Not a Blog

Brad and H’ard

May 2, 2020 at 1:08 pm
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Hey, Wild Carders.  There’s a cool new interview up on the Wild Cards website, wherein Brad Denton, one of the newest members of the consortium, talks with Howard Waldrop, one of the originals… author of the very first Wild Cards story, “Thirty Minutes Over Broadway.”

If you’ve ever wondered how Jetboy’s last adventure came to be, who actually wrote his final words, or how H’ard pissed off Roger Zelazny, the world’s nicest man, this is the interview for you.

Of course, it is all done on the telephone, so everyone can stay safely socially distant, donchaknow.

Check it out at:

Fifty Minutes Over Manchaca (now Menchaca) Road!

Current Mood: amused amused

Wild Cards, Wild Cards, and Wild Cards

April 29, 2020 at 1:47 pm
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Something old, something new, and something else new are in the offing for all you Wild Cards fans out there.

April 28 was the official publication date for Tor’s trade paperback reissue of TEXAS HOLD ‘EM, the third book in our America Triad.   Hop on the bus with the Amazing Bubbles, Rubberband, Rustbelt, and the Jokertown Mob and travel down to San Antonio for a high school jazz competition like none you have ever seen before!   Copies will be on sale at your local bookstore (which is probably closed, alas), but also from your favorite online bookseller, be that Amazon, B&N, or Beastly Books.

That’s not all, though.   We also have a couple of brand new Wild Cards treats coming your way Real Soon Now.

This Friday, May 1, will see the release of the hardcover edition of THREE KINGS from Harper Collins Voyager in the UK.   This one is a sequel to KNAVES OVER QUEENS, and like that volume it is set almost entirely in the British Isles, featuring a cast of English and Irish aces, jokers, and knaves, including the Seamstress, the Green Man, Badh, Double Helix, and Enigma.

THREE KINGS is a mosaic novel.  For those not familiar with that term, or Wild Cards in general, that means there are no separate stories;  each contributor writes from the viewpoint of his or her own character or characters, but the storylines are completely interwoven to create one big on-going five- or six-way collaborative novel.   This time around the contributing writers were Melinda M. Snodgrass, Peadar O Guilin, Mary Anne Mohanraj, Caroline Spector, and Peter Newman.   They have quite a story to tell; I think you’ll enjoy it.   I sure did.

I have been editing these Wild Cards books since 1986.   I have edited a lot of traditional anthologies as well, some by myself (the John W. Campbell Award anthologies back in the 70s), some in partnership with the late great Gardner Dozois (ROGUES, DANGEROUS WOMEN, OLD MARS, OLD VENUS, WARRIORS, and the like).   All of them fun, all of them challenging… but for my money, editing a shared world anthology is the hardest sort of editing there is.   And a mosaic novel… a full mosaic, all the parts blended together into one whole… that’s a form unique to Wild Cards, I think (we did the first one back in 1988 with JOKERS WILD), and it is really really demanding.   That’s why I think it is important to point out here that THREE KINGS was edited by Melinda M. Snodgrass.  My name is larger on the cover, but Melinda did way more on this one than I did.   We had the correct credit on the title page — edited by Melinda, yours truly assistant editor — but the cover, well, the publisher wants this one shelved with all the others, which means under my name.   (This is an issue Gardner and I had to deal with as well, on our collaborative books).

Melinda has been part of Wild Cards since the very beginning (along with Walter Jon Williams, John Jos. Miller, the late Victor Milan, and a few others ), and around the time of the second triad she came on as assistant editor.  She has worked with me in that capacity on almost all of the books since.   On one of them, LOWBALL, she stepped up when other obligations were distracting me, and on that volume, the two of us are credited, correctly, as co-editors.   On the title page and cover both.   On the others, I’ve been the editor and Melinda the assistant editor.  Until THREE KINGS, where we reversed our roles.   I started the ball rolling on 3K, but then I stepped back and handed it off to Snod… and she did an amazing job with it, in my estimation.   The first time I even read the finished stories was when she sent me the assembled manuscript, and I was VERY pleased.   I think you will be as well.

