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Hugo Thoughts

November 2, 2015 at 3:08 pm
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Talking about sports this morning is immeasurably depressing… so I am going to talk about science fiction and the Hugo awards instead.

After several months of relative quiet, the Puppygate mess seems to be stirring again.

It is my hope — maybe a naive hope — that this time around, we can actually talk about the WORK instead of engaging in endless recrimination and name-calling. I am, I confess, not optimistic on that front, but I am going to try to do my bit, by… well, by talking about the work.

In the past, I have usually made my own Hugo recommendations only after nominations have opened. But in light of what happened last year, it seems useful to begin much sooner. To get talking about the things we like, the things we don’t like. This is especially useful in the case of the lesser known and obscure work. Drawing attention to such earlier in the process is the best way to get more fans looking at them… and unless you are aware of a work, you’re not likely to nominate it, are you? (Well, unless you’re voting a slate, and just ticking off boxes).

Let me start with the Dramatic Presentation category. Long form.

Big Hollywood movies traditionally dominate this category. I suspect it will be the same this year. The new STAR WARS comes out at year’s end, and has to be the favorite here. I have not seen it, you have not seen it, no one really knows if it will be another EMPIRE STRIKES BACK or another PHANTOM MENACE… but it’s still STAR WARS, and I suspect it will be nominated.

THE MARTIAN should also be nominated. A great adaptation of a terrific book, I actually think it has a fair chance of upsetting STAR WARS. Fans of hard SF — and there are a LOT of those — love this one, and for good reason. I loved it too. (And wish we’d been allowed to screen it at my theatre). There seems to be some confusion about whether Andy Weir is still eligible for the Campbell Award, by the way… but if he is eligible, he should certainly be nominated.

Also, there’s MAD MAX: FURY ROAD. I loved the old Mad Max movies (especially THE ROAD WARRIOR), and this one was a worthy successor. Deserves a space on the ballot for sure.

Those are the big obvious choices. But let me draw your attention to a few more obscure possibilities.

PREDESTINATION is an adaptation of Robert A. Heinlein’s classic short “All You Zombies.” It actually came out last year (we showed it at the JCC), but had little distribution. For that reason, the Sasquan business meeting voted to give it a second year of eligibility, so it is eligible again this year. It is an excellent little film, with a wonderful performance by Sarah Snook. Very faithful to RAH. If you liked the story, you should like the movie. Seek it out and give it a look.

WHAT WE DO IN THE SHADOWS is a comedy out of New Zealand, about four vampires living together in Wellington, NZ. I saw it first in Switzerland at a film festival. It’s hilarious. Won the festival’s audience award, deservedly. Comedy is often overlooked at awards time, if there are no special categories for it. This one deserves a better fate. Not a chance in hell it will ever win a Hugo… but wouldn’t it be cool if a small, funny film like this could make the ballot?

Finally… the Long Form category is not actually limited to movies, though those do tend to dominate. So do also consider JONATHAN STRANGE AND MR. NORRELL, the seven-part BBC television miniseries adaptation of the Hugo-winning novel by Susannah Clarke. A lovely piece of work, I thought, and — again — faithful to the source material (a big thing with me). It should not be forgotten at nominations time.

I am not urging anyone to nominate any of these… but I am suggesting that you might want to check them out. They’re all works I enjoyed a lot. I suspect that THE MARTIAN and FURY ROAD and the yet-unseen STAR WARS are all pretty much locks for Hugo nominations regardless, but the other three, the more obscure three, are worthy efforts that might be missed, unless people seek them out. So…

The Sexiest Woman Alive…

October 15, 2015 at 2:51 pm
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… is Emilia Clarke, our own Daenerys Targaryen, Mother of Dragons, Breaker of Chains, Khaleesi of the Great Grass Sea.

      

It’s official. ESQUIRE magazine has proclaimed it so.

Read all about it here: http://www.esquire.com/entertainment/interviews/a38719/emilia-clarke-swa-2015/ Good interview, and lovely (and sexy) art.

