Not a Blog

NEW REPLICAS FROM VALYRIAN STEEL

January 27, 2020 at 9:25 am
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Jalic Blades has just opened pre-sales for these lovely new swords from Jalics official World of Ice and Fire and GoT licensed replica shop Valyrian Steel.
Both are limited edition, we have listed details below:
Heartsbane Stainless – Limited Edition of 3000
Heartsbane Damascus – Limited Edition of 1000
Here’s their official copy announcing this limited edition collectible item:
We are pleased to announce the newest product in our line of licensed collectibles from the HBO® series Game of Thrones®. Heartsbane is made from stainless steel with bronze finished handle parts and a hardwood grip. It was modeled directly on the actual screen used prop from the show, with accurately matched materials and dimensions. It is a limited edition of 3000 pieces and will come with a certificate of authenticity and wall plaque. Heartsbane will retail for an MSRP of $350 and preorders will open on January 25th at 1PM Eastern (New York) time for summer 2020 deliveries.
And lets not forget this second item from the HBO line up of replicas:
Arya’s Blade Unlimited
Arya’s Blade Damascus – Limited Edition of 1000
We are pleased to announce the newest product in our line of licensed collectibles from the HBO® series Game of Thrones®. Arya’s Blade will have two versions, one made from damascus steel, one from stainless steel. It was modeled directly on the actual screen used prop from the show, with accurately matched materials and dimensions. The damascus version is a limited edition of 1000 pieces, the stainless is serialized but unlimited. Both will come with a certificate of authenticity and stand with dome. Arya’s Blade will retail for an MSRP of $210 in stainless and $350 in damascus. The stainless we will start accepting preorders on Saturday December 14th at 12:00 Noon Eastern (New York) time for 2nd Quarter 2020 deliveries. Damascus will start accepting preorders 1 hour later.
THIS MESSAGE HAS BEEN BROUGHT TO YOU BY THE MINIONS OF FEVRE RIVER

Current Mood: geeky geeky

RIP Mike

January 14, 2020 at 7:33 pm
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I was deeply saddened this week to read of the death of Mike Resnick, one of the true giants of contemporary science fiction.  Mike has been battling serious illness for some time, so the news did not come as a complete surprise… but it came too soon, too soon, and our field and our community will be the poorer for his absence.

I don’t recall when I first met Mike, but it was a long, long time ago, back in the 1970s when both of us were still living in Chicago.  I was a young writer and he was a somewhat older, somewhat more established writer.  There were a lot of young writers in the Chicago area in those days, along with three more seasoned pros, Gene Wolfe, Algis Budrys, and Mike.   What impressed me at the time… and still impresses me, all these years later… was how willing all three of them were to offer their advice, encouragements, and help to aspiring neo-pros like me.   Each of them in his own way epitomized what this genre and this community were all about back then.  Paying forward, in Heinlein’s phrase.

And no one paid it forward more than Mike Resnick.

He was fine writer, and a prolific one, as all his Hugo and Nebula nods will testify.  After they started giving out those little rocket pins for Hugo nominations, Resnick would wear them on his shirt like medals: pointed up for a story that won, down for a story that lost.  That always charmed me.  Mike won the Hugo five times; once for novella, once for novelette, thrice for short story  (like me, he never won the big one, Best Novel).   He lost a lot more (we had that in common as well).   He took that in stride, with a shrug and a smile, in the true spirit of a Hugo Loser.

He never won for Best Editor either, and as best I recall he was nominated only once, under unfortunate circumstances.   That was a pity.  He deserved more recognition for his editing.   He edited something like forty anthologies, I believe, and he always made a point to fill them with a lot of young aspiring writers, new names and no-names making their first or second or fifth professional sale.  I can’t say how many careers he helped launch, but it was a lot.  In modern times, only Gardner Dozois was more assiduous in searching out new talent.   Mike called his discoveries his “writer babies” and they called him their “writer daddy,” and many a time I would see him  in the lobby of a con hotel, with a dozen of his literary children sitting around his feet as he shared his wisdom with them… along with a funny story and ribald anecdote or two.

His last great act as an editor was the founding of GALAXY’S EDGE, a new SF magazine that he launched… in an act of madness that was all Mike… at the time when the old magazines were struggling to survive.   GALAXY’S EDGE always featured a lot of new writers too, and Mike paid them decent rates… a feat he accomplished by twisting the arms of old coots like me to give him reprints for pennies, to free up more money for the newcomers.  (Lots of us old coots were glad to do it.  Like Mike, we believe in paying forward).  I hope and trust that GALAXY’S EDGE will keep going strong, as a lasting testament to his legacy.