In any case… there will be an American edition of THREE KINGS available from Tor, but probably not for a year or two.   Tor has a number of other Wild Cards books, both old and new, in their pipeline… like TEXAS HOLD ‘EM, above, and the forthcoming reprint of DEALER’S CHOICE.   For the time being, the only edition of THREE KINGS available for sale will be the British edition from Voyager.   Honestly, I am not sure if Americans  are allowed to purchase that… but in this age of the internet, I’d have to think it was possible.   You can read a preview and place an order here:  https://www.harpercollins.co.uk/9780008361518/three-kings-edited-by-george-r-r-martin-wild-cards/

THREE KINGS is the twenty-ninth volume in the Wild Cards series (by virtue of this British publication, it leapfrogs the forthcoming JOKER MOON, which was actually written and delivered earlier)… but no, you don’t need to read the first twenty-eight to understand and enjoy it.   It might help a little if you do read KNAVES OVER QUEENS, the previous British book, however.

And that’s two… but that’s not all.   A few days after THREE KINGS goes on sale, we will also be debuting  a brand new Wild Cards story on Tor.com.  “Berlin Is Never Berlin” is by Marko Kloos, and features  Khan, half-man half-tiger, kicking ass and taking names.  Khan was originally introduced in the pages of LOW CHICAGO, where he had trouble with Al Capone and Bugsy Moran.  In this tale he faces some more contemporary adversaries.   It’s a helluva trip.

“Berlin Is Never Berlin” will be available on Tor.com on May 6… and best of all, it’s FREE.   So head on over and give it a read, and do leave a comment or two after you’re done.   (And while you are there, check out some of the other Wild Cards stories on Tor.com as well, original tales from Daniel Abraham, Cherie Priest, Carrie Vaughn, Stephen Leigh, Mark Lawrence, David D. Levine, and many more.  Those are free as well).

The cover art above is from Micah Epstein.

And that’s all the news that’s fit to print from Wild Cards… for now.  Enjoy the reads.

 

 

Current Mood: pleased pleased

Virtual Drafts and Computer Football

April 28, 2020 at 2:47 pm
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I had a few nice days watching the NFL Draft.   Both the Giants and Jets did quite well, I think.   Not many exciting skill players drafted for either team, admittedly, but they both picked up building blocks to fortify their offensive lines, which I think is key.  Games are won and lost in the trenches.  Of course, even though the talking heads have all been busy “grading” each team’s picks, no one will really know anything for a year or two.   The history of the draft is littered with sexy “can’t miss” college stars who totally flamed out in the NFL.  See Vernon Gholston, Blair Thomas, Eric Flowers.   The list is long.   So… proof, meet pudding, let’s wait and see.   But I am hopeful.

What was really fascinating this year was the format.  Instead of thousands of screaming fans gathered together in New York City or Chicago or (as planned this year) Las Vegas, and the draftees parading up on stage to get a hug from the commissioner and a jersey, the NFL went virtual.   But that was fascinating in its own way.   We got to see the homes of the coaches, players, and talking heads, from Kliff Kingsbury’s palatial digs to the commish in his basement man cave to the very modest apartments of some of the young men being drafted, we got to see their families, their pets, the pictures on their walls…

… and their bookcases.   For whatever reason, a lot of the commentators  sat in front of bookcases.   I could not help peering at the titles on their shelves, being a writer and all.   Alas, I failed to spot any copies of my own books on anyone’s shelves.  But Marshall Faulk seems to be a big fan of Harlan Coben, and on other shelves I spotted Edgar Allen Poe and Philip Roth.   A lot of football books too.   Many ex-players and coaches had ONLY football books visible behind them.   Which still trumped the guys who owned bookcases, but (seemingly) no books.   Just pictures, trophies, footballs.

I hear that next year, if COVID-19 is no longer a factor, the NFL may combine elements of this year’s draft with the traditional format.   That would be cool.  This was the most viewed draft in history.   Maybe because the country is desperate for SOMETHING sport-ish to watch.