Having been in Emilia’s company at numerous GAME OF THRONES event, I can only applaud ESQUIRE’s good taste. She is indeed a beautiful woman, and a terrific actresss.

Congratulations, Emilia! And applause to the fine folks at ESQUIRE.

A Birthday to Remember

September 26, 2015 at 5:50 pm
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I turned 67 on September 20. So did the Emmy Awards.

Our party was on TV. Andy Samberg gave me a shout-out. HBO gave me a cake. And the Academy of Television Arts and Sciences gave me an Emmy. Well, actually they gave one to GAME OF THRONES as tv’s Best Drama, but since I’m a producer on the show, I get one of the trophies.

In case you missed the moment:
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Truth be told, I almost missed the moment myself. While I was pleased that we had been nominated once again, I did not expect us to win… and with so much to do at home, so much pressure on so many fronts, I wasn’t sure I wanted to fly out to LA again, put on a monkey suit, and sit through another loss. The first few times you are up for an Emmy it is very exciting, yes, it’s cool and glamorous and all that… but this would be my seventh time. I had been nominated, and lost, six times before; four times with GAME OF THRONES, and twice more back in the 80s with BEAUTY AND THE BEAST. No fantasy show had EVER won ‘the big one,’ the award for Best Drama, and with MAD MEN, a four-time winner, up for its final season, it did not seem likely that this would be the year. Great shows often get a valedictory award or three to celebrate their excellence after they have left the airwaves.

So I was seriously thinking of staying home this year. It was Paul Haas, my agent at WME, who changed my mind. He said he thought that GOT might have a shot this year. Yeah, yeah, I said, I’d heard that before. (I’d thought our third season, with the buzz of the Red Wedding behind it, might be the one to break through, but I’d been way wrong). Then Paul pointed out that if we did win, and I wasn’t there to be part of it, I would regret it for the rest of my life. He was right. So I came, and we won, and it was a birthday I will never forget.

Thanks, Paul.

The Emmy is sitting in my TV room right now, golden and shiny. Big thing. Very heavy. Very pretty. I smile every time I see it. (We ate the cake).

It was a great night for GAME OF THRONES, and for HBO as whole. VEEP dominated in the comedy categories, and OLIVE KITTERIDGE in miniseries… which just goes to show all of you who don’t get HBO, you are missing a lot… and as for us, we were up in five categories, and won four. David Benioff and Dan Weiss won for Writing, David Nutter for Directing, and Peter Dinklage took his second for Best Supporting Actor. All of us were pulling for Lena Headey and Emilia Clarke in Best Supporting Actress, but they lost out to Uzo Aduba from ORANGE IS THE NEW BLACK, whose Crazy Eyes is the most unforgettable character on an amazing and addictive show. And the came Best Drama… It IS an honor just to be nominated, yes it is. But let me tell you, winning is more fun than losing, and 1-6 beats the hell out of 1-7.

Unlike the Hugo Awards (where, if seven people jointly win some award, all of them get to yammer for as long as they like), the Emmy Awards have a strict time limit, and only one or two designated acceptors speak for the group. For us, that was David and Dan, just as it should be. They thanked a lot of people… and then ran out of time.

But there’s never enough time to thank everyone, of course. So I want to add my own thanks for some of those that D&D did not get to.

Starting with David Benioff and Dan Weiss themselves. Without them, there would be no show. Without their talent and dedication, there would certainly be no Emmy.

Also, I want to thank Bryan Cogman. He’s been there since the beginning too, the right hand man to D&D, and he’s written some of our best episodes. I am thrilled that when we finally won, it was for a year in which he’d finally snagged a “producer” credit, which meant that he got to take home a trophy as well.

And of course I want to thank Parris (so glad you were there with me, Phipps), and Paul Haas and the rest of my team at WME, and Vince Gerardis, and Kay McCauley, and Anne Groell and my team at Bantam, and Jane Johnson as my team at Voyager, and my leal minions Raya and Lenore and Jenni and Elias and Jo, and Pat (who left), and even Ty (who left even earlier).

