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Dunk and Egg Return to Comics

July 9, 2013 at 9:19 am
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Big news in the world of comic books today!

The graphic novels of the first two Dunk & Egg adventures, THE HEDGE KNIGHT and THE SWORN SWORD, have been unavailable for several years, ever since the Marvel Comics editions went out of print. During that time, the prices for those books have steadily risen in the collector’s market, and I’ve received numerous emails from readers begging me to get them back in print.

Their wish is about to be granted.

Today, in Seattle, Amazon Publishing formally announced the launch of JET CITY COMICS, a new publishing imprint focused on producing comics and graphic novels in both electronic and paper formats. Jet City will be launching with titles from Hugh Howey (bestselling author of WOOL), Hugo-award winning novelist Neal Stephenson… and me.

First up (from me) will be MEATHOUSE MAN, the graphic novel, based on the most twisted and disturbing story I ever wrote, wonderfully adapted, penciled, inked, and colored by the amazing Raya Golden. That’s scheduled for release in October

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Dunk and Egg will follow. Jet City will be putting both THE HEDGE KNIGHT and THE SWORN SWORD back into print. . . and releasing ebook versions for the Kindle, making both titles available electronically for the first time.

New Jet City issues will publish on Kindle as standalone comics, as serialized comics released over multiple episodes, and as bundled graphic novels, with print editions available at amazon.com and other comics retailers.

According to Amazon’s official press release, Jet City will publish the following comics in 2013:

• An original comic adaptation of George R.R. Martin’s story “Meathouse Man,” illustrated by Raya Golden, and a re-release of “The Hedge Knight” by Ben Avery and Mike S. Miller, a prequel set in the universe of Martin’s best-selling A Song of Ice and Fire epic fantasy series (the inspiration for the hit HBO program Game of Thrones). “Meathouse Man” will be released as a single issue comic in digital format in October 2013; “The Hedge Knight” will be released as a collected graphic novel in print and digital formats in November 2013; and its sequel, “The Sworn Sword,” will follow in early 2014.

• An adaptation of Hugh Howey’s bestselling dystopian novel Wool by comics veterans Jimmy Palmiotti, Justin Gray, and illustrator Jimmy Broxton, where the remnants of humanity live in a massive silo hundreds of stories below the surface of the ruined and toxic landscape of Earth. Wool was a #1 bestseller in the Kindle store and is one of the most-reviewed science fiction novels on Amazon, with almost 6,000 customer reviews. It will be released as a Kindle Serial, as six individual comics issues starting in October 2013, followed by a collected graphic novel in 2014.

• Six original comics from The Foreworld Saga, the bestselling alternate history series that began with The Mongoliad (a serialized novel collaboratively written by a team of authors led by Neal Stephenson, Greg Bear, and Mark Teppo). The first Foreworld comic, “Symposium #1” by author Christian Cameron and Illustrator Dmitry Bondarenko, details the origins of the Shield-Brethren in Ancient Greece in the days following Athens crushing defeat to Sparta in 394 BC. It goes on-sale today, with new installments releasing monthly before being collected in a series of graphic novels in 2014.

In the official press release, Alex Carr, Senior Editor at Jet City, says, “It’s a dream to work with superstar authors like George, Hugh and Neal on the launch of a new imprint. Millions of fans have read and loved their novels, and with Jet City we look forward to opening up these iconic worlds to new audiences. We’re working with an incredible, hand-picked team of comics professionals, writers, artists, and translators, who have done an amazing job developing and expanding these inventive stories. I’m looking forward to the response from comics readers and fans.”

“Comics and graphic novels, especially in digital format, represent a unique area for innovation,” said Jeff Belle, Vice President of Amazon Publishing. “Our focus will be on adapting great books for this medium as a means of expanding the audience for our authors, pushing boundaries with new ideas that combine visual and narrative storytelling, and creating compelling new experiences for readers.”

I’m excited to be published by Jet City, and delighted that they will be putting THE HEDGE KNIGHT and THE SWORN SWORD back into print, for all those fans who have been asking for them.

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“Ah, but what about THE MYSTERY KNIGHT? “ I hear you asking. The third Dunk and Egg novella, originally published in my anthology WARRIORS, has not yet been adapted to comics.

But that’s about to change. I’m delighted to say we’ve put the old gang back together. Dunk and Egg are returning to comics. Ben Avery will be scripting, and Mike S. Miller will once again be doing the art. This time it will be Random House, the publisher of the SONG OF ICE & FIRE novels and the on-going GAME OF THRONES graphic novel adaptations, doing the book.