I was impressed at how well the virtual draft worked.  Very few technical glitches… though the time lapses were noticeable from time to time, as commentators waited to make sure the previous speaker had finished.   This bodes well for the forthcoming virtual worldcon, I think… hope… pray.   It proved it can be done.   Of course, ESPN and the NFL channel have considerably more resources and expertise than fandom, but still…

It still remains to be seen whether we will actually have an NFL season this year.  Which puts me in mind of a story I wrote back in 1971, called “The Last Super Bowl.”   Eventually it saw print in GALLERY magazine, surrounded by naked Girls Next Door  (none of them actually lived next door to me, I should hasten to add).   Computer sports were still a dream back then (PONG would not appear in my local bar for several more years), but they were coming, so I donned my prognosticator’s hat and predicted that by the far future year of 2014 computerized football would have become so much more exciting than the real thing that actual football would go extinct.

Well, that didn’t happen.   Turns out we were wrong about the flying cars, the household robots, the cities on the moon, and a whole lot of other things as well.   Never mind about that, though.

Maybe this is the year that my predictions come true.   If the virus does not relent, and we have to cancel the 2020 NFL season… why not go with an ALL VIRTUAL season instead?  We know who is on each team, we know who they drafted, we can MADDENify the entire league and play out the schedule week-by-week on television, with SFX and animation.   MADDEN has the player stats.   The actual coaches can sit by their own computers and call the plays and the defenses.   The play-by-play announcer and the color guy can sit by their screens and do the commentary, just as if they were talking about a real game.  And we can all watch our favorite (virtual) teams.

Hey, the networks need something to televise, after all.   And all us hopeless football addicts need something to watch, besides reruns of SuperBowls past.   And maybe, if we go all computer, the Jets will finally get back to the SuperBowl.   I wrote “The Last Super Bowl” only two years after their last (and only) appearance, as it happens… and I put them in that bowl, against the Green Bay Packers.

 

Current Mood: mischievous mischievous

Hope Springs Eternal

April 22, 2020 at 2:52 pm
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… in the National Football League.   Even for beleaguered Giants and Jets fans, like yours truly.

The annual NFL Draft starts tomorrow, and I’ll be watching, as I do every year.   This will be a strangest draft since… well, forever.   In the past decade or so, ESPN and the NFL network have made the draft a huge televised event, with thousands of fans in attendance and top college players being flown in from all over the country to enjoy their moment of glory when their names are called.    Not this year.  Thanks to Covid-19, there will be no big party in Las Vegas, no green room crowded with hopefuls praying they won’t slide, no stars-of-tomorrow parading up on stage to get a jersey from Roger Goodell.  The teams will all be working from their own war rooms, or maybe virtually, and the players will be at home.

Considering that the draft began many decades ago with a bunch of guys sitting at card tables and shuffling index cards, maybe this is a throwback year.   When you stop to think of it, it is amazing that the NFL has made a huge televised extravaganza of a show where something significant happens every ten to fifteen minutes or so.

The Giants, courtesy of the truly dismal season they had last year, get to pick fourth.   If their season had only been a little MORE wretched, they might get to draft Chase Young out of Ohio State, who is widely regarded as the best player in the draft.  Alas, he will probably be snapped up by the Redskins, who pick second.   There is a lot of buzz about this year’s quarterbacks, but the G-Men got their new young signal caller last year when they picked Daniel Jones, so they won’t be playing that game… though their GM has stated that he is open to trading down if someone really wants to jump up to grab Tua or Herbert (Burrows will probably be gone with the first pick, to the Bengals).  If Big Blue stays put, Mel Kiper and Todd McShay both have them drafting the linebacker out of Clemson, Isaiah Simmons, a defensive stud.   Other mocks show them taking an offensive tackle instead, to protect Daniel Jones.   There are four good ones in this draft, it seems.   The ideal outcome, for me, would be for the Giants to grab Simmons with the fourth pick, and get one of those big tackles at the top of the second round… assuming one drops that far.   That may be too much to hope for, however.  And knowing the Giants, they are just as likely to go a different way entirely and surprise everyone, as they did last year.