Last, but certainly not least, I want to thank the dead. We have the best cast in television, as I have said a hundred times, and many of them were on the stage with us last Sunday. Thanks to all of them, of course, and thanks as well to Emilia and Kit and Dame Diana and Kristian and Natalie and Finn, who were off working and could not be there with us.

But there were ghosts standing behind us. Maybe you couldn’t see them, but I could feel their presence, and I know that without them none of us would have been holding Emmys. Yes, I know, I know, the award was for Season Five… but if you truly believe that the Academy voters did not take our first four seasons into account as well, then let me tell you about this lovely bridge over the Green Fork that Walder Frey would like to sell you.

No. It was the show to date that won, I believe, and our ghosts were a huge part of that. So my thanks go out to Sean Bean, to Mark Addy, to Rose Leslie, to Pedro Pascal, to Michelle Fairley, to Richard Madden, Gethin Anthony, Harry Lloyd, Ron Donachie, Mark Stanley, Esme Bianco, Kate Dickie, Jack Gleeson, Amrita Acharia, Charles Dance, Donald Sumpter, Josef Altin, Peter Vaughn, Margaret John, Thomas Brodie-Sangster, Oona Chaplin, Stephen Dillane, Francis Magee, Roxanna McKee, Kerry Ingram, Ian McElhinney, Jason Momoa, and of course Sibel Kekilli… along with all the other noble and ignoble dead that I’ve certainly forgotten, and I’m sure that there’s a lot of them.

Some of you are dead in the books, others only on the show. But if it was up to me, all of you would have been up on the stage beside us. Every one of you played your part, large or show, in making GAME OF THRONES the record-smashing hit it is.

Thank you all.

A New Record

September 21, 2015 at 11:16 pm
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Back from the Emmy Awards in LA.

A night to remember.

GAME OF THRONES set a new record for number of wins by a series in a single year. Eight last week, and four more on Sunday. That’s twelve.

Pretty impressive haul when you line them up like that.

The previous record was nine, set by WEST WING.

Anyway… I will have more to say about the Emmys and all that, but we’ve only been home a few hours, and I’m still pretty tired (celebrating is hard work, and so is travel) so it will have to wait until tomorrow. I do have more to say, and a lot of people to thank.

For now, let it suffice to say that the Emmy looks very good in my TV room, and while it IS an honor just to be nominated (as I have been, six times before), it’s even cooler to win.

Eight Is NOT Enough

September 15, 2015 at 5:09 pm
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HBO and GAME OF THRONES dominated last weekend’s Creative Arts Emmys in LA.

HBO took home 29, way more than any other network. GOT accounted for eight of those, more than any other show.

Awards were given in every category. For the full list of nominees and winners:

http://www.hollywoodreporter.com/news/creative-arts-emmys-2015-winners-822621

The rest of this year’s Emmys will be given out this Sunday. I’ll be flying out to LA once more for the ceremony. GAME OF THRONES is nominated for directing, writing, and acting… and of course, for Best Drama. So cross your fingers, cross your toes.

Meanwhile, congratulations to all of our Emmy winners from last week. Well deserved! A hearty round of applause, please… and for the losers too. Not everyone can take home the trophy, but you all did great work.

Awards, Awards, and More Awards

September 5, 2015 at 6:09 pm
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So, I’ve heard rumors that some of our Sad Puppy friends, unhappy about the way the Hugo voting turned out, are talking about starting their own awards. Perhaps in conjunction with Dragoncon, the gigantic Atlanta media con, or perhaps at Libertycon, a smaller regional con held annually in Chattanooga.

For what it’s worth — probably not much, since very few of the Pups seem to care what any non-Pups think — I think this is a terrific idea. (Which is why I suggested it back in May, when the Puppy Wars began).