With Jet City and Random House behind them, Dunk and Egg could not be in better hands.

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The Real Iron Throne

July 8, 2013 at 11:37 pm
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Yes, I know, that title is a bit of an oxymoron.

There is no real Iron Throne. It doesn't exist. I made it up. I said it was made of melted swords, but really, it was made of words, like all such fictional constructs.

Ah, but it's real to me. That's part of what it means to be a writer. If you don't know what I'm getting at there, go read my old short story, "Portraits of His Children." When I write about the Iron Throne, I SEE it in my head… and I try to describe it as best I can. Not being a blacksmith or an ironmonger, however, I hammer it together with words, striving to make all of you, my readers, see what I see.

Most of the time that works… though, as the recent brouhaha about the Red Viper shows, the picture in the reader's head and the picture in the writer's head do not always line up perfectly. With the Iron Throne, however, the process has been particularly frustrating. A dozen different artists have done versions of the Iron Throne over the years. Some have been very striking, some less so, but none of them have ever been quite RIGHT. Their versions never quite matched what I saw in my mind's eye.

Then came the show, and HBO's version of the Iron Throne.

I'm a realist about these things, and I know perfectly well that for millions of television viewers worldwide, the HBO Iron Throne is THE Iron Throne, and always will be. It turns up everywhere, on book covers, on magazines, in places that have no connection to the show. Say "GAME OF THRONES," and people think of the HBO Iron Throne.

And, hell, in some ways the HBO throne is more real than mine could ever be. They've actually MADE theirs (though it is not actually made of iron). There's the one that sits on the set in Belfast's Paint Hall, and at least six others that travel about the country making promotional appearances at conventions, screenings, exhibits, and the like. They turn up in train stations and parks. Thousands of people have had their pictures taken sitting on the Iron Throne, including many celebrities. And me as well, many times. Over in the UK, Sky Atlantic has their own Iron Throne, that also travels about to help promote the show. Canal + has one too, in Spain. The Spanish and British thrones are variants, somewhat different from the HBO throne, yet similar in most important respects. I've been seated on both of those at well.

The HBO throne has become iconic. And well it might. It's a terrific design, and it has served the show very well. There are replicas and paperweights of it in three different sizes. Everyone knows it. I love it. I have all those replicas right here, sitting on my shelves.

And yet, and yet… it's still not right. It's not the Iron Throne I see when I'm working on THE WINDS OF WINTER. It's not the Iron Throne I want my readers to see. The way the throne is described in the books… HUGE, hulking, black and twisted, with the steep iron stairs in front, the high seat from which the king looks DOWN on everyone in the court… my throne is a hunched beast looming over the throne room, ugly and assymetric…

The HBO throne is none of those things. It's big, yes, but not nearly as big as the one described in the novels. And for good reason. We have a huge throne room set in Belfast, but not nearly huge enough to hold the Iron Throne as I painted it. For that we'd need something much bigger, more like the interior of St. Paul's Cathedral or Westminster Abbey, and no set has that much room. The Book Version of the Iron Throne would not even fit through the doors of the Paint Hall.

So what does the Real Iron Throne look like, you ask? Glad you asked. It looks kind of like this:

Iron_throne_proposal

That's the Iron Throne as painted by the amazing Marc Simonetti (and if you haven't gotten his 2013 Ice & Fire calendar, better hurry, the year's half over) for the upcoming concordance, THE WORLD OF ICE & FIRE. It's a rough, not a final version, so what you see in the book will be more polished. But Marc has come closer here to capturing the Iron Throne as I picture it than any other artist to tackle it. From now on, THIS will be the reference I give to every other artist tackling a throne room scene. This Iron Throne is massive. Ugly. Assymetric. It's a throne made by blacksmiths hammering together half-melted, broken, twisted swords, wrenched from the hands of dead men or yielded up by defeated foes… a symbol of conquest… it has the steps I describe, and the height. From on top, the king dominates the throne room. And there are thousands of swords in it, not just a few.

This Iron Throne is scary. And not at all a comfortable seat, just as Aegon intended.

Look on his works, ye mighty, and despair.

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Dany and the Dragons

July 8, 2013 at 3:38 pm
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What's that, you ask? Dany and the Dragons? A forgotten rock group of the doo-wop era?

NO! It's a special variant cover for issue #15 of the GAME OF THRONES comic, available only (or so we are told) at the San Diego Comicon, as a comicon exclusive.

This special alternate cover was requested and commissioned by our friends at Mile High Comics, in cooperation with Dynamite Comics. It is my understanding that it will be available only at the Mile High booth. (Though of course the same issue, with the regular cover, will be available from numerous dealers at the con).

