The Queen of Agents

November 11, 2020 at 4:37 pm

A very dark year got even darker a few days ago, when I learned of the death of Kay McCauley in New York City.

Kay had been my literary agent for many many years, and a big part of my life for even longer. I have been trying to recall the first time I met her, but the memories are blurry. I suspect the first time we spoke was by phone. I had signed on with Kay’s brother, Kirby McCauley, along about the mid 70s, when I was a struggling young writer and he was a struggling young agent. Kirby had come out of Minnesota to set up shop in the Big Apple, and in the early days he flew solo, working out of his apartment, representing the estates of a few giants and a lot of upstarts and neopros like me. But he climbed, he climbed. His client list grew, and some of his clients became stars… in no small part due to Kirby. To the best of my recollection, Kay came out from Minnesota to join him in the early/ mid 80s, to help him manage a business that had become ever larger and more chaotic. She soon became an indispensable part of the agency that was variously known as Kirby McCauley Ltd, then the Pimlico Agency, then Aurous.

Kirby died in September 0f 2014. Hard to believe that it has been six years. The years go by so very swiftly now. I made a long post about Kirby and all he did for me shortly after his death on my old LiveJournal version of Not A Blog. It is still up, so I won’t repeat myself here, beyond posting a link to:
https://grrm.livejournal.com/382006.html

The agency carried on after Kirby’s death, and so did Kay. She had been pretty much running things for a decade or more in any case, with Kirby advising from the sidelines, semi-retired. And if Kirby had been the King of Agents at his height, his sister was indisputably the queen.

I have been trying to write this tribute to Kay for two days now, but the words come hard. She was such a big part of my life… and the life of all her clients, I think. Hers was an old fashioned sort of literary agency. She did not have a long list of clients, and… indeed… was not eager to take on anyone new, though from time to time she made exceptions. She took on Gardner Dozois when he finally left the agency he had been with for decades, and did great things for him. (Gardner, love him, was such an Eeyore that he tried to argue when Kay got him MUCH bigger advances than he had been getting previously, protesting “No, that’s too much,” but Kay was having none of that). She took on Vic Milan when so one else would touch him and made him the biggest and best sale he had ever gotten. She did amazing stuff for many of her other clients too… but I will let them tell you about that. And of course she and Kirby did great things for me.

Being one of Kay’s clients was not an ordinary writer/agent relationship. To Kay, we were all family. She loved her clients, and her clients loved her back. There is no one like her.

(Mind you, Kay could be fierce as well. She did not forget, and she did not easily forgive anyone who she felt had screwed her, her brother, or any of her clients. You messed with Kay McCauley at your own peril).

The news of Kay’s death came as a total shock to me, and… I suspect… to most of her clients. Kay was older than Kirby, and a decade or so older than me, but you would never have known it. Her energy was prodigious. She seemed like a force of nature, indestructible, tireless; I figured she would go on for decades. I think all of us did. She was working hard for her clients right up until the end. In fact, she had just closed a deal for three more Wild Cards anthologies for us. The contract is sitting on my desk as I type, awaiting my review and signature. Kay would probably have phoned or texted in another day or two to scold me for not dealing with it more quickly.

She always loved Wild Cards; the books, yes, the characters… and all the writers as well. For a number of years, she would fly out to Santa Fe on or about September 15 (Wild Cards Day) and throw a big party for all the Wild Carders. We had one at my theatre, and several of them at Meow Wolf. None this year, alas, thanks to Covid… but I know Kay would have made up for that next year. Though she did not often come to worldcon, she was planning to attend CoNZealand and throw a party there. Covid put an end to that as well, sad to say. (FWIW, I do not believe she died from Covid).

Of course, dinner with Kay was always on the schedule whenever I visited New York. The last one — the last time I saw her — was a year ago in October, when Kay and me and Tom Doherty and Diana Pho and my assistant Sid had a marvelous steak feast at Keen’s Steakhouse in NYC. Tom and Kay had secretly arranged for the restaurant to present to present me with one of the clay pipes that have decorated the walls and ceiling of Keen’s since colonial days. A rare honor. I have never smoked, but I was thrilled all the same.