The Jets pick eleventh, since they had a somewhat better (losing) season.   The mock drafts are all over the place for them.  Then again, by the time you reach eleven, all the mocks are worthless anyway.   All it takes is one team zigging when the “experts” have them zagging, and everything below that is up for grabs.   Myself, I think Gang Green should grab a wideout.   There a bunch of good ones coming out this year, and the Jets lost Robby Anderson, their best receiver, in free agency.  Sam Darnold needs someone to throw to.

Beyond the draft, though, the real question is whether or not we are going to have an NFL season at all in 2020.   Yes, training camp is months away, and the season openers even further out… but if the coronavirus is still raging unchecked by then, packing tens of thousands of fans into a stadium is a recipe for disaster.   As much as I love my NFL Sundays, I hope the NFL will do the prudent thing if the virus has not abated by then.   Life may be meaningless and full of pain for Jets and Giants fans, as I have asserted many a week these past few seasons after watching my teams lose and lose and lose… but it is still life.   And as Tyrion Lannister once said, life is full of possibilities.

((I am going to turn comments on for this one, but only for talk about the draft and the NFL season.   Off comment posts will be deleted)).

Current Mood: hopeful hopeful

Come On Back to San Antone, Y’All

April 19, 2020 at 6:25 pm
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Did you miss TEXAS HOLD ‘EM when it first came out in hardcover?

No problem.   Come APRIL 28, Tor will be releasing the book in trade paperback.   All the fun, for fewer dollars.

TEXAS HOLD ‘EM is the twenty-seventh volume of the Wild Cards series, and the third in our America Triad… but it stands alone just fine, and you do not have to have read any of the preceding volumes to enjoy it.   It’s the story of a group of kids from Xavier Desmond High in Jokertown travelling to San Antonio for a jazz band competition, and all that befalls them there, starring an all star cast of favorite characters both old (Mr. Nobody, Jade Blossom, and Bubbles) and new (Rubberband, Bacho, Skeeter, The Darkness and The Dust).   Contributing writers on this one were Caroline Spector, William F. Wu, Walton (Bud) Simons, David Anthony Durham, Max Gladstone, Diana Rowland, and — in his last solo outing for Wild Cards — the late great Victor Milan, who helped launch the series back in 1987.  I edited, assisted by Melinda M. Snodgrass,

The Wild Cards universe is vast, and contains both darkness and light.  TEXAS HOLD ‘EM is one of our lighter outings, a good fun read.   If that’s what you are looking for during these grim days of isolation and quarantine, give it a try.   I think you will enjoy it.

You can reserve an autographed paperback, signed by yours truly, from Beastly Books, mailorder.   We also have a good stock remaining of the original Tor hardcover, with signatures by several writers as well.   All at https://jeancocteaucinema.com/beastlybooks/

Current Mood: pleased pleased

This, That, and T’Other Thing

April 14, 2020 at 3:41 pm
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No big news here, but it has been a week or so since my last blog post, so I thought I would say hi.   I am still up in the mountains, doing the social distancing rag, and writing WINDS OF WINTER.   I have good days and bad days, but I am making progress.

Most of the world remains closed, including my theatre and bookshop, the Jean Cocteau Cinema and Beastly Books.   I had originally announced that we would re-examine the situation come April 15.   That date is now upon us, and it is obvious that I was wildly optimistic in hoping we might even consider re-opening then.  No.  Won’t work.   We’re going to remain shut until JUNE 1.  Then, once again, we will revisit the question, once we see what state the world is in.