The artist is Fritz Casa.

GoThrones15-Cov-MileHigh

((Before you all start posting messages and sending emails… yes, we're well aware that the scene depicted does not actually occur in this issue. In fact, Dany's dragons have not even hatched yet in the comics, that's a good ten issues in the future. And even when they do hatch, the dragons won't be that big until, oh, STORM OF SWORDS or so. [A couple of other things here are also bigger than I'd envisioned]. No need to point all this out. My editors and I pointed it all out already to Dynamite and Mile High, but this is the cover they wanted. Artistic License, and all. The Mike S. Miller cover, with a completely different scene, will also continue to be available.))

I am told that Dynamite printed 1500 copies of these for Mile High… but with 150,000 fans at comicon, there's no telling how long they will last. So if you want to snag one, I'd advise you to hit the Mile High booth early.

(Yes, that's Froggy. No, there's no casting clue in this post. I just missed the lil' guy. Hiya, kids, hiya, hiya.

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Old Movie Theatres

July 4, 2013 at 12:33 am
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So… as I mentioned in a previous post, somewhere down below, a couple of months ago I bought the Jean Cocteau Cinema, a small movie theatre in Santa Fe that has been dark since Trans-Lux closed it down in 2006. We've been busily restoring it ever since, and hope to reopen in August. More news on all that will be forthcoming, as we get closer to the grand re-opening. My builders and designers assure me that all is going well, even though the place looks a total mess right now. That's the way it goes with construction; it has to get a lot worse before it gets better.

But I don't want to talk about the Cocteau just now, but rather theatres in general. I've always loved old theatres, especially the grand movie palaces of the 20s and 30s (the Cocteau, I hasten to add, is not one of those, as it was built in 1984), and the vaudeville halls that came before them. Buying the Cocteau, and putting its restoration into motion, has rekindled that old love. We've lost way too many of these beautiful buildings in the past half-century. Today's multiplexes are, with a few rare exception, soulless sterile cubicles with neither beauty nor personality. Sure, they are functional… but for me at least, they will never match the old halls.

I was born and raised in Bayonne, New Jersey. In my childhood, Bayonne had five movie theatres, every one with its own distinctive character. Four of them were on Broadway, Bayonne's main drag. The Strand burned down when I was very young, so I have no clear memories of it… but I recall the DeWitt, the Lyceum, and the Plaza vividly… and even the Victory, a gargantuan mausoleum the old timers all called "the Opera House," since that's what it had been. All of them are gone now. Bayonne has no movie theatres at all at present. The DeWitt, the best of them, has been a McDonald's for a quarter century. Whenever I go back to Jersey to see my family and see the golden arches where the theatre once stood, I want to weep and gnash my teeth.

The Bayonne theatres were not the only places I saw movies as a kid, however. Jersey City is just north of Bayonne, and at the heart of Jersey City is Journal Square, where three huge movie theatres once stood. The Loew's Jersey, the State, and the Stanley were true movie palaces, dwarfing Bayonne's smaller and less ornate theatres. That's where my family would go (by bus, of course, we did not own a car) once or twice a year to see the BIG pictures. They had huge screens, huge lobbies, huge auditoriums with seating for thousands. And my god, but they were ornate. Cathedrals of the cinema… they impressed me more than any of the [many] real cathedrals that I've visited since

But sad to say, Journal Square fell into decay in the 60s and 70s, and people stopped coming there as they once had. Inevitably, that took its toll on movie attendance, and one by one, Jersey City's three great movie palaces ran into trouble. The Loew's Jersey was mutilated and turned into a triplex, its huge auditorium divided down the center aisle to make two halls, while the balcony became the seating for a third. Even that did not arrest the decline; the Loew's closed all the same, and sat empty for years. At one point it was almost knocked down, but thankfully some preservationists stepped in and saved it. It has now been restored as a performing arts center, and still screens movies from time to time. Next time I'm back in Jersey, I'd love to visit it again.

The State's fate, alas, was crueller. That one the vandals cut up into a six-plex. Which did not work either. Urban decay took its toll, the theatre closed its doors, developers got hold of it, and they knocked it down. Offices and shops now fill the space where it once stood. The State was never quite the equal of the Loew's or the Stanley, but I probably saw more films there than in the other two. I mourn it.