Look, everybody likes to get an award. An attaboy, a tip of the hat, some recognition for their effort. Scientists like to win Nobel Prizes, journalists like to win Pulitzers, and the guys who work at Pep Boys like to win Employee of the Month. If you go back to the first Puppy posts, way back when, and scrape off all the stuff about SJWs and cliques and cabals, the bottom line complaint, the thing that triggered all the rage, is very simple and very human: “hey, no one is giving US any awards.” The Pups and the writers and stories they liked were simply not being honored by the Hugos.

The thing is — and given the hundreds and thousands of words that have been written about Puppygate, it is easy to lose sight of this — the Hugo may be the oldest and most prestigious award in our genre, but it is NOT the only one, and has not been since, hmmm, the mid 60s, at least. That was when Damon Knight founded SFWA, and launched the Nebulas.

In an odd funhouse mirror sort of way, Damon Knight had the same issue with the Hugo Awards that the Puppies did. He thought they were going to the wrong stories. But Damon was coming from the other side; he wanted to make SF (not fantasy so much, he was never a fantasy fan, once said he’s never read a book with a map in it) more literary. To this end he founded Milford, founded Clarion, taught Clarion for half a century, edited ORBIT (by far the most literary of the original anthologies)… and began the Nebulas. Damon felt that the Hugos, the fan award, too often went to popular works, whereas the Nebula would recognize more ambitious, experimental, and “writerly” books and stories. (It has not always worked that way, but never mind).

The Nebula was the first important rival to the Hugo, but it is by no means the only one. These days, we have more awards than I can count… and many of them started with the express purpose of recognizing a genre, subgenre, group of writers, or point of view not sufficiently honored by the Hugos, according to their founders.

Charles Brown started the LOCUS Award, and always insisted that it was more significant than the Hugo, since it had a larger voter base (originally just LOCUS subscribers, later expanded to include anyone who wants to send in a ballot). For a time Charlie presented the LOCUS Awards at Dragoncon, in fact… but no one at Dragoncon seemed to give two shits (the turnout was always much bigger for the Bettie Page Lookalike Contest), so he finally moved the presentation to Westercon.

Lin Carter felt that epic fantasy and sword & sorcery were being ignored by the Hugo voters, and founded the Gandalf Award. His original intent was to create an entire parallel set of awards, duplicating all the Hugo categoriesfor fantasy instead of SF. He was talked into scaling that down into one Life Achievement Gandalf, but that was given at worldcon for a number of years, until his death.

SF and fantasy and horror aficionados in the film and television industry, feeling that SF and fantasy was too often ignored by the Oscars and Emmys, started the Saturn Awards, which continue to this day.

Wiscon, the feminist-oriented convention in Madison, Wisconsin, created the Tiptree Awards to recognize outstanding works of SF and fantasy that examine issues of gender.

The World Fantasy Con has the World Fantasy Awards, sometimes called the “Howards” or “Howies” for their iconic trophy, a wonderfully grotesque bust of H.P. Lovecraft by Gahan Wilson. Both fantasy and horror (not not SF) are eligible for that one.

That did not prevent the Horror Writers Association from starting their own award a few years later, partly because some of them felt that the Howard did not go to horror often enough. Their Bram Stoker Award is not, as one might think, a bust of Bram Stoker, but rather a delightful gothic ceramic statue of a haunted house.

A small Kansas convention started the Balrog Awards, for reasons that remain unclear. Among writers, it was also known as “the coveted Balrog.” The trophy was quite imposing, especially from the rear. (I won one once, in its last year, but the trophy was smashed in an auto accident before it could be mailed and never replaced, and the organizer went to Oman).

Some of the Puppies have complained the media tie-in books never win Hugos. That’s true, they don’t (and shouldn’t, in my opinion). Some of the writers of media tie-ins felt the same way, however, and instead of bitching, they created their own awards, the Scribes. Those are still going as well. Here, see: http://iamtw.org/the-scribe-awards/scribe-award-nominees/

The Scribes are presented at San Diego Comicon. So are the Inkpots, comicon’s own awards, which they’ve been giving for decades. Also the Eisners, THE premiere award for comics and graphic novels. (I have never been sure why the hell the Hugos needed a Graphic Story category, when the Eisners already existed).