SID & KAY at KEEN’s, October 2019

I have so many other memories of Kay… she has been a huge part of my life and career for so many years. I remember when she went to Ashford Castle in Ireland with me and Parris, the meals we shared together, the day the three of us went hawking. I wish I had a photograph of Kay with her hawk. We had such a great time there, we often talked of going back. Being Irish, Kay often talked of wanting to retire and move to a cottage in Ireland… a fond dream, but I knew she would never do it. She might have started as a Minnesota gal, but Manhattan was in her blood. I remember the times we visited City Island with Kirby, to feast on seafood at one of the waterside restaurants there. So many toasts… great bottles of wine, champagne, and of course prosecco. And great meals. Which she always insisted on buying… unless there was an editor along she could give the check to. I think I only managed to pay for her dinner once, during a visit to Santa Fe, and to do that I had to get to the restaurant twenty minutes ahead of her and speak to our waiter, make special arrangements so the check next came to the table… elsewise she would have ripped it from my hands.

I remember how we wept together, on the phone, when Roger Zelazny died.

And again, decades later, for Gardner.

She was a great agent too. And unlike many literary agents of her generation, she was not afraid of new media. Kay never played a role-playing game in her life, but the first time I was offered an RPG deal, she learned all she could about gaming, plunged in, and got me a terrific contract.

Ah… I hardly knew how to start this, and now I do not know how to stop…

It is going to take me a long long time to get over her passing. Years from now, I suspect, part of me will still find myself wanting to text her, or pick up the phone and call her. She was always just a phone call away.

And I damn well better get that Wild Cards contract signed soon, or I know that Kay will haunt me.

If there is an afterlife, Kay McCauley is with her brother Kirby right now, and the two of them are negotiating better places in heaven for their clients.

((I will leave comments open on this one, but ONLY for comments about Kay. Those of you who knew her, and have memories and tributes to share, please do. I would like to read them)).

Current Mood: sad sad

Tags: life and death, wild cards, worldcon, writing

Back to Westeros

November 8, 2020 at 9:18 am

Sometimes I do get the feeling that most of you reading my posts here care more about what is happening in Westeros than what is happening in the United States.

So let me assure you that, when not sweating out election returns or brooding over other real world problems, I have continued to work on THE WINDS OF WINTER.

No, sorry, still not done, but I do inch closer. It is a big big book. I try not to dwell on that too much. I write a chapter at a time, a page at a time, a sentence at a time, a word at a time. It is the only way. And sometimes I rewrite.

Of late I have been spending a lot of time with the Lannisters. Cersei and Tyrion in particular. I’ve also paid a visit to Dorne, and dropped in to Oldtown a time or three. In addition to turning out new chapters, I’ve been revising some old ones (some very old)… including, yes, some stuff I read at cons ages ago, or even posted online as samples. I tweak stuff constantly, and sometimes go beyond tweaking, moving things around, combining chapters, breaking chapters in two, reordering stuff.

None of this is even remotely new. It is how the first five books were written.

I was really on a roll back in June and July. Progress has continued since then, but more slowly… I suffered a gut punch in early August that really had me down for a time, and another, for different reasons, in early September. But I slogged on, and of late I am picking up steam again.

On other fronts… well, aside from Covd-19 slowing everything down, we are making great progress on the HBO prequel HOUSE OF THE DRAGON. Ryan and Miguel are in London, casting has begun, it is all looking very exciting.

I wish I could say that things are also going great on all the other television and film projects I am involved with, either as a producer or as the author of the original source material (i.e. novels and short stories). I can’t. Very little shooting is taking place, and almost nothing is being greenlit. Of course, development continues… but there’s a reason they call it “development hell.” Sigh.

So that’s where all that stands. Or at least, that’s as much as I am allowed to tell you right now.

Hang in there, friends.

Current Mood: busy busy

Tags: a song of ice and fire, television and film, writing

Back in Westeros

August 15, 2020 at 9:10 am

I am back in my fortress of solitude again, my isolated mountain cabin. I’d returned to Santa Fe for a short visit, to spend some time with Parris, deal with some local business that had piled up during my months away, and of course fulfill my duties to CoNZealand, the virtual worldcon. But all that is behind me now, and I am back on the mountain again… which means I am back in Westeros again, once more moving ahead with WINDS OF WINTER.

It is curious how my life has evolved. I mean, once upon a time, I actually wrote my books and stories in the house where I lived, in a home office. But some decades ago, wanting more solitude, I bought the house across the street and made THAT my writer’s retreat. No longer would I write all day in my red flannel bathrobe; now I would have to dress and put on shoes and walk all the way across the street to write. But that worked for a while.

Things started getting busier, though. So busy that I needed a full-time assistant. Then the office house had someone else in it, not just me and my characters. And then I hired a second assistant, and a third, and… there was more mail, more email, more phone calls (we put in a new phone system), more people coming by. By now I am up to five assistants… and somewhere in there I also acquired a movie theatre, a bookstore, a charitable foundation, investments, a business manager… and…

Despite all the help, I was drowning till I found the mountain cabin.