And the Stanley… well, that's what prompted this long, rambling, nostalgic post of mine. The Stanley was not quite as ornate as the Loew's, but it was, I think, more beautiful. Sitting in its auditorium, beneath a ceiling painted to resemble sky, you almost felt as if you were outdoors. I always loved seeing films at the Stanley, and I was heartsick when it closed. Unlike the State and Loew's, however, the Stanley was never cut up into a multiplex. Instead, purchased by the Jehovah's Witnesses, it became a church and meeting hall. And it continued to decay…

Until now. For while blundering about the internet, I discovered that the Witnesses have recently restored the Stanley… adding a few religious touches that were not part of the original decor, to be sure (there were no murals of Jehovah in a chariot when I saw LAWRENCE OF ARABIA there), but otherwise coming damn close to bringing this magnificent building back to its original glory.

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Do I wish the Stanley was still showing movies, rather than being a church? Sure, I do. But it still gladdens my heart to see it returned to such splendor.

I'm not a religious guy (unless you count movies as a religion), but this makes me wish the State, the Lyceum, the DeWitt, the Plaza, and the Victory had all been turned into churches too. At least we'd still have them.

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We’re Number One…

June 29, 2013 at 10:33 pm
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… in graphic novels.

The second volume of the GAME OF THRONES graphic novel debuted at #1 on the New York Times bestseller list:

http://www.nytimes.com/best-sellers-books/2013-06-30/hardcover-graphic-books/list.html

(And, hey, the following week's list is out, and we're still number one).

My thanks and congratulations to Daniel Abraham (who wrote the script) and Tommy Patterson (who drew the pictures) and Mike S. Miller (who did the covers). They do all the real work on this one. This is their triumph, much more than mine.

I'm glad so many of you are enjoying the funny book.

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Shocked and Saddened

June 20, 2013 at 10:20 am
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I was saddened this morning to hear about the sudden death of James Gandolfini in Italy, of an apparent heart attack. He was only fifty-one.

I don’t recall that I ever met Gandolfini, though we may have been present at one or more HBO events over the past couple of years (those are large gatherings), but I was huge admirer of his acting. THE SOPRANOS was “must watch TV” for us every year it was on. A terrific show, with a terrific cast… Gandolfini first and foremost among them. It was the show that redefined drama on television, proving once and for all the audiences would gladly follow a flawed, grey, violent character, provided he was interesting enough. A ground-breaking show, an important show, it helped define HBO’s “brand,” and set the tone for many of the great HBO dramas to follow, including DEADWOOD, ROME, THE WIRE, BOARDWALK EMPIRE… and GAME OF THRONES.

Gandolfini was a fellow Jersey boy and Jets fan as well.

A huge talent. I never knew him, but I will miss him all the same.

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Aces and Elephants

June 12, 2013 at 10:28 am
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Aces, elephants, actors (well, understudies)… oh, my.

There’s a new Wild Cards story up on Tor.com. This one is by the amazing Paul Cornell, and features Abigail the Understudy, Elephant Girl, and Croyd (the Sleeper) Crenson. What more could you want?

Oh, art by John Picacio? It’s got that too.

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You can read it here:

http://www.tor.com/stories/2013/05/the-elephant-in-the-room

Enjoy… and spread the word.

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Back From LA

June 11, 2013 at 1:04 pm
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Just back from a week in LA.

I did Conan (the O’Brien, not the Cimmerian) and the Today Show, and taped a segment for a BBC special about Machiavelli… along with the usual dozen or so meeetings.

Also, while in town, swung by the Bookstar in Studio City and signed all their stock of my books, which was considerable. So if you’re an Angeleno or just visiting LA, and want to snag an autographed copy of one of my novels, get yourself to Studio City while the supply lasts.

And now I’m back in the land of wolves and savage dust storms, digging out from under.

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Swords for Sale

June 2, 2013 at 11:23 am
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The intrepid armorers and brawny blacksmiths at Valyrian Steel have been busy of late. Valyrian has just rolled out two weapons in their new HBO-licensed line of replicas — the Catspaw Dagger used by the rogue sent to kill Bran in his bed, and the Sword of Robb Stark.

(For those of you who have been collecting Valyrian’s replicas of the weapons from the novels, yes, that line is continuing as well, but Jalic has also entered into this deal with HBO to produce limited edition replicas of the blades from the show. So it is entirely possible that eventually there will be two variant ‘editions’ of the same blade, though it has not happened yet).

