Not a Blog

My Position On the Syrian Refugees

November 20, 2015 at 2:27 pm
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[

Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.

“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door.”

Those words, of course, are by Emma Lazarus. Her poem, “The New Colossus,” appears in bronze on the base of the Statue of Liberty. A statue given to the United States by France, our nation’s oldest friend and ally… a bit of history that seems especially important just now, in light of the recent horrors in Paris.

For me, Lady Liberty and the words on her base represent the best of what this nation of immigrants is all about. One has to wonder if all the governors (including our own governor here in New Mexico, I am ashamed to say) and congressmen voting to keep out the Syrian refugees have ever visited the Statue, or read the words on her base. If so, they surely failed to understand them.

Of course, most everyone knows the part about ‘your tired, your poor, your huddled masses,’ but let me draw your attention to some other lines of the poem:
— a mighty woman with a torch… her name Mother of Exiles,
— from her beacon hand, Glows world-wide welcome,
— send these, the homeless, tempest-tost, to me.

Emma Lazarus had it right. Donald Trump and thirty-one governors have it wrong, wrong, wrong.

The Syrian refugees are as much victims of ISIS as the dead in France.

Let them in. Santa Fe, at least, will welcome them.

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I Do Not Live in Arizona

September 30, 2015 at 11:08 pm
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Arizona has a loyalty oath.

Typing that sentence boggles my mind. I thought loyalty oaths went out with Joe McCarthy and the House Unamerican Activities Committee.

But not in Arizona. Where Jim Sallis, a world-class mystery novelist who made his mark writing and teaching SF earlier in his career, resigned his teaching position at Phoenix College rather than consent to sign.

http://tucson.com/news/local/education/college/author-james-sallis-quits-phoenix-college-over-arizona-loyalty-oath/article_292a7d38-66c7-11e5-9564-e742a2587689.html

http://www.12news.com/story/news/local/valley/2015/09/29/phoenix-college-instructor-quits-over-arizona-loyalty-oath/73010254/

I’ve met Jim Sallis a few times over the years (most recently in Gijon, Spain a few years back, where we were both guests at Semana Negra). We’re hardly close friends, but he’s a good writer and a good man, and I applaud his stand.

A compulsory loyalty oath? In 2015? And… here’s the funny part… an oath that not only requires you to swear loyalty to the country, but also to the state. Presumably so they know they can count on you to defend the homeland if Arizona is ever attacked by Utah.

Only in Arizona. The state that led the way in making brown people show their papers on demand. Arizona is a beautiful state, and they have that really nifty canyon, and some great cacti, and an NFL team that looks pretty decent this year… but please, folks, do not confuse my own beloved New Mexico with ‘Zona (as people back east are always doing). If Donald Trump ever does become president, I have no doubt that Arizona will be the first state to sign up to build that Wall of his. New Mexico, I can assure you, will be the last.

Anyway… hurrah for Jim Sallsi! If I had a college or university, I’d be sending him a job offer right now. His students should be demanding a refund on their tuition.

As for all the other teachers… the hundreds who meekly signed the Arizona Offical State Loyalty Oath… all I have to say to them is, “Shame, shame, shame.”

