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Hugo Recommendations – Editing (Redux)

February 21, 2019 at 9:42 pm
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For Best Editor, Short Form:

GARDNER DOZOIS

Of course.

 

We lost Gardner last May.   A lot of love and laughter went out of the world when he died, and a tremendous amount of talent as well.   He was a gifted writer who did not write nearly enough… and an amazing editor, the single most important and influential editor in our field since John W. Campbell Jr.   It was my privilege  to co-edit half a dozen anthologies with him.   That was a joy and a pleasure, and I will always regret that we can’t do any more.

Gardner loved science fiction with all his heart and soul, and the field loved him as well.   He won more Hugos for editing than any other editor, past or present.   But that does not mean we cannot give him one more.   THE BOOK OF MAGIC, his last original anthology, was published in 2018, along with the final volume of his annual BEST.   Great works, both.

I’ll be putting Gardner’s name on my ballot for Best Editor, Short Form.   I hope you will as well.

 

Current Mood: melancholy melancholy

Hugo Eligibility – Best Series

February 21, 2019 at 9:41 pm
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I have seen here and there that some people are suggesting A SONG OF ICE & FIRE (by that name, or as GAME OF THRONES) as a possible nominee for the new(ish) Best Series category of the Hugo Awards.   It fits worldcon’s very broad definition of a series, I agree… but as I said below in my post about FIRE & BLOOD, I don’t consider A SONG OF ICE & FIRE a series, and even it was, FIRE & BLOOD is not really part of it.   More a Related Work, the category where it fits best.

WILD CARDS, however, IS a series by anyone’s definition, and is definitely eligible for nomination.

And for what it is worth, WILD CARDS had a hell of a year in 2018.

We published not one, not two, but three new original mosaic novels in the series:  LOW CHICAGO came out in June and TEXAS HOLD ‘EM in November, both in the US, while KNAVES OVER QUEENS was a June release in the UK.   I don’t know any other contending series that put out three new books last year.  And while I am admittedly far from objective, those three books rank among the strongest volumes in the history of the series.   I am very proud of them, and the fans seemed to love them too.

That’s not all, however.   We re-released one of the old books too: ONE-EYED JACKS, volume eight from the original series, was released in August, after decades of being out of print.   But it was not a straight reprint.   We also added two brand new stories to the original text, a Magpie story by Kevin Andrew Murphy and a tale of Lady Black from Carrie Vaughn.

In addition, we had three brand-new stand-alone Wild Cards stories published over on Tor.com:

— “EverNight,” by Victor Milan, published in February,
—  “The Flight of Morpho Girl,” by Caroline Spector and Bradley Denton, published in April,
—  “Fitting In,” by Max Gladstone, published in November.

That’s a huge amount of original Wild Cards content.   If you haven’t tried any of it, you should.   There’s some great stuff there.   I am a lucky editor, and I’ve assembled an amazing team of writers in Wild Cards.

And 2018 was our thirty-first year.   We now have twenty-seven volumes in print, with three more in the pipeline… and probably a lot more to come, especially if the TV shows take off on Hulu.   No other series comes close.

I hope the Hugo nominators will agree.

Current Mood: hopeful hopeful