My life up here is very boring, it must be said. Truth be told, I hardly can be said to have a life. I have one assistant with me at all times (minions, I call them). The assistants do two-week shifts, and have to stay in quarantine at home before starting a shift. Everyone morning I wake up and go straight to the computer, where my minion brings me coffee (I am utterly useless and incoherent without my morning coffee) and juice, and sometimes a light breakfast. Then I start to write. Sometimes I stay at it until dark. Other days I break off in late afternoon to answer emails or return urgent phone calls. My assistant brings me food and drink from time to time. When I finally break off for the day, usually around sunset, there’s dinner. Then we watch television or screen a movie. The wi-fi sucks up on the mountain, though, so the choices are limited. Some nights I read instead. I always read a bit before going to sleep; when a book really grabs hold of me, I may read half the night, but that’s rare.

I sleep. The next day, I wake up, and do the same. The next day, the next day, the next day. Before Covid, I would usually get out once a week or so to eat at a restaurant or go to the movies. That all ended in March. Since then, weeks and months go by when I never leave the cabin, or see another human being except whoever is on duty that week. I lose track of what day it is, what week it is, what month it is. The time seems to by very fast. It is now August, and I don’t know what happened to July.

But it is good for the writing.

And you know, now that I reflect on it, I am coming to realize that has always been my pattern. I moved to Santa Fe at the end of 1979, from Dubuque, Iowa. My first marriage broke up just before that move, so I arrived in my new house alone, in a town where I knew almost no one. Roger Zelazny was here, and he became a great friend and mentor, but Roger was married with small kids, so I really did not see him often. There was no fandom in Santa Fe; that was all down in Albuquerque, an hour away. I went to the club meetings every month, but that was only one night a month, and required two hours on the road. And I had no job to meet new people. My job was in the back room at the house on Declovina Street, so that was where I spent my days. At night, I watched television. Alone. Sometimes I went to the movies. Alone.

That was my life from December 1979 through September 1981, when Parris finally moved to Santa Fe, following Denvention. (Not quite so bleak, maybe, I did make some local friends by late 1980 and early 1981, but it was a slow process). When I think back on my life in 1980-1981, the memories seem to be made up entirely of conventions, interspersed with episodes of LOU GRANT and WKRP IN CINCINNATI.

Ah, but work wise, that same period was tremendously productive for me. Lisa and I finished WINDHAVEN during that time, Gardner and I did a lot of work on “Shadow Twin,” and then I went right on and wrote all of FEVRE DREAM. Some short stories as well. My life, such that it was, was lived in my head, and on the page.

I wonder if it is the same for other writers? Or is it just me? I wonder if I will ever figure out the secret of having a life and writing a book at the very same time.

I certainly have not figured it out to date.

For the nonce, it is what it is. My life is at home, on hold, and I am spending the days in Westeros with my pals Mel and Sam and Vic and Ty. And that girl with no name, over there in Braavos.

Current Mood: contemplative

Tags: a song of ice and fire, writing

Cosmic Horror Goes Virtual

August 5, 2020 at 10:05 am

There’s a wonderful writer’s workshop held every year in New Hampshire — the Odyssey Writers’ Workshop, headed up by Jeanne Cavelos, for aspiring authors of science fiction, fantasy, and horror. I taught one summer at Odyssey a decade or two back, and more recently, I sponsor an annual scholarship there, the MISKATONIC SCHOLARSHIP, for a promising new writer of Lovecraftian cosmic horror (for more details on Odyssey and the Miskatonic Scholarship, look back through my older posts here, until you hit one titled COSMIC HORROR COMES TO NEW HAMPSHIRE).

This year the winner of the Miskatonic Scholarship was SCOTT GRAY. Congratulations, Scott.

Unfortunately, thanks to Covid-19, Scott was not able to get together in New Hampshire to terrify his classmates with his tales. No one was able to get together. The pandemic forced a cancellation of this year’s gathering… but that did not stop Jeanne. Odyssey 2020 was still held — on line. As a virtual gathering.

Jeanne was kind enough to share these photos of her class of 2020.

Jeanne writes, “We had an absolutely wonderful Odyssey this year, despite having to hold it online. For 6 weeks, students in their own homes attended over 4 1/2 hours of class each day; worked long hours writing, critiquing, and doing writing exercises; participated in various discussion salons, check-in hours, guided writing hours, and writing games; had private meetings with me and our guest lecturers; and through it all, supported each other. For many of them, the time zone made this even more difficult, but they lived on “Odyssey Time” for six weeks, whether in the US, Ireland, or India. I think this class actually produced more words than any previous Odyssey class. Their engagement, passion, and discipline was truly amazing, as was their thoughtfulness toward each other. ”

She also reports, “Scott Gray, the Miskatonic recipient, was a linchpin, always looking out for students who might be struggling or who might need some extra outreach.”