I am continuing to pay my staff during this closure, something I wish more small businesses would do.   Beastly Books is still selling signed books by mailorder.  Every order helps keep us afloat, so please take a look at our offerings: https://jeancocteaucinema.com/product-category/signed-books/

Along the same lines, though we cannot of course open our theatre to the public while coronavirus still rages, the JCC has gone virtual, and is screening new and old movies that way.  For details on our Virtual Feature of the Week, go to https://jeancocteaucinema.com/

Hollywood has largely closed down as well, at least as far as actual production is concerned.  (If this pandemic goes on long enough, I wonder if the pipeline will go dry, and we will start to run out of new films and television shows.  If so, sheltering in place is going to get an order of magnitude harder.  Television right now is doing a lot to keep us all sane — and no, not the news, which has the opposite effect).   But while nothing is being filmed right now, development is continuing apace, since writers can still write at home.  The only thing I am writing myself is THE WINDS OF WINTER, as I have said many times… but with my producer’s hat on, I am still involved in a number of exciting new shows for HBO, and a few film projects as well.  When and if any of these make it to the screen, well, that’s always the question… but I do know that Ryan Condal and his team are roaring ahead on the scripts for HOUSE OF THE DRAGON, and that one has a full season’s order from HBO.  As for the other stuff I may or may not be involved in, I could tell you, but then I’d have to kill you all.

Oh, of course, I am doing a lot of reading these days.  Rereading too.  Some of my favorite writers are Robert A. Heinlein, Roger Zelazny, Tony Hillerman, Nnedi Okorafor, Howard Waldrop.  Oh, and that GRRM guy did some good stuff too, before he started that fantasy series.   Some of his old stories might even make good movies, donchaknow.  (No, seriously, you guys should check out DREAMSONGS.  Signed copies available from Beastly Books).

I have also been trading emails with my friends down in New Zealand.   CoNZealand, this year’s World Science Fiction Convention, has also gone virtual in response to the crisis.   A prudent move, but a challenging one.   As this year’s Virtual Toastmaster, I am still going to be hosting the Hugo Awards… virtually.  That should be… interesting.  Especially for me, since I am one of the least tech savvy guys in fandom.   I still write my novels with WordStar 4.0 on a DOS computer, after all, and when I interface with the internet it is mainly through this blog.  (Good thing Howard Waldrop isn’t going to be hosting.  He still works on a manual typewriter).

Anyway, the Kiwis have some smart guys working for them, and they assure me everything will go fine.   They are working out the tech now, and we hope to have several trial runs before The Big Night.   We are all certainly going to try to do our best.  I expect there will be glitches and mistakes, many of them doubtless mine, but I do hope all those looking in will be patient and understanding.  In any case, the rockets will be handed out one way or t’other, though the actual delivery may have to be entrusted to DHL or Federal Express.

Some cool stuff happening with WILD CARDS that I should mention.   Check out our Wild Cards website, if you haven’t seen it in a while.  Lots of great content there for you to explore, including a new blog post every two weeks by a rotating cast of our amazing Wild Cards writers.  You will find it at https://www.wildcardsworld.com/   

We also have a brand new Wild Cards original coming out at the end of this month from Harper Collins Voyager in the UK.   The title is THREE KINGS, and it’s a full mosaic,  was edited by Melinda M. Snodgrass (yours truly assisting), and features contributions from  Peter Newman, Peadar O’Guilin, Caroline Spector, Mary Anne Mohanraj, and Melinda herself.  It’s a sequel to KNAVES OVER QUEENS, and like that volume it is set entirely in the British Isles and features an English and Irish cast.   (More on that one in a later post).

There’s more, of course.   There’s always more.   But this post has grown long enough, and Westeros is calling.

Current Mood: busy busy

Please Don’t Bury Him

April 7, 2020 at 11:51 pm
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Just heard on the news that John Prine has died from the coronavirus.

Damn.  Damn.  Damn.   I loved his music.   He was discovered by Kris Kristofferson, another of my long time favorites.   Great songwriters, the both of them.

What a miserable day.  What a miserable month.  What a miserable year.

Take care of yourselves, friends.  This virus is no joke.

Meanwhile, enjoy one of my favorites from Prine.