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Sibel Speaks Out

July 14, 2015 at 4:18 pm
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I’ve blogged here a couple of times about my friend Sibel Kekilli, who played Shae on GAME OF THRONES. Sibel is bright and beautiful, a joy to work with, and she made a great Shae. I’ve said more than once that it was probably a good thing the character was already dead before I met Sibel, or I might never have had the heart to kill her. ((Show Shae, thanks to David and Dan and Sibel, was actually a much different and more interesting character than Book Shae, I blush to admit))<br/><br/><img src=”http://georgerrmartin.com/notablog/wp-content/uploads/import/260173_800.jpg” alt=”” title=””><br/><br/>Last winter, Sibel visited Santa Fe and I showed her the town, and a television crew from the German travel show AFTER DARK filmed our adventures. More recently, I visited Hamburg, Sibel’s home town, and she returned the favor (without the TV crew). I blogged about that below.<br/><br/>There’s a lot more to Sibel Kekilli than just Shae, though. She has twice won the Lola for Best Actress, the German Oscar, for roles in feature films, she is presently one of the stars of the long-running German police procedural TATORT… and she has long been politically active, speaking out on controversial subjects, most notably the treatment of women in traditional Islamic culture.<br/><br/>Recently she was invited to the German “White House,” where she addressed that subject once again in a speech before Joachim Gauck, the president of Germany.<br/><br/>You can read an English translation of her remarks here:<br/><br/>http://sibelkekilli.com/wp-content/uploads/2015/03/faz_932015_EN.pdf<br/><br/>Sibel was speaking as an ambassador for Terre Des Femmes, a Hamburg-based non-profit organization dedicated to fighting violence against women, forced marriage, female genital mutilation, trafficking, forced prostitution, and “honor” killings. If any of you would like to supprt Terre Des Femmes in their work, you can make contributions via their website at: https://www.frauenrechte.de/online/index.php/home-engl<br/><br/>Some of the things that Sibel and Terre Des Femmes fight against are dramatized in A SONG OF ICE AND FIRE… but, sadly, they are not just fantasy, but real problems in the “enlightened” modern world we live in. I applaud Sibel for her courage in speaking out against them… her words have come at great personal cost, I know, and made her a lot of enemies… but as someone wiser than me once said, all that in necessary for evil to triumph in this world is for good men (and women) to say nothing.

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Hugo Voting Continues

June 13, 2015 at 7:06 pm
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With the Puppy Wars heating up again — not that they have ever really cooled down — this seems an opportune moment to remind all and sundry that there is still plenty of time left to join Sasquan and cast your ballot for this year’s Hugo awards.

With the electronic ballot, once you have a membership number and a PIN, you can go and post some preferences and votes now, then return a day later, or a week later, or a month later, and change them, or add some more rankings. Your vote does not get counted until balloting closes.

The ballot is here: http://sasquan.org/hugo-awards/voting/

If you have not voted the Hugo Awards before, please note that it is an “Australian ballot,” a preferential system whereby one ranks the nominees. You don’t just vote for one. You can rank NO AWARD as if it were any other finalist; ahead of some nominees, behind others.

(Which is the way I believe one should use NO AWARD. As I have stated previously, I am opposed to the nuclear option of just blindly voting NO AWARD in every category).

Of course, you need to be a member to vote. Supporting Memberships will cost you $40. You can sign up to buy one at https://sasquan.swoc.us/sasquan/reg.php

In addition to voting privileges, a Supporting Membership will get you the convention’s program book (usually a handsome item, though it varies from year to year) and other publications.

You can also sign up as an ATTENDING member and actually attend the convention, which is the course I strongly recommend for those who have the time and the money. Cons are fun, especially worldcon; that’s what they are all about. Reading, panel discussions, the art show, the dealers’ room, the masquerade, filksinging… all sorts of great stuff goes on. Something for all tastes. And EVERYONE is welcome, despite what you have heard. (Just don’t be an asshole. Assholes get welcomed too, but the welcome wears out more quickly).

Both supporting and attending members get an electronic “Hugo packet” that will enable you to read many of the works nominated for this year’s rockets. You should do that, no matter what side of the Puppy Wars you are on; we want informed voters. Yes, sadly, IMNSHO this is the weakest Hugo ballot in recent memory, thanks to the Puppy slates… but there’s still some damn strong work there, especially in Novel and Dramatic Presentation. And of course it is possible that your own tastes may differ from mine.

So join, read, vote. And fifty years from now, when your fannish grandchildren ask you, “Say, gramps, what did you do in the Great Hugo War?” you’ll have an answer for them.

Hatespeech

April 11, 2015 at 2:52 pm
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Are there any limits to free speech?

That’s a question I have been pondering a lot of late, as the storms of Puppygate swirl all around me. My own politics are liberal… which means I lean left, but not way over to the fringe left. Freedom of speech, freedom of the press, freedom to dissent, all of that has always been central to my political attitudes. The freedom of the artist to create should be absolute. I have always been against censorship, silencing, McCarthyism. (The McCarthy period, a particular fascination of mine, was one of the blackest eras in American history. The Time of the Toad, Dalton Trumbo called it; Trumbo was one of its victims).