Given the difficult times we are living through, it is great to hear that Odyssey was able to overcome and prevail. Looks like they had a great class as well. I hope to be seeing their bylines on many a book and story in the future.

Current Mood: pleased pleased

Tags: scholarships, writing

Writing, Reading, Writing

June 23, 2020 at 9:38 am

I have to confess, after half a year of pandemic, quarantine, and social distancing, I am showing signs of cabin fever… half of which is quite literal in my case. Yes, I am in an actual cabin in the mountains. No, I have no fever. Yay! For the present at least, I am healthy… for an out-of-shape guy of 71, at least … and doing all I can to stay that way.

If nothing else, the enforced isolation has helped me write. I am spending long hours every day on THE WINDS OF WINTER, and making steady progress. I finished a new chapter yesterday, another one three days ago, another one the previous week. But no, this does not mean that the book will be finished tomorrow or published next week. It’s going to be a huge book, and I still have a long way to go. Please do not give any credence to any of the click-bait websites that like to parse every word of my posts as if they were papal encyclicals to divine hidden meanings.

I was heartbroken when CoNZealand was forced to go virtual due to the pandemic and I had to cancel my plans (exciting plans) for a long trip down to Wellington with Parris and my minions… but there is definitely a silver lining in that cloud. The last thing I need right now is a long interruption that might cost me all the momentum I have built up. I can always visit Wellington next year, when I hope that both Covid-19 and THE WINDS OF WINTER will be done.

I still plan to host the Hugo Awards and fulfill all the rest of my toastmasterly duties for worldcon, and have started pre-recording some bits for the ceremony (a wise precaution, since I am hopeless with Zoom and Skype and like things), but that is a lot less time-consuming and distracting than flying to the other end of the world. In between tapings, I return to Westeros. Of late I have been visiting with Cersei, Asha, Tyrion, Ser Barristan, and Areo Hotah. I will be dropping back into Braavos next week. I have bad days, which get me down, and good days, which lift me up, but all in all I am pleased with the way things are doing.

I do wish they would go faster, of course. Way way back in 1999, when I was deep in the writing of A STORM OF SWORDS, I was averaging about 150 pages of manuscript a month. I fear I shall never recapture that pace again. Looking back, I am not sure how I did it then. A fever indeed.

Anyway… when I am not writing, or thinking about writing, I am watching television and reading. Publishers send me huge piles of books, so my “to be read” pile is always growing, no many how many books I consume. Of course, I also buy books as well. Cannot help it, I am a book junkie. The new Stephen King collection IF IT BLEEDS was one recent favorite. I love these novella collections that King comes out with from time to time between his novels. This one features a new Holly Gibney story, and it is always great to see that character again… but there’s also a story called “Rat” about a writer trying to finish a novel in an isolated cabin which… ah… resonated with me rather strongly for some reason. One bit, where the writer gets derailed trying to figure out how many rocking chairs a sheriff could fit on his porch, was a dead-on depiction of the kind of stuff I go through all the time. Steve’s protagonist gets some help when a dead rat turns up to be his muse. So far, no rats at my cabin. Sid did catch a couple of mice last year, but she made pets of them. And Timmy and TomTom were no help whatsoever with WINDS. (Please don’t send me long emails about the dangers of mice, we know all that stuff).

Another recent book that really knocked me out was THE GLASS HOTEL, the latest by Emily St. John Mandel. A few years back, she wrote a (ahem) post-pandemic SF novel called STATION ELEVEN which I loved at the time and now devoutly hope is not going to prove prophetic. It was my favorite novel of that year, and I thought it deserved to win the Hugo and the Nebula. Which it didn’t, alas. But I had Emily at my theatre for an author event, which was great, and snapped up her three earlier novels. I really liked those too. Now comes her latest, THE GLASS HOTEL. No, this one is not science fiction or fantasy. In fact, I would be hard pressed to say what it is except a damn fine novel. It is about a hotel in a remote location, the people who work there, the people who stay there, it is about a Ponzi scheme, and art, and music, and a dysfunctional family, and… oh, well, I don’t know what it is about, but I do know that once I started reading, I could not stop. When people describe a book as a “page turner,” usually they are talking about novels that have a lot of plot, which Mandel definitely does not, yet somehow she keeps me turning pages regardless. And she writes just beautifully. Her prose is not overblown or excessively ornate, as is the case with too many writers who are known as “stylists,” but… it is just lovely, haunting and evocative and immersive… I guess you can say I am a big Emily St. John Mandel fanboy. I look forward to whatever she writes next.