The Hugos are not the only award presented at worldcon either. Libertarian fans, wanted to recognize libertarian fiction, present the Prometheus Award at worldcon annually. (And hey, I gave my Alfies at worldcon too, though I hope they don’t need to become a tradition). There are also the Hogus and Black Holes, though admittedly those are more satire than honor.

Bubonicon, our own local con in New Mexico, used to give the Green Slime Awards, a brainchild of Horrible Old Roy Tackett, for the worst SF of the year. That stopped when Roy passed.

British fans, not content with the awards that Americans were handing out, have their own British Fantasy Awards, and also the prestigious Arthur C. Clarke Award.

The Australians, Canadians, Czechs, Spanish, and Japanese all have their own SF awards as well. And there are doubtless many more I am not aware of. The artists, wanting to honor more of their own than were being recognized by the Best Professional Artist Hugo, founded ASFA and began presenting Chesleys annually at worldcon.

Additionally we have the John W. Campbell Memorial Award (not to be confused with the John W. Campbell Award), the Pilgrim, the Sturgeon, the Heinlein…

Also, hey, we have Reddit, and their VERY cool new Stabby Award, an engraved dagger:

No doubt I have left some out. The point being, there are a LOT of awards.

But there is always room for more. A great many of the awards discussed above were started precisely because the people behind them felt someone was being overlooked by the Hugos and/ or other existing awards, and wanted to give an “attaboy” to work they cherished.

There is no reason the Sad Puppies should not do the same. Give them at Dragoncon, give them at Libertycon… or, hell, give them at worldcon, if you want. Most worldcons will give you a hall for the presentation, I’m sure, just as they do for the Prometheus Awards and the Seiuns. Or you can rent your own venue off-site, as I did with the Alfies. Have a party. No booing, just cheers. Give handsome trophies to those you think deserve it. Spread joy.

That’s what awards are supposed to be about, after all. Giving some joy back to the writers and editors and artists who have given you so much joy with their work. Celebration.

Since RAH is already taken by the Heinlein Foundation for its own award, maybe you should call them the Jims, to honor Jim Baen, an editor and publisher that I know many of you admire. If you launch a Kickstarter to have a bust of him sculpted for the trophy, I’ll be glad to contribute. (It may surprise you to know that while Jim Baen and I were very far apart politically, we shared many a meal together, and he published a half dozen of my books. Liberals and conservatives CAN get along, and usually did, in fandom of yore).

Go for it, and maybe those puppies that you’re so concerned about will finally have a reason to smile.

