and had the Hulk fight the guys in the armored suits while Iron Man took on the Abomination. Actually, having Iron Man fight the Hulk would have been the best of all… which is why I am looking forward to the eventual AVENGERS film.

And speaking of the Avengers…

(SPOILERS! SPOILERS!!)

The little throwaway bit with Captain America’s shield was very cool. But I thought they would do more with it. I knew there would be a post-credits epilogue scene, as in the last IRON MAN movie, but didn’t know what it would be… so when I saw that I thought maybe it would Cap showing up in Tony’s lab and demanding back his shield.

Instead we got the scene in New Mexico. After a bit of misdirection. We’re supposed to think the SHIELD agent has gone to New Mexico to deal with something involving the Hulk, of course. I mean, it’s always been the Hulk stomping around the desert. Instead we get Thor’s hammer in a crater. No, no, no. That’s wrong on so many levels. Thor’s hammer does not belong in a crater in New Mexico, it belongs in a cave in Norway. And anyway, if it had been buried for any length of time, it would have turned back into a stick. Do these guys presume to rewrite the immortal Marvel mythology as devised by Stan Lee??? Sacrilege! Burn them!

(Good rule for all superhero movies: the closer they stick to the original comics, the better they are. The more they change and add and fiddle with, the more they stink).

I now have deep forebodings about the THOR movie. But then, I always had keep forebodings about the THOR movie. Thor is a great character in the comics, but on screen I fear he’s going to seem like a kind of cross between Conan and the Swedish Chef.

And in conclusion, let me say that if they don’t include Ant-Man and the Wasp in their AVENGERS movie, it won’t be the real Avengers. Ant-Man Rules!!!

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Homecoming

April 20, 2010 at 11:31 am
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Back home again, and once more buried. I was only gone for four days. How the hell does so much mail and email pile up IN FOUR F*CKING DAYS, I ask you?? It makes me dread what will await me when I return from the much, much longer trip to the Australian worldcon this fall.

Could be worse, I suppose. I could be somewhere in Northern Europe, sleeping in an airport while I waited for air travel to resume. One wonders what will happen if this volcano keeps spewing ash… not for days or even months, but for years. It has done so before, I am told. Try to imagine a long-term shutdown of all air traffic over the British Isles. Time to invest in steamship lines?

Air traffic in and out of Chicago was unaffected, thankfully, and I had a good time at C2E2. Comicons are very different beasts than the SF cons that I usally attend — much larger, but less social, with the main activity revolving around the dealer’s room rather than the room parties that are the heart of worldcon, etc — but still fun. Mostly I sat at the Avatar booth, signing books and comic books. The first issue of FEVRE DREAM was released there, with not one, not two, not three, not four, but FIVE variant covers.

There were plenty of readers and fans on hand, more than enough to keep my signing hand limber, but not so many that I could not spare the time to visit with people as they came up. It’s always nice to have a few moments to chat, something the really large shows (that’s another difference between comicons and SF cons, comicons are “shows” and SF cons are “cons”) and booksignings do not allow. Also got to meet and hang some with some of Avatar’s other stalwarts, including artists Jacen Burrows and Mike Wolfer and writers Garth Ennis and Max Brooks. Cool.

In between my panels, my reading, and hours and hours of signing, I found the time to devour a couple of great steaks (Chicago is a great steak town) and sample some not-so-great deep dish pizza (Chicago is a crap pizza town, with delusions of grandeur). Every few years, when visiting Chitown, I do try a deep dish, just to make certain it is still as “meh” as I remember. This time the pizza was from Lou Malnati’s, supposedly one of the good joints. It was… filling. Not bad. But not pizza.

Sunday night I went to Greektown with a group of stalwarts from the BWB. Mary Anne Mohanraj joined us there as well. She’s one of the Class of 2009 new recruits for Wild Cards, and an up-and-coming writer in her own right; it was great to finally meet her face to face, and of course it’s always fun to hang with Kate and Treb (Dallas Cowboys scum though he is) and the rest of the Bros. Opaa! Opaa!