There are other things going on in my life as well. I bought a railroad… well, I bought a third of a railroad. See the post below. Hollywood has slowed to a crawl thanks to the pandemic, but THE HOUSE OF THE DRAGON is still flying along wonderfully, thanks to Ryan Condal and his writers, and the tireless Ti Mikkel. With my producer hat on, I am still involved in trying to bring Nnedi Okorafor’s brilliant WHO FEARS DEATH to the small screen, and relaunch the WILD CARDS tv project. We have feature films in development adapted from my stories “Sandkings” and “The Ice Dragon” and “The Lost Lands,” television shows in development based on works by Roger Zelazny and Tony Hillerman, there are the secret shorts we’re doing that… well, no, if I spilled that, it wouldn’t be secret.

But up here on the mountain, all of that that seems very distant, and much of it has stuttered to a halt in any case, until Covid goes away.

Mostly, it’s just me in Westeros, with occasional side trips to other places in the pages of a great book.

Now you will have to excuse me. Arya is calling. I think she means to kill someone.

Current Mood: contemplative

Tags: a song of ice and fire, everyday life, reading, the winds of winter, writing

Haeems Wins Terran Prize

June 17, 2020 at 9:07 am

When astronauts look down on Earth from orbit, they don’t see borders, national boundaries, or linguistic groups; they see one world, a gorgeous blue globe spinning in space, streaked with clouds. I don’t know if humanity will ever reach the stars (though I hope we will), but if we do, it won’t be Americans who get there. It won’t be the Chinese or the Russians or the British or the French or the Brazilians or the Kiwis or the South Africans or Indians or the folk of any other nation either. It will be humanity; in the language of the SF of my youth, it will be Terrans or Earthlings or Earthmen. The future belongs to all the peoples of the world.

With that in mind, back in 2018 I established THE TERRAN PRIZE, to bring an aspiring SF writer from abroad to the Taos Toolbox, the graduate level writing workshop that Walter Jon Williams runs every summer in the mountains of northern New Mexico. The Prize is given annually and covers all tuition and fees to the Toolbox (but not travel).

Here’s the official announcement of this year’s winner:

The Terran Prize for 2020, consisting of a scholarship for the Taos Toolbox writing workshop, has been won by Maurice Haeems of Mumbai, India.

Taos Toolbox was forced by the Covid pandemic to move from its original June dates to September 6-19, in Angel Fire, New Mexico. The workshop will be taught by Nancy Kress and Walter Jon Williams, along with special lecturers George R.R. Martin and E.M. Tippetts.

Maurice was born in Mumbai and has a bachelor’s degree in Engineering from the University of Mumbai and an MBA in Finance from the Wharton School of the University of Pennsylvania. Over the last 30 years, he has lived in Mumbai, London, Hong Kong, Taipei, New York, San Francisco, Los Angeles, and Dubai while pursuing professional careers in mechanical engineering, investment banking, and software entrepreneurship.

Recently, Maurice turned to his fourth career and first love – Writing, Storytelling, and Filmmaking. His first project, the multi-award-winning sci-fi feature film Chimera, which Maurice wrote and directed, was released in April 2019 and is now available on VOD and DVD. Maurice is delighted and honored to be a part of the 2020 class of the Taos Toolbox.

Maurice says, “My goal in reading and writing speculative fiction is simply to explore the hypothetical though, as a bonus, I am often rewarded with an improved comprehension of my reality. It is a privilege, as a writer, to gaze into crystal balls and magical devices, to contemplate their revelations, and to translate the resulting visions into words.”

Current Mood: creative

Tags: awards, writing

Brad and H’ard

May 2, 2020 at 1:08 pm

Hey, Wild Carders. There’s a cool new interview up on the Wild Cards website, wherein Brad Denton, one of the newest members of the consortium, talks with Howard Waldrop, one of the originals… author of the very first Wild Cards story, “Thirty Minutes Over Broadway.”

If you’ve ever wondered how Jetboy’s last adventure came to be, who actually wrote his final words, or how H’ard pissed off Roger Zelazny, the world’s nicest man, this is the interview for you.

Of course, it is all done on the telephone, so everyone can stay safely socially distant, donchaknow.

Check it out at:

Fifty Minutes Over Manchaca (now Menchaca) Road!

Current Mood: amused amused

Tags: wild cards, writing

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