Current Mood: morose morose

Hugo Finalists Announced!!!

April 7, 2020 at 5:11 pm
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The final ballot for this year’s Hugo Awards was announced today, via Facebook and YouTube, by my friends at CoNZealand.

Congratulations to all the finalists… and condolences to all those who did not make the ballot.   Take some consolation in the knowledge that much fine work gets overlooked every year.

The Hugo Award is the oldest and most prestigious award in science fiction and fantasy… not only for writers, but also for artists, editors, and fans.  First given in 1953, it was the original award.  Many worthy honors have joined it in the half century since: the Nebulas, the Bram Stokers, the World Fantasy Awards, the Dragons, the Tiptrees, the Arthur C. Clarke Award, the Prometheus, the British Fantasy Award, the Ditmars, the Auroras, the Saturns… even the Alfies.   (Yes, I have forgotten some, beyond a doubt).  All wonderful honors.   But the Hugo Awards remain the greatest accolade that our field has to offer.

One of the reasons is that it is an award chosen by the members of worldcon, the World Science Fiction Convention, the granddaddy of them all.   By fans, in other words.  By YOU, if you like.   You need not even attend the convention: supporting memberships, considerably cheaper, also allow you to cast a Hugo ballot.  So if you would like your voice to be heard, head over to the CoNZealand website and sign up.

Sad to say, no one will actually be attending this year’s worldcon in Wellington, thanks to coronavirus.   The concom, prudently, has decided to make this year’s convention entirely virtual.   A necessity in this time of pandemic, I think, but a sad necessity.

I am the Toastmaster for CoNZealand, the host at the awards ceremony,so originally I was going to get to be the guy handing out the rockets come Hugo night, a once-in-a-lifetime honor that I was looking forward to immensely.  I am still the Toastmaster, as it happens, but I guess that now I am going to be a Virtual Toastmaster.   I suppose I qualify.   I did once write two scripts for MAX HEADROOM, after all (though neither one was produced, which could be an omen).  Alternatively, I could just tie the rockets to the legs of ravens… really big ravens…

Current Mood: excited excited

No Fooling

April 2, 2020 at 12:53 pm
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April is here, though up where I am there is still a lot more snow than flowers.

The weirdness continues, all around the world.  Sometimes it is hard to recall how much has changed in just one month.

Regular readers of my Not A Blog and the Wild Cards website know that I usually do an April Fools post.   We have had some great ones over the years, even fooled a few people.   Not this year, though.  None of the ideas we were playing with seemed quite appropriate, with everything that is going on.  Or maybe I just wasn’t feeling very funny.

Science Fiction writers are supposed to be good at predicting the future (that’s a myth, actually, but never mind), but I have to confess, I have no notion where or when any of this is going to end.   I can see half a dozen branching alternatives, some of which are very grim indeed, and some much less so.  One does not want to be too alarmist, of course.   But at the same time, it would be folly to be too dismissive of the dangers.  All we can do is shelter in place, keep an eye on the news, and take this day by day.

The Jean Cocteau Cinema and Beastly Books remain closed.   When I first shut them down a few weeks ago, it was only for a month… the idea being that we would re-evaluate on April 15 and see where things stood then.   As I write this, on April 2, that April 15 date is looking wildly optimistic.   If things change at all in the next two weeks, they are likely to be changing for the worse, not the better.   Most likely, then, both cinema and bookstore will need to remain closed… for how long, I have no idea.

Our mail-order service at Beastly Books remains open, however.   Unlike Amazon, we don’t sell toilet paper or medical equipment, so nothing will take priority over your book orders.   Take a look at the selection at https://jeancocteaucinema.com/product-category/signed-books/

All  our books are autographed, and reading is one of the best ways to pass the time while quarantined.  (I know I am doing a lot of it).  Also, truth be told, your book purchases will help us keep paying our staff at the cinema and bookstore, since there is no other source of income at present.   And we have some great, great titles in stock.