Lots of news and developments on the funny book front. FEVRE DREAM debuted at the con, as I said. That miniseries will run to ten issues, then be collected as a graphic novel. Art by Rafa Lopez of Malaga, Spain, adaptation by Daniel Abraham.

A sample can be found here:

http://www.bleedingcool.com/2010/04/13/avatar-plug-of-the-week-george-r-r-martins-fevre-dream-1/

Avatar has two more series based on my work in the works as well. There’s IN THE HOUSE OF THE WORM, based on my novella of the same title. Adaptation by John Jos. Miller, art by Ivan Rodriguez. A four-issue miniseries, the art for which is half-finished. I saw the pages for the first two issues at the con, and thought they looked spectacular. Also coming… eventually… is a comic book version of my werewolf novella, THE SKIN TRADE. Daniel Abraham did the script for that one too. Unfortunately, we just lost the third (!) artist to have been assigned to the project (he failed to turn in any actual work), so we’re now back to square one. But Avatar will find someone great eventually, I have no doubt.

Meanwhile, IDW Comics decided that C2E2 was the place to break the news about the comic I will be doing with them: a graphic adaptation of DOORWAYS, the alternate world show that I wrote and produced for ABC Television back in 1992-93. We’re starting with the pilot, but if the sales are good enough, there’s no reason we couldn’t continue and do the unproduced back-up scripts as well, and then maybe some originals. The series was designed to be open-ended, and the comic will be as well. Still very early on this one, so we don’t have an artist to announce as yet, but IDW promises me we’ll attach someone great soon. I’m especially pleased to get this one going, so the wider world will finally get to meet Cat and Tom and share some of the adventures I had planned for them. There’s nothing as frustrating as working for close on two years on a project no one ever gets to see (well, the bloated two-hour version of DOORWAYS was released on videotape way back when, so a few people got to see it, but the comic will be based on my script, not the episode as filmed [in other words, the characters will not look like the actors, the SFX will be much better, the costume and set design and other visuals should be better, etc]).

(And before some of the Ice & Fire purists out there get their panties in a twist, please note, all my writing on DOORWAYS was done in 1992 and 1993, the ball will now be in the hand of IDW Comics and the artist they select, this project will NOT take any writing time away from A DANCE WITH DRAGONS or subsequent Ice & Fire novels, even if it runs for ten years).

C2E2 also included lots of talk about adaptating Ice & Fire itself to graphic novel form. I have a half dozen different comics publishers actively pursuing those rights, and I took meetings with most of them during the weekend. No decision, but I listened. I may or may not sign on for this… still undecided at this point… but I gather some formal proposals may soon be forthcoming, so I will at least consider those. If we do authorize a comic series or graphic novels, it will be based on the novels, NOT on the HBO television series. That’s a separation of rights issue.

I also had a great lunch with Mo Ryan of the CHICAGO TRIBUNE. We ate at Berghoff’s in the Loop, a real Old Chicago sort of place, and a former haunt of mine (once a month or so, when I could afford it) from the days when I was a VISTA volunteer attached to the Cook County Legal Assistance Foundation, and working in the Loop. I could tell you what we talked about, but then I’d have to kill you…

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That Toddling Town

April 15, 2010 at 12:07 am
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Off to Chicago tomorrow morning.

C2E2! Greektown!! Funny books!!!

It’s all good. Especially the flaming cheese. (Len Wein likes to say that “opaa” is Greek for “the cheese is on fire”).

(We won’t talk about the alleged pizza).

Hope to see some of you at the con.

Back at the old stand on Tuesday morning.

(P.S. Had a good day writing today. Half the day on the book, half the day on the script. That’s something I NEVER do. But today everything seemed to click. Taxes are done too).

((Need more days like today)).

(((Soon))).

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