Not a Blog

Who Fears Death?

July 11, 2017 at 12:34 pm
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Not me, for sure. I don’t fear death a bit. But sometimes I fear the internet.

Yes, HBO is developing Nnedi Okorafor’s novel WHO FEARS DEATH as a series.

Yes, I am attached to the project, as an Executive Producer.

I am pleased and excited to confirm that much. I met Nnedi a few years ago, and I’m a great admirer of her work. She’s an exciting new talent in our field, with a unique voice. Even in this Golden Age of television drama, there’s nothing like WHO FEARS DEATH on the small screen at present, and if I can play a part, however small, in helping to bring this project to fruition, I’ll be thrilled.

As usual, however, the internet is blowing this story all out of proportion, at least in regards to my own participation.

I will be an Executive Producer on WHO FEARS DEATH but I will not be the Executive Produce, i.e. the showrunner. That’s an important distinction. Should we move forward, there will be a number of Executive Producers, and probably some Co-Executive Producers and Supervising Producers and Producers as well. This is television.

I will not be writing the pilot script or adapting Nnedi’s novel, and it’s doubtful that I will write any episodes should we go to series. Look, I probably won’t be writing episodes of ANY television shows until WINDS OF WINTER is done and delivered, and that goes for the five GAME OF THRONES successor shows as well. Other writers will be scripting those pilots, and the same is true for WHO FEARS DEATH. Last week we spent most of an afternoon interviewing some great young talents, in hopes of finding the right person to script the pilot. I was part of that process, and Nnedi was too. No deal yet, but we may have an announcement soon.

It should be stressed that this project is still in its early stages. There’s a long road ahead. Pilot script, pilot order, series order. But the hope of everyone involved is that, by the end, we can produce something truly special.

Current Mood: cheerful cheerful

Hugo Deadline Approaches

July 10, 2017 at 7:29 pm
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For all of you who are members of the Helsinki worldcon… the deadline for casting your Hugo ballot is only five days away.

Voting will end on 15 July 2017 at 11:59pm Pacific Daylight Time (2:59am Eastern Daylight Time, 06:59 Greenwich Mean Time, 08:59 in Finland, all on 16 July)

You have to be a member of worldcon to vote. If you are, you should have already received a personalized link to your ballot.

There’s some really good stuff up this year, so do be sure to let your voice be heard. The Hugo is the oldest and most prestigious award in SF and fantasy, don’t believe anyone who tells you otherwise.

VOTE!

Current Mood: working working

Binging

July 8, 2017 at 11:46 am
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I’ve been working so much of late that I have fallen way behind in my reading (sob) and my filmgoing (the only movie I’ve managed to catch in the last month was WONDER WOMAN, and it wasn’t even playing at my own theatre), but there’s usually time for an hour or two of television at night.

FARGO and BETTER CALL SAUL both had excellent seasons, as usual, but ended way too soon. This year’s Emmy nominations will be announced next week, and I’d be surprised if both of those shows were not well represented.

After those two favorites wound up, however, Parris and I found ourselves wandering in the wilds of Netflix and Amazon and Hulu in search of more great drama… and stumbling on two other series that are, alas, unlikely to get much Emmy attention, though they both deserve some.

The second season of THE LAST KINGDOM, based on Bernard Cornwell’s Saxon series, was just as good as the first. The show could benefit from a bigger budget, honestly, but for all the Uhtred fans out there (and I count myself as one), this is a pretty faithful adaptation of the books, and the writing and acting are fine. I hope there will be a season three.

The other show we stumbled on was GOOD GIRLS REVOLT, which dramatizes the struggle of the women at NEWSWEEK… er, “NEWS OF THE WEEK”… fighting for the chance to be reporters instead of simply researchers in 1969. I thought it was excellent. The actresses in the leading roles were all terrific, and the male characters were pretty nuanced as well; the show portrayed the sexism of the times, and the indignities the women were forced to put up with, without falling into the trap of painting all the men as monsters and assholes. Good writing and good acting, and hey, I loved the music and the clothes as well (what can I say? I’m the guy who wrote THE ARMAGEDDON RAG). Aside from its feminist themes, which were front and center, GOOD GIRLS REVOLT also struck me as the best show about journalism since LOU GRANT. And I like shows about journalism. Wish there were more of them. It’s a pity GOOD GIRLS REVOLT won’t be back. It was just getting started, and then it was over. Guess I’ll just need to read the book.

Anyway, if you’re looking for something good to binge on until season 7 of GAME OF THRONES hits the tube, check out those two.

Current Mood: pleased pleased

Double Helix Returns

July 5, 2017 at 4:08 am
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Double Helix is back, and Tor.com has got him… her… them.

Noel Matthews, our favorite gender-bending sex-switching ace magician, teleporting assassin, and snide supercilious sonofabitch, the guy/ gal that Wild Cards fans love to hate or hate to love, returns in solo action in Melinda Snodgrass’s “When the Devil Drives.” As usual, John Picacio has contributed another amazing cover illustration.

You can ride with the devil, for FREE, at http://www.tor.com/2017/07/05/when-the-devil-drives/

For those of you who haven’t tried Wild Cards yet, “free” is a good way to have a taste. Melinda’s story is the latest on Tor.com, but by no means the only one. Search, and ye shall find stories by Cherie Priest, Daniel Abraham, Carrie Vaughn, Walter Jon Williams, Paul Cornell, Stephen Leigh, and David D. Levine as well. Have a read… and don’t forget to comment (there, not here).

Current Mood: cold cold