In other virus-related news, conventions and festivals and sporting events continue to cancel or postpone all over the world.   Including SF cons.   Some of them, I fear, may never come back, since — in some cases, not all — venues and hotels are refusing to let the events out of their contracts, which means the sponsoring organizations could have huge debts with no income to help offset the costs.   This year’s Nebula Weekend is going virtual.   Some of the writer’s workshops at which I sponsor scholarships — Clarion, Clarion West, Odyssey, and the Taos Toolbox — may need to do the same.   None of them have made that determination yet, since the workshops are still months away, but I know all of them are exploring their options.

The biggest news in that regard is that this year’s worldcon, CoNZealand, has also decided to go virtual.   I know what a difficult decision that was for the Kiwis, who have worked so hard bidding and winning the con, and dreamed so long of bringing fandom to their magical island.   New Zealand is one of my favorite places in the world, and Parris feels the same way.  We have been there several times before, and I know we will visit again… just not this year, alas.  I gather that pushing the con back to late 2020 or early 2021 was not feasible, for various logistical reasons, which meant that going online was the only real alternative to cancellation.   How that will work, I have no idea.   No one does, really.  It has never been done before.   The technical aspects are going to be daunting, no doubt… but I know that everyone concerned is going to do their best.   Fingers crossed.

If there is a silver lining in these clouds, this will give me more time to finish WINDS OF WINTER.   I continue to write every day, up here in my mountain fastness.

Want something to read while you’re waiting?  This would be a good time to check out my Wild Cards series, if you haven’t done so already.  There are twenty-nine of them (some still in the pipeline), which should keep you reading for a good long time.   If it is more Westeros you want, and you just know A SONG OF ICE & FIRE, take a look at A KNIGHT OF THE SEVEN KINGDOMS (the Dunk & Egg novellas) and FIRE & BLOOD (wherein you will find the source material for the new HBO series, HOUSE OF THE DRAGON).   And there are some other wonderful writers out there as well.   The QUILLIFER series by Walter Jon Williams is the best work WJW has ever done, and I am really enjoying the new AFTERSHOCKS series from Marko Kloos.

Need something to binge watch?  The third season of OZARK is riveting, HBO’s recent Stephen King mini-series THE OUTSIDER is a faithful, engrossing adaptation of his novel, and the DOCTOR SLEEP film is very good as well.   I am also really enjoying THE PLOT AGAINST AMERICA, an adaptation of the Philip Roth novel that seems more timely than ever before.   And WESTWORLD and BETTER CALL SAUL are must watch too.

However you spend your days, my friends, stay safe.

Current Mood: anxious anxious

Crossovers and Cameos

March 26, 2020 at 9:57 am
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I got a message from my friend Jonah Nolan last week.  Jonah is one of the creators and showrunners of HBO’s WESTWORLD, along with his wife Lisa Joy, and he told me to be sure to catch Sunday’s episode, there might be something that would amuse me.

Truth be told, I would have been watching in any case.   WESTWORLD is a terrific show, and I’ve been watching it since the beginning.   In any case, I was indeed watching, and I was indeed amused when we came on the cameo of The Three Ds: David Benioff, Dan Weiss, and Drogon.   I thought it was a fun moment, and it made me smile.

Subsequently, of course, the internet has blown up over the cameo, as the internet is wont to do.  Some people loved the cameo, some hated it, and everybody, it seems to me, is making way too much of it.   Hey, folks, c’mon.   It was just a bit of fun.   A sort of Easter Egg.  You all like Easter Eggs in your video games, don’t you?  If you blinked, you could have missed it… kind of like the appearance of Yul Brynner’s “man in black” robot from the original WESTWORLD movie that appeared first season.   I have been known to do that sort of thing myself.  Sharp-eyed readers of A SONG OF ICE & FIRE long ago noticed the appearance of the Three Stooges in the first novel, and my subsequent mentions of how giants devoured Triarch Belicho and a knight wearing Dallas Cowboys heraldry.   And if you missed those… as 98% of the readers did… that’s fine, they were just a tip o’ the hat.   I also have houses named after the great fantasists Jack Vance, Roger Zelazny, and Robert Jordan, for what it’s worth.   More tips o’ my hat.   (I wear a lot of hats).

