Not a Blog

A new deal for WILD CARDS

June 28, 2007 at 5:46 pm
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I’ve just finished going over the copyedited manuscript of INSIDE STRAIGHT, the first book in our new Wild Cards triad, scheduled for a January release from Tor. It’s the eighteenth volume in the series, which we originally launched with Bantam way back in 1987, but it’s not necessary to have read the preceding seventeen books to be able to understand and enjoy this one, so I hope that come January some of you will go out and pick it up and give Wild Cards a try.

I am, of course, prejudiced, since I edited the thing, but I think INSIDE STRAIGHT is one of the stronger volumes in the series. This is sort of “Wild Cards – the New Generation,” since a lot of our original cast of characters were getting a little long in the tooth. (Unlike the heroes of the Marvel and DC universe, the Wild Cards characters live in real time, and aside from Golden Boy and Dr. Tachyon and a few others, they age). A few of the older, established characters will appear in INSIDE STRAIGHT, some in major roles and some just as cameos or even just mentions-in-passing, but mostly this book will belong to the new kids on the block — Bugsy, Lohengrin, Curveball, Earth Witch, Bubbles, Rustbelt, Lilith, Drummer Boy, and a whole bunch more. I can’t wait for you guys to meet them. I think our old Wild Cards readers will find them worthy successors to Tachyon and the Turtle and Fortunato and Yeoman and the rest of our first generations stars… and I hope our new readers will like them enough to go out and hunt up some of the old books on ABE.

INSIDE STRAIGHT will also mark the Wild Cards debuts of some terrific new writers. Caroline Spector, Carrie Vaughn, and Ian Tregillis will all be joining the madness, and I think you’ll like their stuff. I do. “The Tin Man’s Lament,” Ian’s story in INSIDE STRAIGHT, is his first professional sale, but I promise you, it won’t be his last. I expect to see his name turning up on the Campbell Awards ballot in a couple of years.

And of course a bunch of our regulars will also be on hand, albeit with new characters. One of the best things about the Wild Cards series is the opportunity it gives me to work with so many talented writers, some big names, some just starting out. Writing for something like Wild Cards is a bit like being in a band, as opposed to doing a solo act. Unlike musicians, we writers play solo the vast majority of the time, so it’s huge fun to have the chance to jam with other people now and again… and what comes out of those jam sessions is often wild and wonderful, and quite different from anything any one member of the band could have come up with on his or her own.

Oh, and I’ve just seen the cover for INSIDE STRAIGHT as well. The art is by Michael Komarck, and it’s spectacular. I think this is the best cover we’ve ever had on a Wild Cards book. Yes, even better than the six Brian Bolland covers that adorned the Titan editions in England, and I loved those so much that I bought five of the originals and hung them on my wall. Komarck is a real comer as an artist, I think. In a few years, I think you’ll be seeing his name on Hugo ballots, if there is any justice (of course, there ISN’T any justice, or else Alan Lee and John Howe would both have Hugos, but that’s a discussion for another day).

I should also mention that, although I won’t be at this year’s San Diego Comicon, the Wild Cards series will be represented. WC writers Kevin Andrew Murphy and Carrie Vaughn will be there, participating, and Tor will be doing a special INSIDE STRAIGHT promotion, so be sure and visit their booth in the exhibit hall.

And yeah, yeah, I know this post will probably infuriate those “fans” of mine who would prefer that I work on A SONG OF ICE AND FIRE all day, every day, to the exclusion of everything else… but I’ve grown used to that by now. Sorry, guys. I’m working on DANCE, as I’ve reported, but I have other projects too, and that’s going to continue to be true for a long, long time.

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The Only Living Boy in New York

June 25, 2007 at 7:52 pm
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… or New Mexico, in my case.

It’s been too long since I last posted here, but I have a good excuse. Parris has been off in Ireland since June 6, and I have been trying to take advantage of the (comparative) isolation to get some serious work done on A DANCE WITH DRAGONS. I’ve only been partially successful there. It has been a good few weeks, work wise, but not the great few weeks that I was kinda sorta hoping for. I did manage to finish one especially troublesome chapter that I have been fussing and fretting over since before I split the two books, so that’s good. (At least I THINK I finally finished it. Tomorrow I may reread the thing and decide, no, it’s no good at all. But I hope not). Finished some other chapters too, and did some more revision, so I’ve been productive, but still… there’s no way around it, DANCE is simply coming more slowly than me, my editors, or my readers would like.

I am trying to deal with that, in a couple of ways. First, I have gone and hired an actual assistant, for the first time in my career. Ty Franck has been fixing some glitches with my computer system, running a lot of my annoying, time consuming, but necessary errands, and putting my files on a database, which will finally allow me to phase out the extremely idiosyncratic, pen-and-paper-index-cards-manila-folders-and-adding-machine record-keeping system that I made up myself at the beginning of my career in 1971 and have been using ever since. Once that’s done, Ty will keep my records up to date, and I may also have him take over some part of my correspondence and emails. I have been very reluctant to do that, since I value the contact with my fans and like being accessible to them, but I’ve have reached the point where that simply may not be possible any longer. Still, it’s hard to let go, at least for me. We’ll see how this all plays out.

Also, sad to say, I have begun to question whether or not I can make this year’s worldcon in Japan. I hate to cancel, I truly do. I have not missed a worldcon, foreign or domestic, since Aussiecon II in 1985, and I do not want to break my twenty-one year streak. I love worldcons. Plus, I have never been to Japan, and I really wanted to go. Of course, I am not going to fly across the Pacific just for five days at a con. If I am going to Japan, I want to stay a few weeks and see Japan. My Japanese publisher has invited me to make some promotional appearances when I am over there as well. And my Chinese publisher has suggested I come in for a conference in China before the worldcon. And now my Korean publisher would like me to visit South Korea and do some signings after Japan. I would love to do all of this, and see the sights besides, but if I do it will mean at least a month-long trip, and maybe two months, and I just don’t think I can spare the time.

A year ago, it would never have dawned on me that DANCE would not be done by the time the Japanese worldcon rolled around, but that’s looking like a very real possibility now. Much as I might want to, I just can’t take off for a month of Asian travel with the book undone. I have to finish if it kills me… and some days I think it may. So I think my streak is going to have to end. (And no, skipping Japan does NOT mean I will now be free add the San Diego Comicon, the St. Louis NASFic, Dragoncon, or Bubonicon to the schedule. If I cancel one con then turn around and add others, it sort of defeats the purpose of cancelling). If I decide to stay home, that’s what I will do. Stay home.

Parris gets home July 2. She’s having a great time in Ireland, she tells me, despite a flight from hell, being stranded in O’Hare, a bum knee that is hobbling her still, pouring rain, an auto accident that totalled two cars. Which just goes to show how much she loves Ireland and her friends there. Still, it will be nice to have her home. Our two houses both feel very empty with her gone, especially at night.

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