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Emmy Likes Us

July 16, 2015 at 4:30 pm
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The Academy of Television Arts & Sciences announced this year’s nominations for the Emmy Awards this morning, and HBO’s GAME OF THRONES led the way with a whopping TWENTY-FOUR nominations. More than <i>any other show this year</i>, in <i>any other category</i>, be it drama, comedy, reality, talk, movie, miniseries, variety, documentary, what have you. <br/><br/><img src=”http://georgerrmartin.com/notablog/wp-content/uploads/import/260405_800.jpg” alt=”” title=””><br/><br/>Congratulations are in order for David Benioff and D.B. Weiss, our showrunners, all our writers and directors and producers, our amazing cast and our incredible crew, and of course the good folks at Home Box Office, who made all this possible.<br/><br/>Here are this year’s nominations for GOT:<br/><br/><span style=”font-size: 1.4em”>Outstanding Drama Series</span><br/><br/><span style=”font-size: 1.4em”>Outstanding Supporting Actor</span><br/>Peter Dinklage !“ Tyrion Lannister<br/><br/><span style=”font-size: 1.4em”>Outstanding Supporting Actress</span><br/>Lena Headey !“ Cersei Lannister<br/>Emilia Clarke !“ Daenerys Targaryen<br/><br/><span style=”font-size: 1.4em”>Outstanding Guest Actress</span><br/>Diana Rigg !“ Lady Olenna Tyrell, the Queen of Thorns<br/><br/><span style=”font-size: 1.4em”>Outstanding Writing For A Drama Series</span><br/>David Benioff and D.B. Weiss !“ Mother’s Mercy<br/><br/><span style=”font-size: 1.4em”>Outstanding Directing For A Drama Series </span><br/>David Nutter !“ “Mother’s Mercy”<br/>Jeremy Podeswa !“ “Unbowed, Unbent, Unbroken”<br/><br/>Outstanding Production Design For A Narrative Contemporary Or Fantasy<br/>Program (One Hour Or More) <br/>”High Sparrow”<br/>”Unbowed, Unbent, Unbroken” <br/>”Hardhome” <br/>Deborah Riley, Production Designer<br/>Paul Ghirardani, Art Director<br/>Rob Cameron, Set Decorator<br/><br/><span style=”font-size: 1.4em”>Outstanding Casting For A Drama Series</span><br/>Nina Gold, CSA, Casting Director<br/>Robert Sterne, Casting Director<br/>Carla Stronge, Casting Director<br/><br/><span style=”font-size: 1.4em”>Outstanding Cinematography For A Single-Camera Series</span> <br/>”Hardhome” (Fabian Wagner, BSC, Director of Photography_<br/>”Sons Of The Harpy” (Anette Haellmigk, Director of Photography)<br/>”The Dance Of Dragons” (Rob McLachlan, ASC, CSC, Director of Photography)<br/>”Unbowed, Unbent, Unbroken” (Greg Middleton, CSC, Director of Photography)<br/><br/><span style=”font-size: 1.4em”>Outstanding Costumes For A Period/Fantasy Series, Limited Series Or Movie</span><br/>”The Dance Of Dragons”<br/>Michele Clapton, Costume Designer<br/><br/><span style=”font-size: 1.4em”>Outstanding Single-Camera Picture Editing For A Drama Series</span><br/>”Hardhome” (Tim Porter, Editor)<br/>”The Dance Of Dragons” (Katie Weiland, Editor)<br/><br/><span style=”font-size: 1.4em”>Outstanding Hairstyling For A Single-Camera Series</span><br/>”Mother’s Mercy”<br/>Kevin Alexander, Department Head Hairstylist<br/>Candice Banks, Department Head Hairstylist<br/>Rosalia Culora, Hairstylist<br/>Gary Machin, Hairstylist<br/>Laura Pollock, Hairstylist<br/>Nicola Mount, Hairstylist<br/><br/><span style=”font-size: 1.4em”>Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)</span><br/>”Mother’s Mercy” <br/>Jane Walker, Department Head Makeup Artist<br/>Nicola Matthews, Makeup Artist<br/><br/><span style=”font-size: 1.4em”>Outstanding Prosthetic Makeup For A Series, Limited Series, Movie Or A Special</span><br/>”Hardhome”<br/>Jane Walker, Department Head Makeup Artist<br/>Barrie Gower, Special Makeup Effects Department Head<br/>Sarah Gower, Special Makeup Effects Assistant<br/>Department Head<br/><br/><span style=”font-size: 1.4em”>Outstanding Sound Editing For A Series</span><br/>”Hardhome” <br/>Tim Kimmel, Supervising Sound Editor<br/>Paula Fairfield, Sound Designer<br/>Bradley C. Katona, Sound Effects Editor<br/>Peter Bercovitch, Supervising Dialogue Editor<br/>David Klotz, Music Editor<br/>Jeffrey Wilhoit, Foley Artist<br/>Dylan T. Wilhoit, Foley Artist<br/><br/><span