These days, all too often, I meet writers who come to conventions only to promote themselves and their books.   They do their panels, and you bump into them at the SFWA Suite, but nowhere else.   Not Mike.  Mike Resnick was fannish to the bone.   You’d find him at publisher’s parties and the SFWA suite, sure, but he’d also pop up at bid parties, in the bar, in the con suite.  He made more than one Hugo Loser party, both before and after the days I was running it.  You’d see him in the dealer’s room, at the art show, at the masquerade… his Chun the Unavoidable costume, from Jack Vance’s DYING EARTH, was a classic.   When he appeared on panels, he was funny, sharp, irascible, irreverent, always entertaining… and he would do entire panels without once plugging his own new book, a trick more program participants should learn.  The place you’d find him most often at worldcon was the CFG suite, the redoubt of the Cincinnati Fan Group.  He was the professional’s professional, sure, but Mike was also the fan’s fan.   For some writers conventions are for selling, selling, selling… for Mike, they were more about giving, giving, giving.   And having fun.   That too.   Mike always seemed to be smiling or laughing.   He loved science fiction, fantasy, fandom, writing, reading, cons… and he shared his passion with everyone around him.

Science fiction has lost a fine writer, a unique voice, a magnificent mentor… and a profoundly good and decent man.

Current Mood: melancholy melancholy

Hugo Nominations Open

January 6, 2020 at 2:57 pm
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CoNZealand, this year’s World Science Fiction Convention, has announced that nominations are now open for the 2020 Hugo Awards.   To nominate, you need to be a member of either this year’s worldcon, or last year’s Dublin convention.  You can nominate either electronically, or with a paper ballot (though very few chose the latter method these days).

Details can be found at https://conzealand.nz/wp-content/uploads/2019/12/2020-Hugo-Nominations-Ballot-Printable-US-Letter.pdf

Members can nominate for the Hugos themselves, the two “Not A Hugo” categories, and for the Retro-Hugos that honor outstanding works published during the years when no Hugos were awarded.

First given in 1953, the Hugo is not only the oldest SF and fantasy award, but by far the most prestigious.   The list of past winners reads like a Who’s Who of our genre (and, honestly, the list of past losers is equally amazing).   No, you don’t need to read everything that was published last year to nominate.  You don’t need to nominate in every category either.  Just nominate the works you read and loved, and you’ll be fine.   Other fans will take care of the rest.

Even if you only nominate a single work in a single category, I urge you to NOMINATE.  Let your voice be heard.  The Hugo is fandom’s award, worldcon’s award, one of the greatest honors our community can bestow.  Winning a Hugo is an amazing experience… but earning a nomination is almost as exciting.   Far fewer people take part in the nomination round than vote on the final ballot, so this is the stage of the process where you can have the greatest impact.   There have been instances in the recent past when a single nomination was the difference between making the cut and being left off the ballot.   Just last year, my own imaginary history FIRE & BLOOD came six votes short of being nominated in Best Related Work (though, as it happens, I was later informed that it would have been disqualified in any case, for having too much fictional contest).   Almost only counts in horseshoes and grenades, as we all know… you wouldn’t want your favorite story off the year to be left off the ballot because you forget to send in a ballot.   So NOMINATE.

Speaking of which… for the last decade or so, I have been making recommendations of my own favorites (in certain categories, at least) on my Not A Blog.  There’s so much good work being published each year it is easy to get overlooked, so I wanted to do what I could to draw attention to worthy books, movies, and individuals.   I will not be making any recommendations this year, however.   I am going to be the Toastmaster this summer at CoNZealand, the guy on stage emceeing the event and handing out all those nice shiny rocket ships.  It would not be appropriate for me to go on record as favoring certain nominees (and, by implication, dis-approving of others… though that would be a shaky assumption, since I don’t always get around to reading everything in every case).   It behooves the Toastmaster to be neutral, I believe.  Which is not to say that I won’t be cheering on some winners and being aghast at others… but not in public.

I expect that I will go back to recommending work next year, when worldcon moves to Washington and it is someone else’s turn in the barrel as Toastmaster.

Current Mood: cheerful cheerful