((It should be noted, since idiots always misunderstand this point, that freedom of speech does not mean you can say whatever you want wherever you want. If you want to proclaim that you are the new messiah or call for ethnic cleansing of Martians or even promote your new book, I think you should be able to stand on a soapbox in the park, or start your own website, and do just that. I don’t think free speech requires me to let you into my living room to give your speech, or into my virtual living room here on the internet)).

Of late, I have begun to fear that the Time of the Toad has returned. Only this time, thanks to the internet, the Toad is much larger. This Toad is Tsathoggua, for all you Lovecraft fans out there. And this toad is so huge and monstrous and venomous, and seems to have so many friends and fans and worshippers, that it has begun to shake even my long-held fervent belief in the sanctity of free speech… and the basic decency of human beings.

I am talking, of course, about the Toad of Hatespeech.

I am not a gamer, and I have not closely followed GamerGate. Nor do I care to get embroiled in it now. I don’t care who slept with whom, or whether some reviews were biased… but I do care that some of the participants, especially women, received death threats and rape threats from anonymous toads on the internet. I have never met Zoe Quinn or Anita Sarkeesian or Brianna Wu, and I don’t know that I would agree with them on the issues at the heart of GamerGate, but it does not matter. Threats have no place in civilized discourse, and neither do slurs like “cunt” and “slut” and “whore.” Oh, yes, I am aware that some say these women fabricated the threats against them. Bullshit. I believe they did indeed receive such threats… for the simple reason that friends of mine, women I DO know, and love, and respect, have received similar threatening and demeaning emails whenever they have dared to express an opinion online.

And now there’s Puppygate, and I have been posting about that, and in the course of which I have had some exchanges with Larry Correia, the founder of Sad Puppies, and Brad Torgensen, who ran the SP3 slate. And both of them tell similar tales: of anonymous phone calls, libel and slander, vicious emails, death threats… death threats! All of these, presumably, coming from “my side” of fandom, those who oppose the Puppies. Do I believe them? I don’t want to believe them. I would rather cling to the belief that my side is better than that. That’s hard to do these days, As strongly as I disagree with Torgensen and Correia about the Hugo Awards, and probably a hundred other issues, I have no reason to think them liars. I think they are telling the truth, just as Quinn and Sarkeesian and Wu were. On the internet, it seems, abuse trumps debate every time.

Death threats. Really? Really???

It really makes me wonder. Were there always so many toads out there, so many slimy squirming venomous cowards lurking in their parents’ basements? Or did the internet somehow just bring them into being overnight, these children of Tsathoggua?

I really don’t know, but it makes me despair. Is this what we are as a country, as a people? When we disagree, is it really necessary to spit and snap at each other, to throw around insults and obscenities, to make death threads, rape threats? Can’t we just debate the issues?

I have lots of problems with this year’s Hugo ballot, as I have made crystal clear in the posts below. But there is one nomination that I wholeheartedly applaud… the only suggestion from my own “recommended” list (one novel, two movies, some TV shows, six artists, and Laura):

LAURA J. MIXON made the shortlist for Best Fan Writer. Here’s why:

http://laurajmixon.com/2014/11/a-report-on-damage-done-by-one-individual-under-several-names/

http://laurajmixon.com/2015/02/requires-hate-follow-up-three-months-later-are-we-past-the-winter-of-our-discontent/

http://laurajmixon.com/

I am not going to talk about Requires Hate here. I do not have to. Laura Mixon has said everything that needs saying. I cannot overemphasize how much I admire her courage, her diligence, her compassion, her integrity. She did something that needed doing, something no one else was willing to tackle for fear that they too might be targeted. I will also say, as a one-time journalist with a j-school master’s, that this is investigative journalism the way it ought to be practiced: thoroughly researched, well sourced, based on verified facts, everything checked and double-checked and backed up by first-hand testimony.