I’ve done my own cameos over the years as well.   You can catch a glimpse of me (young, dark-haired me) in two different episodes of BEAUTY AND THE BEAST.  The first one you’d need to be blind to miss; the second one you’ll miss if you blink.   More recently, I played a zombie version of myself in Z NATION (still signing books), and had my head bitten off by a shark in SHARKNADO 3 (though they cut all my lines, pfui).  I also filmed a GAME OF THRONES cameo in the pilot, as a guest at Dany’s wedding to Khal Drogo.  They gave me an enormous hat and really big balls, which might have been some sort of commentary.

But  that was when Dany was being played by Tamzin Merchant.   When we recast, the whole wedding had to be reshot and I wound up on the cutting room floor.   A little later, I wanted to be a severed head on the walls of the Red Keep next to Ned Stark (and David & Dan, ideally), but our budget was not so robust first season, and those severed heads are damned expensive.   I also campaigned to die horribly at the Red Wedding, which seemed only fair since I was responsible for it, but it was felt that my presence in that powerful, wrenching, bloody scene might have taken the viewers out of the moment.   Fair enough.   And not wrong.

One thing led to another and I never did appear in a cameo in GOT, but that’s cool.   I’m a writer, not an actor… or even an extra.  And standing around in costume for all those hours in Morocco while we filmed Dany & Drogo’s nuptials gave me a helluva backache.  (Ian McNeice, our original Illyrio Mopatis, gave me some great advice afterwards: when filming a long sequence like a feast or a wedding, make sure you have a comfortable seat).

Had I been in Los Angeles at the time of the filming, I might well have been part of that WESTWORLD cameo as well.   Jonah and Lisa  have also stated that the whole thing was my idea.

Which is true.   Kinda sorta.   No, I had no idea this particular moment was coming until I caught it on HBO… but back during WESTWORLD’s season one, I did suggest to Jonah that, seeing as how the original WESTWORLD film featured a Medieval World, the TV version could easily have a Westeros World.   I never wanted a full crossover, never thought that WESTWORLD’s hosts should adventure in Westeros World as they have in Samurai World and War World… but a brief scene or two could have been fun, and would have been in keeping with the Delos concept.   And, hey, I even suggested that they could bring back actors from GOT, characters we had killed.   The hosts die almost weekly, after all.   The fans might have gotten a kick out of catching a brief glimpse of Richard Madden, Sibel Kekilli, Esme Bianco, Ron Donachie, or Mark Addy again… and I suspect the actors would have been game as well.   But it was not to be.

Jonah Nolan and Lisa Joy mentioned that I worked in television back in the 80s, when crossovers between shows were more common.   That’s true.  Philip DeGuere, the showrunner on TWILIGHT ZONE version 2, who gave me my first job in Hollywood, was also the creator of a show called SIMON & SIMON, and like to tell how his show was struggling in the ratings until they did a crossover with MAGNUM P.I., after which ratings for the Simon Boys went through the roof and he had a hit.   We actually tried to do the same thing with TWILIGHT ZONE, and had several meetings with the writers and producers of MIKE HAMMER, the series that followed us on Friday nights.   Now THAT would have been a crossover, Mike Hammer in the Twilight Zone, like some surreal meeting of Mickey Spillane and Rod Serling.   Not only that, but Phil told me I could write the script, and I had just the story too… I wanted to buy the rights to Robert A. Heinlein’s “The Unpleasant Profession of Jonathan Hoag” and adapt that.   Alas, alack, we could never get around the insistence of the Mike Hammer guys that the whole thing end up being just a dream, so it never happened.   A pity.   That was a script I would have loved to write.

As for the WESTWORLD  cameo… y’know, Robbie the Robot had a long career in film and television after FORBIDDEN PLANET.   Why would we want to begrudge Drogon the same?

Current Mood: amused amused