style=”font-size: 1.4em”>Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour)</span><br/>”Hardhome” <br/>Ronan Hill, C.A.S., Production Mixer<br/>Richard Dyer, Production Mixer<br/>Onnalee Blank, C.A.S., Re-Recording Mixer<br/>Mathew Waters, Re-Recording Mixer<br/><br/><br/><span style=”font-size: 1.4em”>Outstanding Special Visual Effects</span><br/>”The Dance Of Dragons”<br/>Steve Kullback, Visual Effects Producer<br/>Joe Bauer, Visual Effects Supervisor<br/>Adam Chazen, Visual Effects Associate Producer<br/>Jabbar Raisani, Visual Effects Plate Supervisor<br/>Eric Carney, Visual Effects Previs Lead<br/>Stuart Brisdon, Special Effects Supervisor<br/>Derek Spears, Lead CG Supervisor<br/>James Kinnings, Lead Animator<br/>Matthew Rouleau, CG Supervisor<br/><br/><span style=”font-size: 1.4em”>Outstanding Stunt Coordination For A Drama Series, Limited Series Or Movie</span><br/>Rowley Irlam, Stunt Coordinator<br/><br/>It’s an incredible list, I applaud everyone on it… and all of those who didn’t make it either. GAME OF THRONES is what it is because of the untiring efforts of the best cast and crew in television today. Many were recognized by the Academy today for their work… but others, equally dedicated and talented, were not. But the show would not the hit it is without their talent and dedication. <br/><br/>The 24 nominations garnered by GAME OF THRONES is not only the highest number of any show this year, but among the highest ever received by a single series for a single season in the entire history of television. (For numbers geeks, the record remains 27, garnered by <i><b><i><b>NYPD BLUE</b></i></b></i> in 1994).<br/><br/>Today is a day for celebrations and congratulations, for popping champagne corks and raising toasts and exchanging thanks… but before we do too many cartwheels, it would be wise to remember that GAME OF THRONES also led the Emmy nominations last year, with 19 nods, only to get skunked on the night of the televised awards. The same as the year before, and the year before that. Like many fantasy shows before us, GOT is often honored for our special effects, costumes, makeup, stuntwork, set design, and cinematography (this year, please note, we have four of five finalists for cinematography), but seldom for writing, directing, or acting. Peter Dinklage’s Emmy as Best Supporting Actor for season one remains the ONLY award the show has ever won in those categories, in fact. <br/><br/>Will that change this year? One can hope, I suppose.<br/><br/>But no matter what happens on Emmy Night, let me say once again that it truly is an honor to be nominated, especially given the competition. This truly is The Golden Age of Television, especially for drama. GAME OF THRONES faces the usual formidable competition for the “Big One,” the award for Best Dramatic Series… but as distinguished a list as that is, there are so many incredible shows that did NOT make the cut that it boggles the mind. It’s great to see BETTER CALL SAUL and ORANGE IS THE NEW BLACK on this list, but where is MASTERS OF SEX? THE KNICK? HALT AND CATCH FIRE? How about THE VIKINGS? I really thought JUSTIFIED might make it, for its final season. And OUTLANDER, how in the world did they overlook OUTLANDER, with its music and its costumes and its cinematography and the incredible performances of its three leads (especially Tobias Menzies in his double role)? Why is Nick Offermann not on the ballot for PARKS AND RECREATION? How could BIG BANG THEORY possibly fall off? Truly, the Academy (of which I am a member) moves in mysterious ways.<br/><br/>Even where GOT itself is concerned… I am thrilled to see both Emilia Clarke and Lena Headey among the nominees, but I wanted Maisie Williams and Sophie Turner and Natalie Dormer as well… it’s great that two of our episodes got nominated for directing, but how did they overlook “Hardhome?”… and will Iain Glen and Conleth Hill and John Bradley West ever get any recognition, and… <br/><br/>Okay, okay, I know, I am being greedy, and every producer on every other show on television is probably saying the same things about his own cast just now. Let me just savor the moment. <br/><br/>GOT did good.