And here’s the thing: Laura Mixon is a “Social Justice Warrior” if ever there was one. Unlike me, she might even accept that label. She cares about social justice. She hates sexism, racism, misogyny. She wants our field to be more inclusive. She has fought her own battles, as an engineer writing hard SF, and being told that women could not write hard SF. Laura is well to the left of me. She’s also a kinder, gentler, and more forgiving person than I am. And yet she did this, devoted months to it, uncounted amounts of efforts… because someone had to, because lives and careers were being ruined, because people were being hurt.

I hope she gets a Hugo. For herself, and for all of Hate’s victims.

There’s something else that needs to be said here. Requires Hate did not flourish all alone. Had she been a lone voice crying in the wilderness, ignored and shunned, she could not possibly have done the damage that she did. She had enablers. Allies. Others who shared her goals and values to a greater or lesser extent, and for that reason were willing to cheer her on, or at least turn a blind eye when she called for writers to be burned alive, or raped by dogs, or have acid thrown in their faces. I am not going to name names here, though I could. If any of you are reading this, you know who you are. Some of you even called for Requires Hate to be nominated for a Hugo as Best Fan Writer… the very award Laura is now in contention for (irony is a bitch). Instead of speaking up for the victims, you wanted to give an award to the person attacking them. You should be ashamed, every one of you.

Which brings me back to Puppygate… and, at long last, to the Rabid Puppies.

Only Nixon could go to China. If a liberal Democrat had done it, the Republicans would have attacked him mercilessly. Yet it had to be done, and the world is better for it.

Only a so-called “Social Justice Warrior” could expose Requires Hate. If a conservative white male had done it, liberals and feminists might have rallied to her defense (sad to say).

I do believe that there are decent, honest, well-intentioned conservatives in our field, many of whom are deeply involved in the Sad Puppies movement. Brad Torgensen and Larry Correia among them; my disagreements with them so far have been on the issues, but I don’t believe that they are racists, sexists, misogynists, bigots, or haters. But I do have a question for you:

When are you going to do something about Vox Day?

Make no mistake. Vox Day and Requires Hate are twins. Mirror images of one another. The Toad of the West, the Toad of East, each of them spewing forth the venom of hatred and violence, poisoning any attempt at honest dialogue. Requires Hate had her acolytes and enablers, and so does Vox Day, and it is from those toads that they derive their power.

Liberals and moderates and “SJWs” can denounce Day all they want, and it only serves to generate more hate, more division, more death threats. His followers will just shrug that off. But if some respected figure from the right were to speak up, well, maybe someone would listen. But do we have a conservative in the house with the courage and integrity of Laura Mixon, someone honest enough and brave enough to denounce the excesses of their “own side?”

I hope so.

That’s what we need. Fandom, our country, our world. There will always be haters, that’s part of human nature. There will always be toads. But we do not need to tolerate them. Yes, I do believe in free speech, we should all be free to say whatever we want… but not without consequences. And if your free speech is hatespeech, if you want to exercise your freedom by denouncing black people as savages, suggesting that gays should be raped straight, or calling down rape and acid attacks on writers whose books displeased you, you should not be surprised when you are shunned, abandoned, and denounced by all decent human beings.

I want to be a part of a culture that has NO tolerance for death threats, rape threats, or hatespeech. We are better than that.

Aren’t we?

Puppygate

April 8, 2015 at 1:49 pm
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The last thing I want to do… the last thing I need to do… is get involved in the firestorm of controversy that has sprung up around this year’s Hugo ballot. I have books to write. I have TV shows to develop. I have anthologies to edit. Oh, and a movie theatre, and a bowling alley and prep school that we are turning into art space, and charities to help support. And somewhere in there, an actual life to live.

Besides, this is a nasty, nasty fight, and anyone who speaks up, on either side of this, risks being savaged. It is no fun being savaged. It raises one’s blood pressure, and brings out the urge to savage back.

A wiser man would probably just keep quiet, and let this storm pass him by.

But no… that’s the path of cowardice. Much as I do not relish what is to come, I have been a part of science fiction fandom most of my life, and the Hugo Awards and worldcon are very important to me, and I cannot and will not stand by and keep silent while they are under attack.