Here’s the Catspaw Dagger:

Catspaw 2

A handsome blade, I think. Though rather completely different from the dagger in the books, which was far plainer (though made of Valryian steel, with a dragonbone grip). It can be ordered here:

http://www.valyriansteel.com/shop/swords/catspaw-blade/prod_20.html

The Sword of Robb Stark is never described in any detail in my novels… but if I ever had paid it any mind, it probably would have looked quite a lot like the one seen in the show, which Valyrian Steel has replicated. So this one can almost be considered “novel authentic” as well as “show authentic.” Here ’tis:

Robbs sword on Plaque

You can order Robb’s sword at http://www.valyriansteel.com/shop/swords/robb-stark/prod_21.html

Both weapons come with a Certification of Authenticity — though, please note, not a SIGNED CoA, since these derive from the TV show, not the books. The weapons from the ICE & FIRE range, as opposed to the GAME OF THRONES range, are the only ones that include my illegible scrawl.

Speaking of which, I should also note that Valyrian Steel’s replica of Needle, the sword of Arya Stark, is now SOLD OUT, like Longclaw and Ice before it (a second version of Ice, based on the HBO version, is forthcoming, but the novel version is all gone). These blades are all limited editions; when they are gone, they are gone, and the price on ebay and other collector sites tends to skyrocket. Robert’s Warhammer and the Night’s Watch dragonglass dagger set remain available from Valyrian Steel, but stocks are dwindling, so if you want one, don’t wait too long.

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Dangerous Women Coming

June 1, 2013 at 4:35 pm
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Take home a dangerous woman this Christmas.

DANGEROUS WOMEN, the latest big cross-genre anthology from Gardner Dozois and yours truly, has been scheduled for a December 3 release in hardcover, according to Amazon. (I assume that is correct. The date has not actually been confirmed for me by anyone at the publisher, but presumably ’twas Tor who gave Amazon their date. Sometimes, alas, the author is the last to know).

The cover looks like this (again, according to Amazon, who apparently know more than we do):

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(I know, I know, some of you will not like the cover. Honestly, I am not a huge fan of the all-typographic approach myself, but it seems to be the lot in life for writers who reach a certain level of success, the thought being that the writer’s name will sell more copies than any artwork, no matter how splendid. And DANGEROUS WOMEN contains stories by a LOT of brilliant famous award-winning bestselling writers, ergo the desire to trumpet their names. All understandable. Being an old fanboy at heart, however, I love great SF and fantasy art, and would have preferred to depict some actual dangerous women on the cover… but this one, I must concede, will probably sell better).

DANGEROUS WOMEN is our biggest anthology yet… yes, even more massive that WARRIORS (though still well short of the length of my fantasy series), with another all-star lineup. The table of contents will look like this:

INTRODUCTION, by Gardner Dozois
SOME DESPERADO, by Joe Abercrombie
MY HEART IS EITHER BROKEN, by Megan Abbott
NORA’S SONG, by Cecelia Holland
THE HANDS THAT ARE NOT THERE, by Melinda Snodgrass
BOMBSHELLS, by Jim Butcher
RAISA STEPANOVA, by Carrie Vaughn
WRESTLING JESUS, by Joe R. Lansdale
NEIGHBORS, by Megan Lindholm
I KNOW HOW TO PICK !˜EM, by Lawrence Block
SHADOWS FOR SILENCE IN THE FORESTS OF HELL, by Brandon Sanderson
A QUEEN IN EXILE, by Sharon Kay Penman
THE GIRL IN THE MIRROR, by Lev Grossman
SECOND ARABESQUE, VERY SLOWLY, by Nancy Kress
CITY LAZARUS, by Diana Rowland
VIRGINS, by Diana Gabaldon
HELL HATH NO FURY, by Sherilynn Kenyon
PRONOUNCING DOOM, by S.M. Stirling
NAME THE BEAST, by Sam Sykes
CARETAKERS, by Pat Cadigan
LIES MY MOTHER TOLD ME, by Caroline Spector
THE PRINCESS AND THE QUEEN, by George R.R. Martin

The Abercrombie is set against his RED COUNTRY backdrop, the Holland gives us Eleanor of Aquitaine, Jim Butcher returns us to Harry Dresden’s world, Lev Grossman contributes a tale of life at Brakebills, Steve Stirling revisits his Emberverse, Diana Gabaldon’s story features Jamie Fraser of OUTLANDER fame, the Spector is a Wild Cards story featuring Hoodoo Mama and the Amazing Bubbles, and mine own contribution… well, it’s some of that fake history I have been writing lo these many months, the true (mostly) story of the origins of the Dance of the Dragons. The stand-alone stories, not part of any series, feature some amazing work as well. For those who like to lose themselves in long stories, the Brandon Sanderson story, the Diana Gabaldon story, the Caroline Spector story, and my “Princess and Queen” are novellas. Huge mothers.

You can preorder DANGEROUS WOMEN here:
http://www.amazon.com/Dangerous-Women-George-R-R-Martin/dp/076533206X

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