World Fantasy Shortlist Announced

July 9, 2015 at 10:46 am
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This year’s shortlist for the World Fantasy Awards has been announced, and I am proud and pleased to learn that ROGUES is a finalist for the Howard as Best Anthology.

The winners will be announced at this year’s World Fantasy Con in Saratoga Springs. Which I will not be able to attend, alas. I’d hoped to… the last WFC in Saratoga was great fun, and I loved the city, and the train ride up the Hudson from NYC… but the press of work, etc.

For the full ballot, go here: http://www.worldfantasy.org/awards/

(I would be surprised if ROGUES actually won. It’s up against some strong competition, including an anthology by my dear friend Ellen Datlow, and “Never get between Ellen Datlow and a World Fantasy Award” is right up their with “Never get in a land war in Asia” and “Never play poker with a man named Doc” where life’s truisms are concerned. It is, however, an honor just to be nominated).

Locus Award to ROGUES

July 2, 2015 at 10:09 am
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Would that I could be in two places at once. While I was off in Germany, Sweden, Finland, and the Aland Islands, I was winning an award in Seattle.

ROGUES, the latest in the series of massive cross-genre anthologies I’ve edited with Gardner Dozois, won the Locus Award for the Best Anthology of 2014. The award is voted annually by the readers and subcribers of LOCUS, the PUBLISHER WEEKLY of science fiction, and a “must read” publication for anyone seriously interested in our genre.

I’m thrilled to say that one of the stories in the book also took home a Locus plaque — Joe Abercrombie won Best Novelette for “Tough Times All Over.” ROGUES also had two runners-up on the list, a novella by Patrick Rothfuss and a novelette by Scott Lynch.

The full results can be found here: http://www.locusmag.com/News/2015/06/2015-locus-awards-winners/

The two LOCUS Awards are the latest additions to the anthology’s awards haul. Gillian Flynn’s story for ROGUES earlier won an Edgar, and the book itself was voted a Stabby Award by the members of the Reddit online community.

If you’d like to check out the book for yourself, autographed hardcovers are still available from the bookstore at the Jean Cocteau Cinema: http://www.jeancocteaubooks.com/

STATION ELEVEN Wins Clarke Award

May 6, 2015 at 7:07 pm
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Just read on LOCUS that STATION ELEVEN won this year’s Clarke Award:

http://www.locusmag.com/News/2015/05/station-eleven-wins-clarke-award/

Congratulations to Emily St. John Mandel, and thumbs up to this year’s Clarke judges. In my not-so-humble-opinion, they got it right.

(That is not always the case. The Clarke Award is juried, and like all juried awards, can sometimes go very wrong, depending on the jury. I have served on an awards jury or two in my time, so I know).

I note that the Clarke prize is two thousand pounds sterling and an engraved bookend. Cool. Money is the best prize at certain points in a writer’s career. And engraved bookends are always welcome. Who doesn’t need a cool bookend?

I must admit, I am partial to awards that come with cool trophies. I mean, the honor is great and all, but a plaque is a plaque is a plaque and a certificate-suitable-for-framing is a piece of paper, really. SF and fantasy have been uniquely blessed with some nifty awards. The Hugo rocket is, of course, iconic, and still number one for me… at least in the years when the worldcon doesn’t go overboard with the base. (We have had some VERY ugly-ass bases, huge ones that overwhelm the rocket, but also some great ones). Some people prefer the Nebula, and the early Nebulas with the quartz crystals were really striking, but in more recent decades they have been more hit-and-miss. I also love HWA award, the Tim Kirk haunted house, and of course the wonderfully ghastly head of H.P. Lovecraft (by the wonderfully ghastly Gahan Wilson) that is the World Fantasy Award. (I have one of the former, and three of the latter).

With so many talented artists and sculptors in the world right now, there’s really no reason to give certificates suitable for framing any more. Give cool trophies instead!

Or big bags o’ money. That will do too, I guess.

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