So I am going to say a few things.

Some of you reading this will not like what I am going to say. I expect I will get the usual rash of “I am never reading your books again” emails and posts. Fine, go ahead, I am used to those. They come in every time I say anything of substance.

I suspect I may get those sorts of emails from both sides of the Puppygate wars. I have my own views on all of this, and they don’t line up precisely what what either camp is saying.

So be it. My views are my views. I do not speak for any clique or slate or movement.

I have been thinking about all this for days, since rumors first began to circulate that this year’s Hugo slate might be problematic. I have a number of points I want to make. Rather than write one long long long rambling post touching on all of them, I am going to make a series of posts, each focusing on one specific aspect of the controversy. Although I am going to close comments on this initial introductory post, I will allow comments on the posts that follow… but I will NOT allow abuse in any form, either of me or any other commentator, and I will expect those commenting to STAY ON TOPIC. Dissent is fine, so long as it is courteous and reasoned, but address your comments to the points I am raising, not to side issues.

If you want be abusive, hey, there are plenty of other places on the internet for that. The Sad Puppies websites will allow you to abuse the people they are calling “Social Justice Warriors” all you like, and the sites of those who oppose the Puppies will allow unlimited abuse in the other direction, it seems. But none of that will fly here.

By this time, I know, many of my readers are going to be asking, “What the hell is he talking about? What sides? What controversy? What’s a Sad Puppy? What’s a Hugo Award?”

I am not going to attempt my own summary. Millions of words have already been written about this. SALON is covering the story. So is ENTERTAINMENT WEEKLY, and the TELEGRAPH in the UK. Other mainstream news blogs will be picking it up soon. Within our genre, fuller accounts can be found on io9 and FILE 770. If you want to hear directly from the major players in this drama, you can check out the websites of writers Brad Torgesen and Larry Correia (MONSTER HUNTER NATION) for the Sad Puppy side, or MAKING LIGHT and TOR.COM site for those opposed to them. Be prepared for lots of vitriol on all those sites, especially when you get to the comments.

And for those who do not have the appetite to wage through thousands of posts, well, the basics are simple. A group of writers and fans, many of them of a conservative political and/or literary bent, felt that they were not being adequately represented in the Hugo Awards, and put together their own slate of stories and writers they wanted on the ballot. They blogged, they organized, they got out their voters, and they were wildly successful… to the extent that this year’s Hugo ballot is dominated by their choices.

Call it block voting. Call it ballot stuffing. Call it gaming the system. There’s truth to all of those characterizations.

You can’t call it cheating, though. It was all within the rules.

But many things can be legal, and still bad… and this is one of those, from where I sit.

I think the Sad Puppies have broken the Hugo Awards, and I am not sure they can ever be repaired.

I will expand on that, and explain why, in the posts that follow.

Nipples Are Coming

January 21, 2015 at 1:28 pm
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Let's turn from the latest cheating scandal involving the New England Patriots to a much more pleasant subject: breasts.

It is completely legal and acceptable for men to go shirtless in public throughout the United States.  But in many states and cities, women do not have the same right.  And heaven forfend there should be a "wardrobe malfunction" during the SuperBowl or similar event that exposes the country to a brief split-second glimpse of a female nipple (actually a pastie, but don't confuse us with facts).  GAME OF THRONES is often slammed for showing too many breasts as well.  As are other cable shows.  And of course you can't show them at all on broadcast television.

Only in America.  Why do so many people in this country go mad at the sight of a nipple?

Anyway, this Friday at the Jean Cocteau we are screening FREE THE NIPPLE, the docudrama about the women who led the fight for nipple equality in New York City.

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New Mexico is not New York, of course… but our Cocteau staff will be appropriately clad to honor the fearless women who are the subject of the movie.

And we'll have Nipple-cakes too!

See you at the movies.

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Twists and Turns

December 22, 2014 at 12:59 am
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Sony's stance on THE INTERVIEW seems to take a new twist every day.

Now we are told that, yes, they are going to release the film.  They are just not sure how.

Of course, this all depends on who you believe.

THE NEW YORK POST says they plan to release it on Crackle, their own streaming internet service:
        http://nypost.com/2014/12/21/sony-plans-to-release-the-interview-on-crackle-for-free/

Other sources say the POST is wrong:
        http://www.slashfilm.com/interview-on-crackle/

Bit Torrent says that it is willing to show the film:
        http://techcrunch.com/2014/12/21/bittorrent-tells-sony-its-happy-to-release-the-interview/

I don't know about any of this.

What I do know is that Sony's statement that it "had no choice" but to cancel the film's release is plainly false.  It had plenty of choices, and still does.

The best of those choices, I believe, is to open THE INTERVIEW in theatres on Christmas Day, as originally planned.  I have been in communication with the owners and operators of other independent cinemas and arthouses, and representatives of some of the smaller chains, and I know that hundreds of these venues would gladly screen this film, if only Sony will make it available.  Regal and AMC and the megaplexes may have caved, but the independents have not.   Sony could have the film on five hundred screens by Christmas, if it wants to.  And I would love for the Jean Cocteau to be one of them.

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Sony and THE INTERVIEW, Once More

December 20, 2014 at 11:05 am
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Discussions of North Korea, cyber war, the corporate cowardice of Sony Pictures, and THE INTERVIEW have been taking over the airwaves these past two days, and millions of words have been devoted to the issues.  I won't try to rehash them all here.

The most important words, and the truest words, were those spoken by the big man, President Obama.

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I agree with everything the President said there.

One of the most important bits, in my opinion, is toward the middle, where he talks about the chilling effect the cowardice of Sony and the big movie chains could have on other filmmakers going forward.  This is a point that very few of the talking heads on television seem to be addressing.  It is not theoretical.  THIS IS ALREADY HAPPENING. The damage has already extended well beyond THE INTERVIEW itself.  Paramount, a studio that has NOT been hacked, and has NOT been threatened, has already reacted by pulling TEAM AMERICA: WORLD POLICE from all the theatres that wanted to show it as a substitute for THE INTERVIEW.  They have made no public statement as to their reasons, but I think their reasons are plain… they are afraid of drawing down the wrath on North Korea and the hackers.   Meanwhile, New Regency and Fox — neither of them part of the Sony hack, neither of them theatened — have scrapped plans forPYONGYANG,  a Steve Carrell movie about North Korea, based on a popular graphic novle.

 http://www.vulture.com/2014/12/good-north-korea-movie-pyongyang-guy-delisle.html

This a textbook example of "chilling effect."  Nothing could be more clearcut.  Not just one Seth Rogen/ James Franco ( or Flacco) movie has been impacted, but three different projects, one ten years old, one still in preproduction.

 Of course, Sony has taken issue with the president's declaration that they "made a mistake."  (A very mild way of putting it, in my opinion.)  No, no, they did not make a mistake, they are insisting, they had no choice.  Sony Pictures Entertainment CEO Michael Lynton instead tried to shift the blame to Regal, AMC, and the other movie chains who announced that they would not not screen the film.   "We have not caved, we have not given in, we have persevered, and we haven't backed down. We have always had the desire to have the American public see this movie," Lynton said.

Sorry, but that's bullshit.  Sony did have a choice.  They still do.   They can release the film tomorrow, if they want.

Sony is correct in one regard: the big movie chains are getting off way too easy here.  All the discussion has focused on Sony, but in fact the cowardice started with Regal, with AMC, and  the other monarchs of the multiplex who decided to bow to the threats and pull THE INTERVIEW from their screens.  But for Sony to suggest that once that happened they "had no place to show the film," is disingenuous.

I have already stated that the Jean Cocteau Cinema will show THE INTERVIEW here in Santa Fe, should it be made available to us.  And yes, we're a tiny little arthouse, only 125 seats… but the crucial point is, we would not have been alone.   According to NATO (the National Association of Theatre Owners, not the North Atlantic Treaty Organization), there are 39,662 movie screens in the United States.  Regal, the largest and most powerful of the chains, has 7318 of those.  The other big chains have thousands too, but…

Do the math.  There are still THOUSANDS of screens out there not under the control of the mega-chains.  Smaller chains, regional chains, arthouses, and many many many small independent movie theatres like my own… theatres that would have jumped at the chance to show a big Christmas movie, an opportunity not often afforded them.  Regal may have been intimidated, but I don't think Alamo Drafthouse would have been.  I suspect Quention Tarantino and his New Beverly Theatre in LA would have stepped up, he's no stranger to controversy.  And there are thousands more.  So don't give us this "boo hoo, we have no choice, no one would have showed our movie" okey-doke, Sony, because it's not true.  The INDEPENDENTS would have showed your film.  We still will.  Release it, and see.

Rachel Maddow did an excellent story last night about the parallels between THE INTERVIEW case and the SATANIC VERSES incident, when Iran declared a fatwa against Salman Rushdie, threatening to kill not only the author but also his editors and publishers.  It is worth remembering that, in that case as in this, the big chains were the first to cave.  Waldenbooks, B. Daltons, and Barnes & Noble all responded by announcing that they would not be selling THE SATANIC VERSES.   But… here's the important part…Rushdie's publishers did not flinch, but stood firm for the book, the author, and the principle of free speech.  And who stood with them?  The independent bookstores.   All the shops around the corner, the specialty stores, the mom-and-pop operations came forth and said, almost as one, "We'll sell your book."  And they did, in unprecedented numbers.  THE SATANIC VERSES was a huge bestseller, not because of the chains, but in spite of them.

Maybe Regal is afraid is to show THE INTERVIEW.  The CEOs in the corporate suites are too scared by what their lawyers are whispering in their ears about potential liability.  But mom and pop have more guts, I'd bet.  Release THE INTERVIEW, Sony, and hundreds of small chains and indy theatres will snap it up all across the country.

And hey, Paramount, we'd snap up TEAM AMERICA: WORLD POLICE as well.  So climb out from underneath your desks, and make it available for us to book. 

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Corporate Cowardice

December 17, 2014 at 9:27 pm
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This one is surreal.

 In a stunning display of corporate cowardice, Regal, AMC, and  every other major theatre chain in the United States have cancelled their plans to show the new Seth Rogen/ James Franco comedy THE INTERVIEW, because of — yes, seriously, this is not a SOUTH PARK sketch (though I expect it soon will be) —  threats from North Korea.

Not familiar with THE INTERVIEW?  Here's the trailer:

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 I mean, really?  REALLY??  These gigantic corporations, most of which could buy North Korea with pocket change, are declining to show a film because Kim Jong-Un objects to being mocked?

 The level of corporate cowardice here astonishes me.  It's a good thing these guys weren't around when Charlie Chaplin made THE GREAT DICTATOR.  If Kim Jong-Un scares them, Adolf Hitler would have had them shitting in their smallclothes.

 Even Sony, which made the movie, is going along.  There are thousands of small independent theatres across the country, like my own, that would gladly screen THE INTERVIEW, regardless of the threats from North Korea, but instead of shifting the film to those venues, Sony has cancelled its scheduled Christmas rollout entirely.

 I haven't seen THE INTERVIEW.  I have no idea how good or bad a film it is.   It might be hilarious.  It might be stupid and offensive and outrageous. (Actually, I am pretty sure about the 'outrageous' part).  It might be all of the above.

That's not the point, though.  Whether it's the next CITIZEN KANE or the next PLAN 9 FROM OUTER SPACE, it astonishes me that a major Hollywood film could be killed before release by threats from a foreign power and anonymous hackers.

For what it's worth, the Jean Cocteau Cinema will be glad to screen THE INTERVIEW (assuming that Sony does eventually release the film for theatrical exhibition, rather than streaming it or dumping it as a direct-to-DVD release), should it be made available to us.  Come to Santa Fe, Seth, we'll show your film for you.

POSTSCRIPT: DECEMBER 20

Not content with pulling the film, Sony has now pulled the trailers as well, so the YouTube video I embedded above no longer works.

Here's a replacement from YouTube that's dead on point:

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